Once Upon a Time... in Hollywood (2019)

Rick Dalton: Well... actors are required to do a lot of dangerous stuff. Say Jake Cahill gets shot off his horse. Now, can I fall off a horse? Yes, I can, and, yes, I have...

Cliff Booth: Come on, now. You ever seen an Italian Western, huh?
Rick Dalton: They're awful. It's a fucking farce.
Cliff Booth: Yeah, how many you seen? One? Two?
Rick Dalton: I've seen enough, all right? Nobody likes Spaghetti Westerns.

Rick Dalton: What do I always say? Most important thing in this town is, when you're making money, you buy a house in town. You don't rent. Eddie O'Brien taught me that. Hollywood real estate means you live here. You're not just visiting, not just passing through. You fucking live here. Here I am flat on my ass, and who I got living next door to me? The director of Rosemary's fucking Baby, that's who. Polanski, the hottest director in town right now, probably the world. He's my next-door fucking neighbor. Heh-heh. I mean, shit. I mean, who knows what could happen? I could... I could be one pool party away from starring in a new Polanski movie.

Rick Dalton: You don't eat lunch?
Trudi Fraser: I've got a scene after lunch.
Rick Dalton: Yeah?
Trudi Fraser: Eating lunch before I do a scene makes me sluggish... I believe it's the job of an actor... And I say "actor," not "actress," because the word "actress" is nonsensical. It's the actor's job to avoid impediments to their performance. It's the actor's job to strive for 100 percent effectiveness. Naturally, we never succeed, but it's the pursuit... that's meaningful.

Rick Dalton: Who are you?
Trudi Fraser: You can call me Marabella.
Rick Dalton: No, no, come on, come on. What's your real name?
Trudi Fraser: When we're on set, I'd prefer to only be referred to by my character's name. It helps me invest in the reality of the story. I've tried it both ways, and I'm always just a tiny bit better when I don't break character. And if I can be a tiny bit better, I want to be.

---

Trudi Fraser: You're the bad guy. Caleb DeCoteau.
Rick Dalton: I thought it was pronounced Caleb "Dakota."
Trudi Fraser: I'm pretty sure it's "DeCoteau."
Rick Dalton: DeCoteau...

Trudi Fraser: What's happening to Easy Breezy now?
Rick Dalton: He's, um... He... He's not the best anymore. In fact, far from it. And... he's coming to terms with what it's like to be slightly more... use... Slightly more useless each day....
Trudi Fraser: It's okay, Caleb. It's okay. It sounds like a really sad book. Poor Easy Breezy. I'm practically crying and I haven't even read it.
Rick Dalton: About 15 years, you'll be living it.

Caleb DeCoteau: To my wife and all my sweethearts. May they never meet.

Trudi Fraser: That was the best acting I've ever seen in my whole life.

Pussycat: George isn't blind! You're the blind one!!

Rick Dalton: Well, here it goes now. With the, uh... With the new wife, I... I just... I can't afford you anymore, Cliff. You know? I can barely afford my own house anymore.

Narrator: The only thing the two men know of for sure: Tonight, Rick and Cliff will have a good old-fashioned drunk. Both men know, once the plane touches down in El Segundo, it'll be the end of an era for both of them. And when you come to the end of the line with a buddy who is more than a brother and a little less than a wife, getting blind drunk together is really the only way to say farewell.

Cliff Booth: Hey. You are real, right?

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Σ pita4og: «совершенно восхитительная для любого киномана лента. Потрясающая игра дуэта звезд - Леонардо ДиКаприо и Брэда Питта. Замечательный актерский второй план. Ностальгия по Голливуду 60-ых и ностальгия режиссера по своему же раннему творчеству. В рецензиях через одну обвиняют автора во вторичности, а кино считают слишком вялотекущем для обычного зрителя. Возможно, так и есть, но если вы фанат кино в целом и творчества Тарантино в частности, то эмоции от просмотра будут точно бить фонтаном!
.....
у Тарантино все же есть талант снимать кино таким образом, что две параллельные истории с большими звездами в главных ролях не спорят друг с другом и не мешают Леонардо ДиКаприо и Брэду Питту показывать свои актерские таланты. Мне лично сложно сказать, кто из них понравился больше - оба прекрасны в каждой секунде экранного времени. ДиКаприо к своей безумной мимике добавляет несколько акцентов сразу. Питту удается играть в кадре одними глазами и улыбкой.
.....
По поводу саундтрека к фильму по этой ссылке на music.yandex.ru. Если включить треки на самопроигрывание и не переключать, то создается иллюзия, что вы слушаете настоящее радио 60-ых с речевой и музыкальной рекламой и вставками про погоду:-)»

Σ odnovremenno: «Тарантино прекрасен.»

Jackie Brown (1997)

Ordell Robbie: Oh, uh-uh-uh, here we go. AK-47, the very best there is. When you absolutely, positively got to kill every motherfucker in the room... accept no substitutes.

Louis Gara: Who was that?
Ordell Robbie: That's Beaumont.
Louis Gara: Who's Beaumont?
Ordell Robbie: An employee I had to let go.
Louis Gara: What'd he do?
Ordell Robbie: He put hisself in a position where he was gonna have to do ten years in prison. That's what he did. And if you know Beaumont... you know there ain't no goddamn way he can do ten years. If you know that, then you know Beaumont's gonna do anything Beaumont can... to keep from doin' them ten years... includin' tellin' the federal government any and every motherfucking thing... about my black ass. Now, that, my friend, is a clear-cut case... of him or me... and you best believe... it ain't gonna be me.

Detective Mark Dargas: With your prior, the judge will give you two years. Now, you'll probably only end up serving a year and some change... but if I was a 44-year-old black woman... desperately clinging on to this one shitty, little job I was fortunate enough to get... I don't think that I'd think I had a year to throw away. So let's start again now, shall we?

Ordell Robbie: Uh-uh-uh. I didn't hear you wash your hands.

Ordell Robbie: Is that what I think it is?
Jackie Brown: What do you think it is?
Ordell Robbie: I think it's a gun pressed up against my dick.
Jackie Brown: Well, you thought right. Now, take your hands from around my throat... nigger.

Max Cherry: I'll bet, besides maybe an afro, you look exactly how you did at 29.
Jackie Brown: Well, my ass ain't the same.
Max Cherry: Bigger?
Jackie Brown: Yeah.
Max Cherry: Ain't nothin' wrong with that!

Ordell Robbie: I suppose you see a piece of this for yourself?
Jackie Brown: It's my plan. We're in this together.
Ordell Robbie: Yeah, but it's my money, and I don't need no fuckin' partners.
Jackie Brown: I ain't your partner. I'm your manager. And I'm managing to get your money out of Mexico, into America, in your hands... and I'm managing to do it all under the nose of the cops. So, therefore, I'm your manager, and a manager gets 15%.
Ordell Robbie: No, a manager gets ten percent.
Jackie Brown: No, that's an agent.
Ordell Robbie: I'm gonna give you ten.
Jackie Brown: No. No. A manager gets 15%, agent gets 10. I'm getting 15%, all right?
Ordell Robbie: All I'm gonna give you is ten. And the same deal as before.
Jackie Brown: I can do that.

---

Melanie Ralston: You got to admit, he's not too bright.
Louis Gara: Oh... I wouldn't go so far as to say that.
Melanie Ralston: He moves his lips when he reads. What does that tell you?.. Let's say that he's streetwise, you know. We'll give him that. He's still a fuckup.

Louis Gara: I don't understand why you keep someone around your business and you can't even trust 'em.
Ordell Robbie: I ain't gotta trust her. I know her.
Louis Gara: I don't know what that means, man.
Ordell Robbie: Well, you can't trust Melanie... but you can always trust Melanie to be Melanie.

Max Cherry: If I saw an opportunity to walk away with a shopping bag full of money, would I take it?
Jackie Brown: You know where it came from. It's not like it's somebody's life savings. It wouldn't even be missed.
Max Cherry: Half a million dollars will always be missed.

Jackie Brown: I'm not sure you answered my question, Max.
Max Cherry: Which one?
Jackie Brown: If you had the chance, unemployed now... to walk away with a half million dollars... would you take it?

Ordell Robbie: You shot her? Twice?!

Ordell Robbie: It's Jackie Brown.

Ordell Robbie: My ass may be dumb, but I ain't no dumb ass.

Max Cherry: I'm 56 years old. I can't blame anybody for anything I do.

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Reservoir Dogs (1992)

Mr. Brown: Let me tell you what Like a Virgin's about...

Mr. White: Listen, buddy. You go ahead and be scared. You've been brave enough for one day.

Mr. White: Listen to me. You're gonna be fine. Along with the kneecap, the gut is the most painful area a guy can get shot in.
Mr. Orange: No shit!
Mr. White: But it takes a long time to die from it. I'm talkin' days. You're gonna wish you were dead. But it takes days to die from your wound. Time is on your side.

Mr. Pink: This is bad. This is so fucking bad. Is it bad?
Mr. White: As opposed to good?

Mr. Pink: Did you kill anybody?
Mr. White: A few cops.
Mr. Pink: No real people?
Mr. White: Just cops.

Mr. Pink: We ain't taking him to a hospital.
Mr. White: If we don't, he'll die!
Mr. Pink: And I'm very sad about that, but some fellas are lucky, and some ain't.

Mr. Blonde: Guess what? I think I'm parked in the red zone.

---

Holdaway: Now, the things you gotta remember are the details. It's the details that sell your story. Now, this particular story takes place in a men's room. So you gotta know all the details about the men's room. You gotta know if they got paper towels or a blower to dry your hands with. You gotta know if the stalls ain't got no doors or not, man. You gotta know if they got liquid soap or that pink, granulated powdered shit... they used to use in high school, remember? You gotta know if they got hot water or not; if it stinks; if some nasty, low-life, scum-ridden motherfucker, man, sprayed diarrhea all over one of the bowls. You gotta know every detail there is to know about this commode. So what you gotta do is to take all them details, man, and make 'em your own. While you're doin' that, you gotta remember that this story's about you, and how you perceived the events that went down. The only way to do that, my brother, is to keep saying it and saying it and saying it... and saying it and saying it.
Freddy: This was during the Los Angeles marijuana drought, 1986.....

Mr. Pink: Why am I Mr. Pink?
Joe Cabot: Because you're a faggot, all right?
Mr. Pink: Why can't we pick our own colors?
Joe Cabot: No way, no way. Tried it once. It doesn't work. You get four guys all fighting over who's gonna be Mr. Black.

Joe Cabot: You're Mr. Pink. Be thankful you're not Mr. Yellow.
Mr. Brown: Eh, yeah, but Mr. Brown, that's a little too close to Mr. Shit.
Mr. Pink: Well, Mr. Pink sounds like Mr. Pussy. How 'bout if I'm Mr. Purple? I mean, that sounds good to me. I'll, I'll be Mr. Purple.
Joe Cabot: You're not Mr. Purple. Some guy on some other job is Mr. Purple. You're Mr. Pink!
Mr. White: Who cares what your name is?
Mr. Pink: Yeah, that's easy for you to say. You're Mr. White. You have a cool sounding name.

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