Bruno Kastner: Why her?
Agente Vogel: There's never a why.
Stella Honer: Viewers love shady situations.
Agente Vogel: Rule one: Sanctify the victim. Monsters seem less monstrous if people think: "She was asking for it". Don't you agree?
Agente Vogel: They'll never forgive us. You realize this, right?... People won't understand, they'll blame us. Before a body shows up, we need a culprit.
Prof. Loris Martini: ... It's obvious. Making viewers happy. Because evil is the real driving force in a story. Nobody cares for a videogame or story where everything ends well. Right? The bad guy makes the story go. Remember that. The bad guy... If you think about it...
Prof. Loris Martini: What's there to be afraid of?
You don't get it, this is just the start, the storm has yet to come.
Prof. Loris Martini: What if they find nothing?
Professor, do me a favor, do yourself a favor... forget that you're innocent.
Prof. Loris Martini: Someone once said the devil's dumbest sin is vanity.
Prof. Loris Martini: During our last class,I explained that all authors are inspired by something someone wrote before them. The first rule for a great novelist is to copy.
Prof. Loris Martini: I also told you that evil is the driving force of a story. We must find a sacrificial victim, preferably someone who's innocent. The leading character must be evasive, everyone should suspect him. In literature people kill for hate, but in real life, the motive is usually money—
Agente Vogel: How would you feel if... I tell you I know who did it?... Because I killed the monster tonight.
Agente Vogel: A killer normally commits twenty errors, but is only aware of a third of them. Most of them are due to carelessness or inexperience. But there's one type of error that we can consider deliberate. It's a sort of signature. "The devil's dumbest sin is vanity..." But where's the fun in being the devil if you can't let anyone else know?
--
+ Quotes on the IMDb
Σ nostradamvs: «...если об <этом> забыть, то получился отличный «перевёртыш»: сначала понятно, кто убийца, потом непонятно, кто убийца, потом снова понятно, кто убийца, и это действительно хорошо поставлено. Ты до самого конца не знаешь, за кого болеть – за подозреваемого-учителя или за не очень честного полицейского.»
Agente Vogel: There's never a why.
Stella Honer: Viewers love shady situations.
Agente Vogel: Rule one: Sanctify the victim. Monsters seem less monstrous if people think: "She was asking for it". Don't you agree?
Agente Vogel: They'll never forgive us. You realize this, right?... People won't understand, they'll blame us. Before a body shows up, we need a culprit.
Prof. Loris Martini: ... It's obvious. Making viewers happy. Because evil is the real driving force in a story. Nobody cares for a videogame or story where everything ends well. Right? The bad guy makes the story go. Remember that. The bad guy... If you think about it...
Prof. Loris Martini: What's there to be afraid of?
You don't get it, this is just the start, the storm has yet to come.
Prof. Loris Martini: What if they find nothing?
Professor, do me a favor, do yourself a favor... forget that you're innocent.
Prof. Loris Martini: Someone once said the devil's dumbest sin is vanity.
Prof. Loris Martini: During our last class,I explained that all authors are inspired by something someone wrote before them. The first rule for a great novelist is to copy.
Prof. Loris Martini: I also told you that evil is the driving force of a story. We must find a sacrificial victim, preferably someone who's innocent. The leading character must be evasive, everyone should suspect him. In literature people kill for hate, but in real life, the motive is usually money—
Agente Vogel: How would you feel if... I tell you I know who did it?... Because I killed the monster tonight.
Agente Vogel: A killer normally commits twenty errors, but is only aware of a third of them. Most of them are due to carelessness or inexperience. But there's one type of error that we can consider deliberate. It's a sort of signature. "The devil's dumbest sin is vanity..." But where's the fun in being the devil if you can't let anyone else know?
--
+ Quotes on the IMDb
Σ nostradamvs: «...если об <этом> забыть, то получился отличный «перевёртыш»: сначала понятно, кто убийца, потом непонятно, кто убийца, потом снова понятно, кто убийца, и это действительно хорошо поставлено. Ты до самого конца не знаешь, за кого болеть – за подозреваемого-учителя или за не очень честного полицейского.»
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