Colonel Tom Parker: It don't matter if you do ten stupid things, as long as you do one smart one.
Colonel Tom Parker: As an orphan, I ran away to the carnival, where I learned the art of the "snow job," of emptying a rube's wallet while leaving them with nothing but a smile on their face. But a carnival act that would get you the most money, the most snow, had great costumes and a unique trick, that gave the audience feelings they weren't sure they should enjoy. But they do.
Colonel Tom Parker: Now, I don't know nothin' about music... But I could see in that girl's eyes, that she was having feelings she wasn't sure she should enjoy... He was a taste of forbidden fruit. She could've eaten him alive. It was the greatest carnival attraction I'd ever seen.
Gladys: I don't know how to explain it. But I saw it in that girl's eyes. It's something beyond us, but I know that whatever it is, it's something that... It's something that can come between us.
Elvis: Oh, no, mama, no. Hey. Ain't nothing ever gonna do that. You're my girl. My satnin. You'll always be my bestest girl. ... I will call you every night.
Gladys: Will you promise me, booby?
Elvis: I promise. I promise. I promise, I promise.
Colonel Tom Parker: A snowman is only as good... as his attraction.
Colonel Tom Parker: Creatures of the carnival. And I am one myself. It's where I learned the art of the snow job.
Elvis: Snow job?
Colonel Tom Parker: Yes. It's like the trick you do with the wiggling, getting all the girls hyped up, empty their wallets and leave them with nothing but the smiles on their faces.
Elvis: I'm no trickster.
Colonel Tom Parker: Oh, yes, you are. All showmen are snowmen.
Vernon: "I hate Elvis." Huh?
Gladys: I hate Elvis.
Colonel Tom Parker: In my way of thinking, "I love Elvis," that's an easy sell. Those who hate your son will do so whether we profit from it or not. After all, what is hate worth if it's free?
Colonel Tom Parker: What song are you going to sing tonight?
I've made no decision. I'll feel it.
Elvis: A reverend once told me... "When things are too dangerous to say... sing."
— Well, before the army, we found no record of you at all. No passport, no residency. You were never a colonel. Never a Tom. You weren't even a Parker. Why did you flee Holland, Andreas Van Kuijk?
Priscilla: Do you still love me?
When you're 40 and I'm 50, we'll be back together. You'll see.
Colonel Tom Parker: Oh, you see, my boy, the... truth about the rock of eternity... It is forever just beyond our reach.
Elvis: I'm gonna be 40 soon, 'cilla. Forty. And nobody's gonna remember me. I never did anything lasting. I never made that classic film that I could be proud of...
—
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27 февр. 2023 г.
21 февр. 2022 г.
Brad's Status (2017)
Brad Sloan: I live in Sacramento, a secondary market surrounded by mediocrities and beta males. ... This is not where I thought I'd be. It's not the life I imagined.
Front Desk Clerk: Mm-hmm. Mr. Sloan, actually... unfortunately, we can't upgrade you. I'm sorry.
Brad Sloan: What? Why not?
Front Desk Clerk: Seems as though you bought those tickets on a discounted website, and with that type of ticket, we can't do the upgrade.
Brad Sloan: Okay. But... not even if I pay you $1,600?
Front Desk Clerk: There's actually no amount of money you can pay to get an upgrade. I'm so sorry. Anything else?
Brad Sloan: Oh, my God. You realize you're competing with kids from Hong Kong and everywhere, okay? You're a white kid from the suburbs without a sob story, and you're not even a legacy. We're the underdogs here. We need to do everything we can.
Brad Sloan: Whether I was forgotten or excluded... made no difference. I was off the list. A nobody. A nothing. The world hated me, and the feeling was mutual.
Brad Sloan: I suddenly felt a deep grief... for all the women I would never love... and all the lives I would never live.
Brad Sloan: My advice?
Ananya: Yeah. If you were to go back in time and give yourself advice, what would you say?
Brad Sloan: Oh. Seriously?
Ananya: Yeah. Honestly, I'd love to know.
Brad Sloan: Honestly, I would probably say, "Forget nonprofits, Brad. Just go make a lot of money."
Ananya: Shut up. You aren't serious.
Brad Sloan: No, I'm totally serious. If you want to make an impact in the world and have respect, go be Bill Gates. Go make a lot of money, and then you can do whatever you want with it.
Ananya: What am I thinking?
Brad Sloan: Yeah, please, tell me.
Ananya: Honestly... I'm thinking you're really lucky. You're 50 years old, and you still think that the world was made for you.
Brad Sloan: Uh, I'm 47.
Ananya: You compete with the people who are markers in your life. Why are you competing at all?
Brad Sloan: It's the way the world is. And...
Ananya: You competing with your friends from college, that competition is the history of colonialism, okay? And... and the oppression of women, and the fucking up of the environment.
Brad Sloan: Oh, come on, don't go there.
Ananya: And...
Brad Sloan: I'm not part of the problem, okay? I work for a... a nonprofit, for fuck's sake.
Ananya: It's just, from where I sit, it kind of seems like white privilege, male privilege, first-class problems.
Brad Sloan: I know I might seem like some cliché to you, but this is actually my life, okay?
Ananya: Just... don't ask me to feel bad for you. You're doing just fine. Trust me. I promise you; you have enough.
Troy Sloan: Hey, Dad, you having some kind of nervous breakdown or something?
Brad Sloan: No. No, it's just... sometimes I, uh... have doubts, you know? Just... worry that people look at me and, uh, think of me as... a failure. But, you know, the feeling passes.
Brad Sloan: I try to imagine the future. I kept saying, in my head... we 're still alive. I'm still alive.
—
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Front Desk Clerk: Mm-hmm. Mr. Sloan, actually... unfortunately, we can't upgrade you. I'm sorry.
Brad Sloan: What? Why not?
Front Desk Clerk: Seems as though you bought those tickets on a discounted website, and with that type of ticket, we can't do the upgrade.
Brad Sloan: Okay. But... not even if I pay you $1,600?
Front Desk Clerk: There's actually no amount of money you can pay to get an upgrade. I'm so sorry. Anything else?
Brad Sloan: Oh, my God. You realize you're competing with kids from Hong Kong and everywhere, okay? You're a white kid from the suburbs without a sob story, and you're not even a legacy. We're the underdogs here. We need to do everything we can.
Brad Sloan: Whether I was forgotten or excluded... made no difference. I was off the list. A nobody. A nothing. The world hated me, and the feeling was mutual.
Brad Sloan: I suddenly felt a deep grief... for all the women I would never love... and all the lives I would never live.
Brad Sloan: My advice?
Ananya: Yeah. If you were to go back in time and give yourself advice, what would you say?
Brad Sloan: Oh. Seriously?
Ananya: Yeah. Honestly, I'd love to know.
Brad Sloan: Honestly, I would probably say, "Forget nonprofits, Brad. Just go make a lot of money."
Ananya: Shut up. You aren't serious.
Brad Sloan: No, I'm totally serious. If you want to make an impact in the world and have respect, go be Bill Gates. Go make a lot of money, and then you can do whatever you want with it.
Ananya: What am I thinking?
Brad Sloan: Yeah, please, tell me.
Ananya: Honestly... I'm thinking you're really lucky. You're 50 years old, and you still think that the world was made for you.
Brad Sloan: Uh, I'm 47.
Ananya: You compete with the people who are markers in your life. Why are you competing at all?
Brad Sloan: It's the way the world is. And...
Ananya: You competing with your friends from college, that competition is the history of colonialism, okay? And... and the oppression of women, and the fucking up of the environment.
Brad Sloan: Oh, come on, don't go there.
Ananya: And...
Brad Sloan: I'm not part of the problem, okay? I work for a... a nonprofit, for fuck's sake.
Ananya: It's just, from where I sit, it kind of seems like white privilege, male privilege, first-class problems.
Brad Sloan: I know I might seem like some cliché to you, but this is actually my life, okay?
Ananya: Just... don't ask me to feel bad for you. You're doing just fine. Trust me. I promise you; you have enough.
Troy Sloan: Hey, Dad, you having some kind of nervous breakdown or something?
Brad Sloan: No. No, it's just... sometimes I, uh... have doubts, you know? Just... worry that people look at me and, uh, think of me as... a failure. But, you know, the feeling passes.
Brad Sloan: I try to imagine the future. I kept saying, in my head... we 're still alive. I'm still alive.
—
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10 нояб. 2021 г.
Ils se marièrent et eurent beaucoup d'enfants (2004)
Gabrielle: You guys make me laugh. What do you think? All you need is my number? Okay, it's 0612232341. You'll call me? Then what? You say, let's have dinner. Or lunch, so as not to scare me off. Then what?
Vincent: I was in the toy department. She starts in, saying, "Even here, you can feel the sexism." Give me a break. I bust my ass to go buy a toy... "Look," she says, "look at the girls' toys. The dolls, so you'll dream of fairy princesses and the babies and diapers. "To pretend you're a mom, slaving..." Then she loses it. We get to household goods. She starts laying into me about how it's a man's world. I'm there to get a toy, she starts up, I never do housework, I stay out late. And then, she insists on buying him a vacuum cleaner! A vacuum cleaner is for girls! He's a boy. Why buy him a girl's toy? It's hell. She wants to prove we're the same. We're not. I'm a man, she's a woman. There's a big difference.
Georges: Never argues with his wife. Weird.
Vincent: How do you know?
Georges: They moved in weeks ago. Nothing.
Vincent: I love my wife. That's not the problem. I love my wife and other women. No more lies. I love them all. The incredible thing is, because I love one woman... one... I can't have the others. Do you realize her importance? It's her, or potentially all the others. Let's divide the world in two. On one side is my wife, on the other, all other women. My wife... all the others. The others, my wife. I chose my wife. Only two explanations: Either my wife is a goddess, or I'm crazy.
Fred: I'm going to have a baby. A child. A girl, if you want to know.
Vincent: You're joking, right?
Fred: No, it's no joke.
Vincent: Hang on. I must have missed a beat.
Fred: A girl I slept with got pregnant, and she wants to keep the baby. And so do I, I think. That's all.
Vincent: I don't get it.
Fred: It's simple.
Vincent: Are you in love?
Fred: Don't start in with that stupid romantic paradigm. Daddy, Mommy...
Vincent: Be serious.
Fred: No, you be serious. And don't judge me.
Vincent: I'm not, I want you to be happy.
Fred: Why? Are you happy? You happy? You don't look it. You're the one in pain, not me. You live with fairy tales you learned as a boy. "They got married and lived happily ever after." Bullshit! What is it? To have a kid with a woman I love. The fruit of our love, is that it? When I fall for another woman I just eat my heart out? Hey, wake up! You live in a bourgeois world, and it's out of date! Look at the divorce figures. Maybe in 40 years, I'll be the norm.
Vincent: Forty years is how long my parents have been married.
—
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Vincent: I was in the toy department. She starts in, saying, "Even here, you can feel the sexism." Give me a break. I bust my ass to go buy a toy... "Look," she says, "look at the girls' toys. The dolls, so you'll dream of fairy princesses and the babies and diapers. "To pretend you're a mom, slaving..." Then she loses it. We get to household goods. She starts laying into me about how it's a man's world. I'm there to get a toy, she starts up, I never do housework, I stay out late. And then, she insists on buying him a vacuum cleaner! A vacuum cleaner is for girls! He's a boy. Why buy him a girl's toy? It's hell. She wants to prove we're the same. We're not. I'm a man, she's a woman. There's a big difference.
Georges: Never argues with his wife. Weird.
Vincent: How do you know?
Georges: They moved in weeks ago. Nothing.
Vincent: I love my wife. That's not the problem. I love my wife and other women. No more lies. I love them all. The incredible thing is, because I love one woman... one... I can't have the others. Do you realize her importance? It's her, or potentially all the others. Let's divide the world in two. On one side is my wife, on the other, all other women. My wife... all the others. The others, my wife. I chose my wife. Only two explanations: Either my wife is a goddess, or I'm crazy.
Fred: I'm going to have a baby. A child. A girl, if you want to know.
Vincent: You're joking, right?
Fred: No, it's no joke.
Vincent: Hang on. I must have missed a beat.
Fred: A girl I slept with got pregnant, and she wants to keep the baby. And so do I, I think. That's all.
Vincent: I don't get it.
Fred: It's simple.
Vincent: Are you in love?
Fred: Don't start in with that stupid romantic paradigm. Daddy, Mommy...
Vincent: Be serious.
Fred: No, you be serious. And don't judge me.
Vincent: I'm not, I want you to be happy.
Fred: Why? Are you happy? You happy? You don't look it. You're the one in pain, not me. You live with fairy tales you learned as a boy. "They got married and lived happily ever after." Bullshit! What is it? To have a kid with a woman I love. The fruit of our love, is that it? When I fall for another woman I just eat my heart out? Hey, wake up! You live in a bourgeois world, and it's out of date! Look at the divorce figures. Maybe in 40 years, I'll be the norm.
Vincent: Forty years is how long my parents have been married.
—
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9 авг. 2021 г.
Bill & Ted Face the Music (2020)
Ted: Please enjoy the first three movements of... That Which Binds Us Through Time... The Chemical, Physical, and Biological Nature of Love... An Exploration of the Meaning of Meaning. Part One.
The Great Leader: You were supposed to unite the world in song. According to her father, a song created by Preston/Logan...
Bill: That's us, dude.
The Great Leader: ...at a concert performed by everyone in the band at 7:17 p.m. at MP 46, that's tonight, will save reality as we know it, uniting humanity across all time.
Kelly: This was my dad's. He'd want you to have it. It'll help keep track of the time in San Dimas. Bill: "Sometimes things don't make sense..."
Ted: "...until the end of the story."
Kelly: That's what my dad always said.
Lui Armstrong: So, what you're all saying is that you love a song that I wrote in my future?
Jimi Hendrix: Which is in your past.
Lui Armstrong: But we're all here in this present.
Jimi Hendrix: Which is actually the past?
Willamina "Billie" S. Logan: Exactly, gentlemen.
Lui Armstrong: Fascinating.
Kid Cudi: Can someone please tell me what the hell is happening?
Kelly: Basically, all time and space are about to end unless their dads come up with a song by 7:17 p.m.
Billie: Wait. What?
Thea: Wait. What?
Billie: We thought this was about the music.
Kelly: It is. It's also about the end of space and time.
Bill: Dude... are you dead yet?
Ted: No. Are you?
Bill: No..... There's one more thing we need to do before we go.
Ted: Definitely..... Ready, Bill?
Bill: Ready, Ted.
Ted: One...
Bill: Two...
Ted: One, two, three, four!
—
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26 нояб. 2020 г.
The Blues Brothers (1980)
Corrections Officer: One Timex digital watch, broken. One unused prophylactic. One... soiled. Boots, black. Belt, black. One black suit jacket. One pair black suit pants. One hat. Black. One pair of sunglasses. $23.07. Sign here.
Elwood: You don't like it?
Jake: No, I don't like it... Car's got a lot of pickup.
Elwood: It's got a cop motor, a 440 cubic-inch plant. It's got cop tires, cop suspension, cop shocks. It was a model made before catalytic converters so it'll run good on regular gas. What do you say? Is it the new Bluesmobile, or what?
Jake: ... Fix the cigarette lighter.
Jake: $5,000? No problem. We'll have it for you in the morning. Let's go.
Sister Mary Stigmata: No. I will not take your filthy, stolen money!
Jake: Well, then. I guess you're really up shit creek.
Sister Mary Stigmata: I beg your pardon! What did you say?
Jake: I offered to help you. You refused to take our money. Then I said, "I guess you're really up shit creek." Ow!
Elwood: Christ, Jake, take it easy, man. Jesus Christ!
Jake: Shit! Goddamn it! Son of a bitch!
Elwood: Jesus Christ! You son of a bitch!
Jake: You fat penguin! Fuck this noise, man!
Sister Mary Stigmata: You are such a disappointing pair. I prayed so hard for you. It saddens and hurts me that the two young men whom I raised to believe in the Ten Commandments, have returned to me as two thieves with filthy mouths and bad attitudes. Get out! And don't come back until you've redeemed yourselves.
Elwood: All I'm saying is we got to figure out some way to get that money honestly.
Jake: That could be a problem...
Jake: The band! Do you see the light?
Elwood: What light? Have you seen the light?
Jake: Yes! Jesus H. Tap-Dancing Christ! I have seen the light! The band, Elwood, the band!
Jake: First you trade the Cadillac for a microphone. Then you lie to me about the band. Now you're gonna put me right back in the joint.
Elwood: They're not gonna catch us. We're on a mission from God.
Elwood: We'll be all right if we can just get back on the expressway.
Jake: This don't look like no expressway to me!
Elwood: Don't yell at me.
Jake: What do you want me to do, Motorhead?
Elwood: Try not to be so negative all the time. Why don't you offer some constructive criticism?
Jake: You got us into this parking lot, pal. Now you get us out!
Elwood: You want out of this parking lot? Okay.
Murph: You'll never get Matt and Mr. Fabulous out of them high-paying gigs.
Jake: Oh, yeah? Well, me and the Lord, we got an understanding.
Elwood: We're on a mission from God.
Jake: Ma'am, would it make you feel any better if you knew that what we're asking Matt here to do is a holy thing?
Elwood: You see, we're on a mission from God.
Jake: I hate Illinois Nazis.
Maury: A gig like that, you gotta prepare the proper exploitation.
Elwood: I know about that stuff. I been exploited all my life.
Jake: Maury, we need this gig!
Elwood: We're on a mission from God.
Elwood: This is glue. Strong stuff.
Jake: What the hell are you doing?
Elwood: This can is from a surplus disposal run. Fifteen overcharged ounces of pure uncompounded isoproponyl butane monosulphide. When combined with oxygen and a little heat it will cause a rapid expansion.
Elwood: We're so glad to see so many of you lovely people here tonight. We'd especially like to welcome all the representatives of Illinois' law enforcement community, who have chosen to join us here in the Palace Hotel ballroom at this time. We certainly hope you all enjoy the show. And remember that no matter who you are and what you do to live, thrive and survive there're still some things that make us all the same. You. Me. Them. Everybody. Everybody...
Mystery Woman: ...for me, for my mother, my grandmother, my father, my uncle, and for the common good I must now kill you and your brother.
Jake: Oh, please don't kill us! Please, please, don't kill us... You know I love you, baby! I wouldn't leave you! It wasn't my fault! You miserable slug!
Mystery Woman: You think you can talk your way out of this? You betrayed me!
Jake: No, I didn't. Honest! I ran out of gas! I had a flat tire! I didn't have enough money for cab fare! My tux didn't come back from the cleaners. And old friend came in from out of town! Someone stole my car! There was an earthquake! A terrible flood! Locusts! It wasn't my fault, I swear to God!
Mystery Woman: Oh, Jake...
Elwood: It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses.
Jake: Hit it.
—
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Elwood: You don't like it?
Jake: No, I don't like it... Car's got a lot of pickup.
Elwood: It's got a cop motor, a 440 cubic-inch plant. It's got cop tires, cop suspension, cop shocks. It was a model made before catalytic converters so it'll run good on regular gas. What do you say? Is it the new Bluesmobile, or what?
Jake: ... Fix the cigarette lighter.
Jake: $5,000? No problem. We'll have it for you in the morning. Let's go.
Sister Mary Stigmata: No. I will not take your filthy, stolen money!
Jake: Well, then. I guess you're really up shit creek.
Sister Mary Stigmata: I beg your pardon! What did you say?
Jake: I offered to help you. You refused to take our money. Then I said, "I guess you're really up shit creek." Ow!
Elwood: Christ, Jake, take it easy, man. Jesus Christ!
Jake: Shit! Goddamn it! Son of a bitch!
Elwood: Jesus Christ! You son of a bitch!
Jake: You fat penguin! Fuck this noise, man!
Sister Mary Stigmata: You are such a disappointing pair. I prayed so hard for you. It saddens and hurts me that the two young men whom I raised to believe in the Ten Commandments, have returned to me as two thieves with filthy mouths and bad attitudes. Get out! And don't come back until you've redeemed yourselves.
Elwood: All I'm saying is we got to figure out some way to get that money honestly.
Jake: That could be a problem...
Jake: The band! Do you see the light?
Elwood: What light? Have you seen the light?
Jake: Yes! Jesus H. Tap-Dancing Christ! I have seen the light! The band, Elwood, the band!
Jake: First you trade the Cadillac for a microphone. Then you lie to me about the band. Now you're gonna put me right back in the joint.
Elwood: They're not gonna catch us. We're on a mission from God.
Elwood: We'll be all right if we can just get back on the expressway.
Jake: This don't look like no expressway to me!
Elwood: Don't yell at me.
Jake: What do you want me to do, Motorhead?
Elwood: Try not to be so negative all the time. Why don't you offer some constructive criticism?
Jake: You got us into this parking lot, pal. Now you get us out!
Elwood: You want out of this parking lot? Okay.
Murph: You'll never get Matt and Mr. Fabulous out of them high-paying gigs.
Jake: Oh, yeah? Well, me and the Lord, we got an understanding.
Elwood: We're on a mission from God.
Jake: Ma'am, would it make you feel any better if you knew that what we're asking Matt here to do is a holy thing?
Elwood: You see, we're on a mission from God.
Jake: I hate Illinois Nazis.
Maury: A gig like that, you gotta prepare the proper exploitation.
Elwood: I know about that stuff. I been exploited all my life.
Jake: Maury, we need this gig!
Elwood: We're on a mission from God.
Elwood: This is glue. Strong stuff.
Jake: What the hell are you doing?
Elwood: This can is from a surplus disposal run. Fifteen overcharged ounces of pure uncompounded isoproponyl butane monosulphide. When combined with oxygen and a little heat it will cause a rapid expansion.
Elwood: We're so glad to see so many of you lovely people here tonight. We'd especially like to welcome all the representatives of Illinois' law enforcement community, who have chosen to join us here in the Palace Hotel ballroom at this time. We certainly hope you all enjoy the show. And remember that no matter who you are and what you do to live, thrive and survive there're still some things that make us all the same. You. Me. Them. Everybody. Everybody...
Mystery Woman: ...for me, for my mother, my grandmother, my father, my uncle, and for the common good I must now kill you and your brother.
Jake: Oh, please don't kill us! Please, please, don't kill us... You know I love you, baby! I wouldn't leave you! It wasn't my fault! You miserable slug!
Mystery Woman: You think you can talk your way out of this? You betrayed me!
Jake: No, I didn't. Honest! I ran out of gas! I had a flat tire! I didn't have enough money for cab fare! My tux didn't come back from the cleaners. And old friend came in from out of town! Someone stole my car! There was an earthquake! A terrible flood! Locusts! It wasn't my fault, I swear to God!
Mystery Woman: Oh, Jake...
Elwood: It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark... and we're wearing sunglasses.
Jake: Hit it.
—
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6 июл. 2020 г.
Eurovision Song Contest: The Story of Fire Saga (2020)
Lars Erickssong: He's right. My father is ashamed of me.
Sigrit Ericksdottir: No, he's not. That's not true.
Lars Erickssong: No, it is true. After you left, he looked me deep into the eyes and said, "I am ashamed of you."
Sigrit Ericksdottir: Oh, I don't know if that's...
Lars Erickssong: And then, he said, "You have wasted your whole life on this one stupid idea of the Eurovision Song Contest. And now you're a grown man without a wife? Without a child? Your life is a joke."
Sigrit Ericksdottir: Maybe he was drunk...
Lars Erickssong: No. He said, "And you might think that I'm drunk, but I am dead sober. And I'm very serious."
Sigrit Ericksdottir: Why?
Lars Erickssong: We can't. We have to think about the music.
Sigrit Ericksdottir: Oh, yes...
Lars Erickssong: Right? But we can make music and love.
Sigrit Ericksdottir: No, we can't.
Lars Erickssong: Mmm.
Sigrit Ericksdottir: Really? Just...
Lars Erickssong: No. Romance, it ruins the bands. Think about it. Fleetwood Mac, right? ABBA, Post Malone, Semen and Garfunkel.
Sigrit Ericksdottir: Yeah, I forgot about Semen and Garfunkel.
Stephan: What are you doing?
Lars Erickssong: I'm taking this rope that's loose and I'm rolling it around to make it like in a circle. I'm going to become a fisherman. And drink myself to death like a real Erickssong man. This is my new life.
Stephan: But what about Sigrit?
Lars Erickssong: Rich, hairless Russian guy with a huge dingle-dong came between us.
Stephan: Shit happens.
Lars Erickssong: Yeah. Goodbye. Remember, give up on your dreams now while you're still young.
Alexander Lemtov: Why don't you stay with me after the contest?
Sigrit Ericksdottir: Oh... Alexander, we barely know each other.
Alexander Lemtov: Yes, but you are beautiful and kind. I handsome and rich. This is typically very winning combination.
Sigrit Ericksdottir: Um... uh... Lemtov, I need to ask you something.
Alexander Lemtov: Sure, sure.
Sigrit Ericksdottir: Okay. Uh... Are you gay?
Alexander Lemtov: What? No! No, no! Of course not! I am Russian!
Sigrit Ericksdottir: No?
Alexander Lemtov: There no gay people in Russia.
Sigrit Ericksdottir: Statistically speaking, I think that's impossible.
Alexander Lemtov: I assure you. Hundred percent.
Sigrit Ericksdottir: Gender-fluid?
Alexander Lemtov: Fact of truth. No gay Russian.
Sigrit Ericksdottir: Non-binary?
Alexander Lemtov: No, non-binary. I, he, him pronoun. He, him.
--
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Sigrit Ericksdottir: No, he's not. That's not true.
Lars Erickssong: No, it is true. After you left, he looked me deep into the eyes and said, "I am ashamed of you."
Sigrit Ericksdottir: Oh, I don't know if that's...
Lars Erickssong: And then, he said, "You have wasted your whole life on this one stupid idea of the Eurovision Song Contest. And now you're a grown man without a wife? Without a child? Your life is a joke."
Sigrit Ericksdottir: Maybe he was drunk...
Lars Erickssong: No. He said, "And you might think that I'm drunk, but I am dead sober. And I'm very serious."
Sigrit Ericksdottir: Why?
Lars Erickssong: We can't. We have to think about the music.
Sigrit Ericksdottir: Oh, yes...
Lars Erickssong: Right? But we can make music and love.
Sigrit Ericksdottir: No, we can't.
Lars Erickssong: Mmm.
Sigrit Ericksdottir: Really? Just...
Lars Erickssong: No. Romance, it ruins the bands. Think about it. Fleetwood Mac, right? ABBA, Post Malone, Semen and Garfunkel.
Sigrit Ericksdottir: Yeah, I forgot about Semen and Garfunkel.
Stephan: What are you doing?
Lars Erickssong: I'm taking this rope that's loose and I'm rolling it around to make it like in a circle. I'm going to become a fisherman. And drink myself to death like a real Erickssong man. This is my new life.
Stephan: But what about Sigrit?
Lars Erickssong: Rich, hairless Russian guy with a huge dingle-dong came between us.
Stephan: Shit happens.
Lars Erickssong: Yeah. Goodbye. Remember, give up on your dreams now while you're still young.
Alexander Lemtov: Why don't you stay with me after the contest?
Sigrit Ericksdottir: Oh... Alexander, we barely know each other.
Alexander Lemtov: Yes, but you are beautiful and kind. I handsome and rich. This is typically very winning combination.
Sigrit Ericksdottir: Um... uh... Lemtov, I need to ask you something.
Alexander Lemtov: Sure, sure.
Sigrit Ericksdottir: Okay. Uh... Are you gay?
Alexander Lemtov: What? No! No, no! Of course not! I am Russian!
Sigrit Ericksdottir: No?
Alexander Lemtov: There no gay people in Russia.
Sigrit Ericksdottir: Statistically speaking, I think that's impossible.
Alexander Lemtov: I assure you. Hundred percent.
Sigrit Ericksdottir: Gender-fluid?
Alexander Lemtov: Fact of truth. No gay Russian.
Sigrit Ericksdottir: Non-binary?
Alexander Lemtov: No, non-binary. I, he, him pronoun. He, him.
--
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25 февр. 2020 г.
The Broken Circle Breakdown (2012)
Elise Vandevelde: Why do you play the banjo?
Didier Bontinck: I'm too stupid to play the guitar and too dumb to play the mandolin... No, no. I used to be a punk rocker and a banjo sort of snarls, which reminds me of punk rock.
Didier Bontinck: Dirt-poor fortune-hunters from all over the world were there on the Appalachians, on that slate that was bloody difficult to mine. The Spaniard had a guitar, the Italian a mandolin, the Jew a violin and the African a banjar, from which the banjo is descended. To combat the hunger and the misery, they started singing songs about their dreams of a promised land, often about their fear of dying, their hope for a better life in the hereafter and their sorrow, their hard life.
Didier Bontinck: Maybe I don't want to make decisions about someone else's life.
Didier Bontinck: What could possibly be worth putting on your body and never be removed? Don't you regret any of your tattoos?
Elise Vandevelde: Of course I do. But it's not a problem. If you no longer like one, you put another one on top.
Didier Bontinck: Elvis is a pansy! The greatest musician in the whole world is Bill Monroe.
Elise Vandevelde: Who?
Didier Bontinck: Bill Monroe. Bill Monroe!
Elise Vandevelde: Never heard of him.
Didier Bontinck: The father of bluegrass music.
Elise Vandevelde: Bluegrass... Something to do with country music?
Didier Bontinck: It's country music at its most pure. A violin, an upright bass, a mandolin, a guitar and a banjo. Just strings, purely acoustic. And voices. It's absolutely sublime.
Didier Bontinck: Hey, Alabama... May I ask you something? Who am I? If you're Alabama, who am I?
Alabama: Monroe.
Alabama: If I want to believe that Maybelle is a star up in the sky, I will. If I want to believe she's a bird that perches on our window sill, or a butterfly that sits on my shoulder or a bloody frog that...
Alabama: I knew. In fact, I've always known. That it was too wonderful to be true. That it couldn't last. That life isn't like that, life isn't generous. You mustn't love someone, you mustn't become attached to someone, life begrudges you that. It takes everything away from you and laughs in your face. It betrays you.
Didier Bontinck: Goodbye, sweetheart. Will you... Will you say hello to Maybelle for me if you see her?
--
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Didier Bontinck: I'm too stupid to play the guitar and too dumb to play the mandolin... No, no. I used to be a punk rocker and a banjo sort of snarls, which reminds me of punk rock.
Didier Bontinck: Dirt-poor fortune-hunters from all over the world were there on the Appalachians, on that slate that was bloody difficult to mine. The Spaniard had a guitar, the Italian a mandolin, the Jew a violin and the African a banjar, from which the banjo is descended. To combat the hunger and the misery, they started singing songs about their dreams of a promised land, often about their fear of dying, their hope for a better life in the hereafter and their sorrow, their hard life.
Didier Bontinck: Maybe I don't want to make decisions about someone else's life.
Didier Bontinck: What could possibly be worth putting on your body and never be removed? Don't you regret any of your tattoos?
Elise Vandevelde: Of course I do. But it's not a problem. If you no longer like one, you put another one on top.
Didier Bontinck: Elvis is a pansy! The greatest musician in the whole world is Bill Monroe.
Elise Vandevelde: Who?
Didier Bontinck: Bill Monroe. Bill Monroe!
Elise Vandevelde: Never heard of him.
Didier Bontinck: The father of bluegrass music.
Elise Vandevelde: Bluegrass... Something to do with country music?
Didier Bontinck: It's country music at its most pure. A violin, an upright bass, a mandolin, a guitar and a banjo. Just strings, purely acoustic. And voices. It's absolutely sublime.
Didier Bontinck: Hey, Alabama... May I ask you something? Who am I? If you're Alabama, who am I?
Alabama: Monroe.
Alabama: If I want to believe that Maybelle is a star up in the sky, I will. If I want to believe she's a bird that perches on our window sill, or a butterfly that sits on my shoulder or a bloody frog that...
Alabama: I knew. In fact, I've always known. That it was too wonderful to be true. That it couldn't last. That life isn't like that, life isn't generous. You mustn't love someone, you mustn't become attached to someone, life begrudges you that. It takes everything away from you and laughs in your face. It betrays you.
Didier Bontinck: Goodbye, sweetheart. Will you... Will you say hello to Maybelle for me if you see her?
--
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30 июн. 2019 г.
A Star Is Born (2018)
Ally: I just don't feel comfortable.
Jack: Why wouldn't you feel comfortable?
Ally: Um... Well, 'cause, like, almost every single person that I've come in contact with in the music industry has told me that my nose is too big and that I won't make it.
Jack: Your nose is too big? Your nose is beautiful. Are you showing me your nose right now?
Ally: Yeah.
Jack: You don't have to show it to me. I've been looking at it all night.
Ally: Oh, come on. No, you're not.
Jack: I'll be thinking about your nose for a very long time. .... Can I touch your nose?
Ally: Oh, my gosh!
Jack: Let me just touch it for a second... You're very lucky.
Ally: Oh, really? Yeah, not really. My nose has not made me lucky.
Jack: Look, talent comes everywhere. Everybody's talented. Bet you fucking everybody in this bar is talented in one thing or another, but having something to say and the way to say it so people listen to it, that's a whole other bag. And unless you get out there and you try to do it, you'll never know. That's just the truth. If there's one reason we're supposed to be here, it's to say something so people wanna hear it.
Jack: Hey.
Ally: What?
Jack: I just wanted to take another look at you.
Jack: I love you... Always remember us this way.
George 'Noodles' Stone: Ain't nothing to be afraid of, bro. You know, it's like... I don't know... You float out, float out at sea, and then one day, you find a port. Say, "I'm gonna stay here for a few days." A few days becomes a few years. And then you forgot where you were goin' in the first place. And then you realize, you don't really give a shit about where you was going 'cause you like where you're at... That's how it is for me. I like where I'm at... I didn't even realize I liked it so much till I saw your ass sleeping in the grass this morning.
Jack: Listen, if I just don't say this, I'll never forgive myself.
Ally: What?
Jack: If you don't dig deep in your fucking soul, you won't have legs. I'm just telling you that. You don't tell the truth out there, you're fucked. All you got is you, and what you wanna say to people, and they are listening right now, and they're not gonna be listening forever. Trust me. So, you gotta grab it. And you don't apologize, you don't worry about why they're listening, or how long they're gonna be listening for, you just tell 'em what you wanna say. 'Cause how you say it is the stuff of angels.
Bobby: Jack talked about how music is essentially 12 notes between any octave. Twelve notes and the octave repeats. It's the same story. Told over and over. Forever. And any artist can offer the world is how they see those 12 notes. That's it. He loved how you see them. He just kept saying, "I love how she sees them, Bobby."
--
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Σ nostradamvs: «Это очень хорошо. Кто-то возмущается, что фильм слишком прост, что в нём нет интриги, что он не заставляет думать. А он и не должен. Это просто история о том, что из пепла может родиться феникс. О том, что если человек спивается, теряет популярность, падает на самое дно – это не делает его плохим или бесталанным. Он может напоследок отдать себя другому – и возродить себя в другом. ...»
Jack: Why wouldn't you feel comfortable?
Ally: Um... Well, 'cause, like, almost every single person that I've come in contact with in the music industry has told me that my nose is too big and that I won't make it.
Jack: Your nose is too big? Your nose is beautiful. Are you showing me your nose right now?
Ally: Yeah.
Jack: You don't have to show it to me. I've been looking at it all night.
Ally: Oh, come on. No, you're not.
Jack: I'll be thinking about your nose for a very long time. .... Can I touch your nose?
Ally: Oh, my gosh!
Jack: Let me just touch it for a second... You're very lucky.
Ally: Oh, really? Yeah, not really. My nose has not made me lucky.
Jack: Look, talent comes everywhere. Everybody's talented. Bet you fucking everybody in this bar is talented in one thing or another, but having something to say and the way to say it so people listen to it, that's a whole other bag. And unless you get out there and you try to do it, you'll never know. That's just the truth. If there's one reason we're supposed to be here, it's to say something so people wanna hear it.
Jack: Hey.
Ally: What?
Jack: I just wanted to take another look at you.
Jack: I love you... Always remember us this way.
George 'Noodles' Stone: Ain't nothing to be afraid of, bro. You know, it's like... I don't know... You float out, float out at sea, and then one day, you find a port. Say, "I'm gonna stay here for a few days." A few days becomes a few years. And then you forgot where you were goin' in the first place. And then you realize, you don't really give a shit about where you was going 'cause you like where you're at... That's how it is for me. I like where I'm at... I didn't even realize I liked it so much till I saw your ass sleeping in the grass this morning.
Jack: Listen, if I just don't say this, I'll never forgive myself.
Ally: What?
Jack: If you don't dig deep in your fucking soul, you won't have legs. I'm just telling you that. You don't tell the truth out there, you're fucked. All you got is you, and what you wanna say to people, and they are listening right now, and they're not gonna be listening forever. Trust me. So, you gotta grab it. And you don't apologize, you don't worry about why they're listening, or how long they're gonna be listening for, you just tell 'em what you wanna say. 'Cause how you say it is the stuff of angels.
Bobby: Jack talked about how music is essentially 12 notes between any octave. Twelve notes and the octave repeats. It's the same story. Told over and over. Forever. And any artist can offer the world is how they see those 12 notes. That's it. He loved how you see them. He just kept saying, "I love how she sees them, Bobby."
--
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Σ nostradamvs: «Это очень хорошо. Кто-то возмущается, что фильм слишком прост, что в нём нет интриги, что он не заставляет думать. А он и не должен. Это просто история о том, что из пепла может родиться феникс. О том, что если человек спивается, теряет популярность, падает на самое дно – это не делает его плохим или бесталанным. Он может напоследок отдать себя другому – и возродить себя в другом. ...»
21 июн. 2019 г.
The Pianist (2002)
Wladyslaw Szpilman: Look. If I'm going to die, I prefer to die in my own home, staying put.
Wladyslaw Szpilman: You're a musician?
Dorota: Yes. But only just.
Wladyslaw Szpilman: What instrument?
Dorota: The cello.
Wladyslaw Szpilman: I love to see women playing the cello.
Dorota: We can walk in the park...
Wladyslaw Szpilman: No, we can't. Official decree. No Jews allowed in the park.
Dorota: My God. Are you joking?
Wladyslaw Szpilman: I'm not joking, it's true. We could sit in a bench, but "no Jews allowed on public benches".
Dorota: This is absurd.
Wladyslaw Szpilman: We can just stand here and talk. I think we're allowed to do that.
Father: Look here. "Jews living outside of the prescribed area..." will have to move to the Jewish district by 31 of October, 1940."
Wladyslaw Szpilman: They won't get all of us. It's too small. There's 400 thousand of us in Warsaw.
Henryk: No, 360 thousand. So it will be easy.
Dorota: This is disgraceful.
Wladyslaw Szpilman: It won't last long. Don't worry.
Dorota: That's what I said myself. It's too absurd.
Majorek: It's easy to get out. It's how you'll survive on the other side that's hard.
Janina Godlewska: No-one thought they'd hold out so long...
Janina Godlewska: It's over now. Just be proud of them. My God, did they put up a fight!
Wladyslaw Szpilman: Yes. So did the Germans.
Janina Godlewska: They are in shock! They didn't expect it. Nobody expected it. Jews fighting back. Who would have thought?
Wladyslaw Szpilman: What good did it do?
Janina Godlewska: What good? Wladek, I'm surprised with you. They died with dignity. And you know something else? Now the Wladyslaw Szpilman: Poles will rise. We are ready. We'll fight too.
Wladyslaw Szpilman: Here. Sell this. Food is more important than time.
Wladyslaw Szpilman: I am... I was a pianist.
Wladyslaw Szpilman: Please. What does it mean, all that shooting?
Captain Hosenfeld: The Russians, on the other side of the river. You just have to hold on a couple of weeks, not more.
Captain Hosenfeld: What are you going to do when this is over?
Wladyslaw Szpilman: I'll play piano again at the Polish radio station.
Captain Hosenfeld: Tell me your name. Maybe I'll listen to you playing...
Wladyslaw Szpilman: Szpilman.
Captain Hosenfeld: Perfect name for a pianist.
--
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Wladyslaw Szpilman: You're a musician?
Dorota: Yes. But only just.
Wladyslaw Szpilman: What instrument?
Dorota: The cello.
Wladyslaw Szpilman: I love to see women playing the cello.
Dorota: We can walk in the park...
Wladyslaw Szpilman: No, we can't. Official decree. No Jews allowed in the park.
Dorota: My God. Are you joking?
Wladyslaw Szpilman: I'm not joking, it's true. We could sit in a bench, but "no Jews allowed on public benches".
Dorota: This is absurd.
Wladyslaw Szpilman: We can just stand here and talk. I think we're allowed to do that.
Father: Look here. "Jews living outside of the prescribed area..." will have to move to the Jewish district by 31 of October, 1940."
Wladyslaw Szpilman: They won't get all of us. It's too small. There's 400 thousand of us in Warsaw.
Henryk: No, 360 thousand. So it will be easy.
Dorota: This is disgraceful.
Wladyslaw Szpilman: It won't last long. Don't worry.
Dorota: That's what I said myself. It's too absurd.
Majorek: It's easy to get out. It's how you'll survive on the other side that's hard.
Janina Godlewska: No-one thought they'd hold out so long...
Janina Godlewska: It's over now. Just be proud of them. My God, did they put up a fight!
Wladyslaw Szpilman: Yes. So did the Germans.
Janina Godlewska: They are in shock! They didn't expect it. Nobody expected it. Jews fighting back. Who would have thought?
Wladyslaw Szpilman: What good did it do?
Janina Godlewska: What good? Wladek, I'm surprised with you. They died with dignity. And you know something else? Now the Wladyslaw Szpilman: Poles will rise. We are ready. We'll fight too.
Wladyslaw Szpilman: Here. Sell this. Food is more important than time.
Wladyslaw Szpilman: I am... I was a pianist.
Wladyslaw Szpilman: Please. What does it mean, all that shooting?
Captain Hosenfeld: The Russians, on the other side of the river. You just have to hold on a couple of weeks, not more.
Captain Hosenfeld: What are you going to do when this is over?
Wladyslaw Szpilman: I'll play piano again at the Polish radio station.
Captain Hosenfeld: Tell me your name. Maybe I'll listen to you playing...
Wladyslaw Szpilman: Szpilman.
Captain Hosenfeld: Perfect name for a pianist.
--
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12 июн. 2019 г.
Saturday Night Fever (1977)
Tony Manero: Hey, Mr. Fusco, can I get an advance?
Fusco: Payday's Monday.
Tony Manero: I know payday is Monday, but every place else is Friday or Saturday.
Fusco: And they're broke on Monday. Boozing, whoring... Pissing away their money all weekend. This way, you're paid on a Monday, you got money all week.
Fusco: You can save a little, build a future.
Tony Manero: Oh fuck the future!
Fusco: No, Tony! You can't fuck the future. The future fucks you! It catches up with you and it fucks you if you ain't planned for it?
Tony Manero: Look, tonight is the future, and I am planning for it! There's this shirt I gotta buy, a beautiful shirt.
Tony Manero: How come every day it's the same thing? I come home, you tell me I'm late for dinner when you know that I gotta work till 6:00 and I can't make dinner on time.
Tony Manero: Well, I mean, I could dance with you, but, you know, you're not my dream girl or nothing like that.
Annette: You want a dream girl? Well, then go to sleep and have a nightmare.
Tony Manero: She can dance, you know that? She got the wrong partner, of course, but she can dance.
Frank Sr.: You know what $4.00 buys today? It don't even buy $3.00.
Tony Manero: Know what's weird? Like, I always felt like I was the shit of the family, and you was always, like, perfect...
Frank Jr.: Now that I'm the disgrace to the family, I'm not so perfect anymore. So, maybe you're not shit anymore.
Tony Manero: Yeah, maybe if you ain't so good, I ain't so bad, you know?
Tony Manero: Hey, you know, Bay Ridge ain't the worst part of Brooklyn. You know what I'm talking? I mean, you know, it ain't like a hellhole or nothing.
Stephanie: Yeah, well, it ain't Manhattan. It isn't Manhattan. You got no idea how it changes, you know. Just right over there, right across the river, everything is different, completely different. It's beautiful, just beautiful. The people are beautiful, offices are beautiful. The secretaries, you know, they all shop at Bonwit Teller.
Tony Manero: Oh, yeah?
Stephanie: And, like, the lunch hours are beautiful, too. Like, you know, they'll give you, like, two hours for lunch to do something that's related.
Tony Manero: Oh, yeah?
Stephanie: Like we've seen Zeffirelli's Romeo and Juliet... Romeo and Juliet, yeah?
Tony Manero: I read that in high school. That's... That's Shakespeare, right?
Stephanie: No, it's Zeffirelli, the director of the movie. You know, the movie? Film.
Tony Manero: You see, dancing, it can't last forever. It's a short-lived kind of thing. But I'm getting older, you know. You know, I feel like... I feel like, you know, so what, I'm getting older. Does that mean, like, I can't feel that way about nothing left in my life? You know? Is that it?
Tony Manero: Maybe I could walk you the rest of the way. Let me do that.
Stephanie: Nope..... You shouldn't have asked. You should have just done it.
Tony Manero: There's ways of killing yourself without killing yourself.
--
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Fusco: Payday's Monday.
Tony Manero: I know payday is Monday, but every place else is Friday or Saturday.
Fusco: And they're broke on Monday. Boozing, whoring... Pissing away their money all weekend. This way, you're paid on a Monday, you got money all week.
Fusco: You can save a little, build a future.
Tony Manero: Oh fuck the future!
Fusco: No, Tony! You can't fuck the future. The future fucks you! It catches up with you and it fucks you if you ain't planned for it?
Tony Manero: Look, tonight is the future, and I am planning for it! There's this shirt I gotta buy, a beautiful shirt.
Tony Manero: How come every day it's the same thing? I come home, you tell me I'm late for dinner when you know that I gotta work till 6:00 and I can't make dinner on time.
Tony Manero: Well, I mean, I could dance with you, but, you know, you're not my dream girl or nothing like that.
Annette: You want a dream girl? Well, then go to sleep and have a nightmare.
Tony Manero: She can dance, you know that? She got the wrong partner, of course, but she can dance.
Frank Sr.: You know what $4.00 buys today? It don't even buy $3.00.
Tony Manero: Know what's weird? Like, I always felt like I was the shit of the family, and you was always, like, perfect...
Frank Jr.: Now that I'm the disgrace to the family, I'm not so perfect anymore. So, maybe you're not shit anymore.
Tony Manero: Yeah, maybe if you ain't so good, I ain't so bad, you know?
Tony Manero: Hey, you know, Bay Ridge ain't the worst part of Brooklyn. You know what I'm talking? I mean, you know, it ain't like a hellhole or nothing.
Stephanie: Yeah, well, it ain't Manhattan. It isn't Manhattan. You got no idea how it changes, you know. Just right over there, right across the river, everything is different, completely different. It's beautiful, just beautiful. The people are beautiful, offices are beautiful. The secretaries, you know, they all shop at Bonwit Teller.
Tony Manero: Oh, yeah?
Stephanie: And, like, the lunch hours are beautiful, too. Like, you know, they'll give you, like, two hours for lunch to do something that's related.
Tony Manero: Oh, yeah?
Stephanie: Like we've seen Zeffirelli's Romeo and Juliet... Romeo and Juliet, yeah?
Tony Manero: I read that in high school. That's... That's Shakespeare, right?
Stephanie: No, it's Zeffirelli, the director of the movie. You know, the movie? Film.
Tony Manero: You see, dancing, it can't last forever. It's a short-lived kind of thing. But I'm getting older, you know. You know, I feel like... I feel like, you know, so what, I'm getting older. Does that mean, like, I can't feel that way about nothing left in my life? You know? Is that it?
Tony Manero: Maybe I could walk you the rest of the way. Let me do that.
Stephanie: Nope..... You shouldn't have asked. You should have just done it.
Tony Manero: There's ways of killing yourself without killing yourself.
--
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25 февр. 2019 г.
Bohemian Rhapsody (2018)
Bomi Bulsara: Good Thoughts. Good Words. Good Deeds.
Freddie Mercury: I enjoyed the show. I also, I write songs.
Brian May: Our lead singer just quit.
Freddie Mercury: Well then, you're going to need someone new.
Kashmira Bulsara: Mercury?
Freddie Mercury: No looking back. Only forward.
Bomi Bulsara: So now the family name's not good enough for you?
Kashmira Bulsara: It's just a stage name.
Freddie Mercury: No, it's not. I changed it legally. Got a new passport and everything.
John Reid: So, tell me. What makes Queen any different from all of the other wannabe rockstars I meet?
Freddie Mercury: Tell you what it is, Mr. Reid. Now we're four misfits who don't belong together, we're playing for the other misfits. They're the outcasts, right at the back of the room. We're pretty sure they don't belong either. We belong to them.
Mary Austin: What was it like singing for all those people?
Freddie Mercury: When I know they're listening... when I know I really have them... I couldn't sing off-key if I tried. I'm exactly the person I was always meant to be. I'm not afraid of anything. The only other time I ever feel that way is when I'm with you.
Freddie Mercury: Roger, there's only room in this band for one hysterical queen.
Freddie Mercury: What have we got to lose?
Freddie Mercury: I'm not the leader of Queen, I'm only the lead singer.
Ray Foster: It goes on forever, six bloody minutes!
Freddie Mercury: I pity your wife if you think six minutes is forever.
Freddie Mercury: We're going to release it as our single.
Ray Foster: Not possible. Anything over three minutes, and the radio stations won't program it. John?
John Reid: Yeah, we need radio. Format is three minutes.
Ray Foster: What about 'I'm in Love with My Car'?... Well, that's the kind of songs teenagers can crank up the volume in their car and bang their heads to. 'Bohemian Rhapsody' will never be that song.
Freddie Mercury: We know what we have, even if you don't. It's called Bohemian Rhapsody. You will forever be known as the man who lost Queen.
Freddie Mercury: My darlings... the time has finally come... to get absolutely... shit-faced!My darlings... the time has finally come... to get absolutely... shit-faced!
Paul Prenter: I know who you are, Freddie Mercury.
Freddie Mercury: You know when you know you've gone rotten? Really rotten? Fruit flies. Dirty little fruit flies. Coming to feast on what's left. Well, there isn't much left for you to feast on anymore. So, fly off.
Jim Beach: They just need a bit of time.
Freddie Mercury: What if I don't have time?
--
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+ Brian May - New Horizons (Ultima Thule Mix)
+ Как рисовал Фредди Меркьюри
+ Особняк Фредди Меркьюри
Freddie Mercury: I enjoyed the show. I also, I write songs.
Brian May: Our lead singer just quit.
Freddie Mercury: Well then, you're going to need someone new.
Kashmira Bulsara: Mercury?
Freddie Mercury: No looking back. Only forward.
Bomi Bulsara: So now the family name's not good enough for you?
Kashmira Bulsara: It's just a stage name.
Freddie Mercury: No, it's not. I changed it legally. Got a new passport and everything.
John Reid: So, tell me. What makes Queen any different from all of the other wannabe rockstars I meet?
Freddie Mercury: Tell you what it is, Mr. Reid. Now we're four misfits who don't belong together, we're playing for the other misfits. They're the outcasts, right at the back of the room. We're pretty sure they don't belong either. We belong to them.
Mary Austin: What was it like singing for all those people?
Freddie Mercury: When I know they're listening... when I know I really have them... I couldn't sing off-key if I tried. I'm exactly the person I was always meant to be. I'm not afraid of anything. The only other time I ever feel that way is when I'm with you.
Freddie Mercury: Roger, there's only room in this band for one hysterical queen.
Freddie Mercury: What have we got to lose?
Freddie Mercury: I'm not the leader of Queen, I'm only the lead singer.
Ray Foster: It goes on forever, six bloody minutes!
Freddie Mercury: I pity your wife if you think six minutes is forever.
Freddie Mercury: We're going to release it as our single.
Ray Foster: Not possible. Anything over three minutes, and the radio stations won't program it. John?
John Reid: Yeah, we need radio. Format is three minutes.
Ray Foster: What about 'I'm in Love with My Car'?... Well, that's the kind of songs teenagers can crank up the volume in their car and bang their heads to. 'Bohemian Rhapsody' will never be that song.
Freddie Mercury: We know what we have, even if you don't. It's called Bohemian Rhapsody. You will forever be known as the man who lost Queen.
Freddie Mercury: My darlings... the time has finally come... to get absolutely... shit-faced!My darlings... the time has finally come... to get absolutely... shit-faced!
Paul Prenter: I know who you are, Freddie Mercury.
Freddie Mercury: You know when you know you've gone rotten? Really rotten? Fruit flies. Dirty little fruit flies. Coming to feast on what's left. Well, there isn't much left for you to feast on anymore. So, fly off.
Jim Beach: They just need a bit of time.
Freddie Mercury: What if I don't have time?
--
++ Quotes on the IMDb
+ Soundtracks!!!
+ Brian May - New Horizons (Ultima Thule Mix)
+ Как рисовал Фредди Меркьюри
+ Особняк Фредди Меркьюри
21 дек. 2018 г.
Playing for Time (1980)
Rabbi: Mme. Fénelon your music is the soul of Paris.
Alma: And we must try to please them, Fania...
Fania: I'd prefer to think I'm saving my life rather than trying to please the S.S.
Alma: Do you think you can do one without the other?
Alma: I can not help but strive for the pursuit of perfection, I was trained that way and I can not change now.
Fania: I'm hardly in a position to criticize you, and I'm also trying to please.
Alma: Exactly. But we are artists. They can't take that. There is nothing to be ashamed of.
Shmuel: Don't do that.
Fania: What?!
Shmuel: Turn away. You have to look and see everything! So I can tell them when it's over.
Fania: Who?
Shmuel: ...
Fania: But I am not believe. Why did you pick me?
Shmuel: I always know who to pick... Live!
Commandant Kramer: I must tell you, Fénelon, that I originally objected...
Fania: Excuse me, Herr Commandant. I must tell you, my name is really not Fénelon. My mother's name was Fénelon, my father's name was Goldstein. I'm Fania Goldstein.
Alma: So, why do they resent me? You are professional. You knows that strict discipline is required. A conductor must be respected.
Fania: I think she can be loved too...
Alma: You can not love what you do not respect!
Alma: It is perfectly traditional. In Austria, in Germany, when a musician is repeatedly wrong—
Fania: To slap?
Alma: Yes, of course! Furtwängler did it so frequently that his orchestras idolized him.
Alma: ... Then they arrested me as a Jew. It still astonishes me...
Fania: Because you are so so German?
Alma: Yes, I am. I am.
Alma: In this place, Fania, you will have to be an artist, and only artist! You will have to concentrate on one thing only... And that is to create all the beauty you are capable of creating.
Shmuel: Fania, they are gassing 12,000 each day now. 12,000 angels... fly up every day!
Fania: Why do you keep telling me these things? What do you want from me?
Shmuel: Look with your eyes, the air is full of angels!
Fania: I have no answers anymore, Paulette. I'm living from minute to minute. My heart beats, so I'm alive. But I'm filling up with dust.
Sonya: I don't know what's gonna happen to us, Fania, before the end. I only want one Jewish woman to understand... When I first came here, I was sure that the Pope and the Christian leaders who didn't know, when they found out they would send planes to bomb the fires here and the tracks that bring them in every day. But the trains kept coming and the fires continue burning. Do you understand it? Do you understand?
Fania: May be there is something more important to bomb. What are we here anyway, a lot of women who can not even menstruate...
Sonya: Oh, Fania, forgive me, please!
Fania: You? Why? What did you do to me? Were you in the resistance? Did you try to fight against this? Why do you have to feel guilty?
Fania: It's all a joke. Don't you see? It's meaningless. I'm afraid nothing you could do would have changed that.
Fania: I almost feel pity for person like you more than for us. And you, you will survive. All everyone around you will be in sins, from the one end to the other. And who you will able to talk ever again?
Elzvieta: I'm not on their side. I'm only keeping myself for Jerusalem.
Fania: Good...
Elzvieta: What do you mean by that, Fania?
Fania: I mean, that is good. If you can keep yourself so apart from all this, so clean.
Elzvieta: But we are not responsible for this!
Fania: No, of course not. Nothing here is our fault... All I mean is this, we maybe innocent, but we'e changed. I mean we know a little something about the human race, that we didn't know about before. And it's not good news.
Elzvieta: How can you still call them humans?!
Fania: Then what are they?
--
On the IMDb
+ Soundtracks
Alma: And we must try to please them, Fania...
Fania: I'd prefer to think I'm saving my life rather than trying to please the S.S.
Alma: Do you think you can do one without the other?
Alma: I can not help but strive for the pursuit of perfection, I was trained that way and I can not change now.
Fania: I'm hardly in a position to criticize you, and I'm also trying to please.
Alma: Exactly. But we are artists. They can't take that. There is nothing to be ashamed of.
Shmuel: Don't do that.
Fania: What?!
Shmuel: Turn away. You have to look and see everything! So I can tell them when it's over.
Fania: Who?
Shmuel: ...
Fania: But I am not believe. Why did you pick me?
Shmuel: I always know who to pick... Live!
Commandant Kramer: I must tell you, Fénelon, that I originally objected...
Fania: Excuse me, Herr Commandant. I must tell you, my name is really not Fénelon. My mother's name was Fénelon, my father's name was Goldstein. I'm Fania Goldstein.
Alma: So, why do they resent me? You are professional. You knows that strict discipline is required. A conductor must be respected.
Fania: I think she can be loved too...
Alma: You can not love what you do not respect!
Alma: It is perfectly traditional. In Austria, in Germany, when a musician is repeatedly wrong—
Fania: To slap?
Alma: Yes, of course! Furtwängler did it so frequently that his orchestras idolized him.
Alma: ... Then they arrested me as a Jew. It still astonishes me...
Fania: Because you are so so German?
Alma: Yes, I am. I am.
Alma: In this place, Fania, you will have to be an artist, and only artist! You will have to concentrate on one thing only... And that is to create all the beauty you are capable of creating.
Shmuel: Fania, they are gassing 12,000 each day now. 12,000 angels... fly up every day!
Fania: Why do you keep telling me these things? What do you want from me?
Shmuel: Look with your eyes, the air is full of angels!
Fania: I have no answers anymore, Paulette. I'm living from minute to minute. My heart beats, so I'm alive. But I'm filling up with dust.
Sonya: I don't know what's gonna happen to us, Fania, before the end. I only want one Jewish woman to understand... When I first came here, I was sure that the Pope and the Christian leaders who didn't know, when they found out they would send planes to bomb the fires here and the tracks that bring them in every day. But the trains kept coming and the fires continue burning. Do you understand it? Do you understand?
Fania: May be there is something more important to bomb. What are we here anyway, a lot of women who can not even menstruate...
Sonya: Oh, Fania, forgive me, please!
Fania: You? Why? What did you do to me? Were you in the resistance? Did you try to fight against this? Why do you have to feel guilty?
Fania: It's all a joke. Don't you see? It's meaningless. I'm afraid nothing you could do would have changed that.
Fania: I almost feel pity for person like you more than for us. And you, you will survive. All everyone around you will be in sins, from the one end to the other. And who you will able to talk ever again?
Elzvieta: I'm not on their side. I'm only keeping myself for Jerusalem.
Fania: Good...
Elzvieta: What do you mean by that, Fania?
Fania: I mean, that is good. If you can keep yourself so apart from all this, so clean.
Elzvieta: But we are not responsible for this!
Fania: No, of course not. Nothing here is our fault... All I mean is this, we maybe innocent, but we'e changed. I mean we know a little something about the human race, that we didn't know about before. And it's not good news.
Elzvieta: How can you still call them humans?!
Fania: Then what are they?
--
On the IMDb
+ Soundtracks
27 авг. 2018 г.
Coffee and Cigarettes (2003)
Steven: Cigarettes and coffee I think go together good.
Roberto: No. Coffee is good for health.
Steven: I like to drink before I go to sleep. I drink a lot of coffee before I go to sleep so I can dream faster. I can dream like when they put a camera on the Indy 500... when they put a camera in the car, and it's just whipping by like that. Dream after dream after dream after dream. People ask me the next day, what did you dream about? I say, I don't have time. I don't have time to tell you this.
Roberto: Do you smoke?
Steven: Only when I drink coffee.
Tom: You know, the beauty of quitting is, now that I've quit... I can have one, 'cause I've quit.
Iggy: Cigarettes and coffee, man. That's a combination.
Shelly: It's just... funny, don't you think? When you can't afford something, it's like really expensive. And then when you can afford it, it's like, free. Kind of backwards, don't you think?
Cate: Yeah, well... the world is a bit like that, I guess, in a lot of ways.
Meg: Earth as a conductor of acoustical resonance...
Steve: I do love visiting LA. But I always say, it's a great place to visit, it's an even nicer place to leave.
Steve: Do you want a cigarette? Sorry, they're French.
Alfred: All I want, if I want anything... is for you to just acknowledge this extraordinary thing... and just love me.
Steve: .... Yeah, I could do that.
RZA: Want some tea?
GZA: Yeah, splash me.
RZA: It's all herbals, man. No caffeine.That's what I'm talking about. No caffeine. Caffeine is ridiculous right now, man.
GZA: Tell me about it.
RZA: Caffeine leads to depression, makes you all irritable, have your heart beating fast. Faster heart rate, you know what I mean? And worse than anything, you drink that coffee, it gives you the shits, you know what I mean? So I try to stay away from that.
GZA: I'm off that shit, anyway.
RZA: Crisp and clean. No caffeine.
GZA: Bill Groundhog-Day, Ghostbustin'-ass Murray!
Bill: What's up?
Taylor: I don't know. I feel so divorced from the world.
Taylor: Do you know that song by Mahler...
Bill: I've Lost Track of the World?
Taylor: No. It's one of the most beautiful... and saddest songs ever written. I can almost hear it now. Can you hear it?
Taylor: Nikola Tesla... perceived the Earth as a conductor... of acoustical resonance.
Bill: I have no idea what you're talking about. Can you explain it to me?
Taylor: No, not really.
Taylor: Is that all you're having for lunch, coffee and a cigarette? It's not very healthy.
--
+ Quotes on the IMDb
Roberto: No. Coffee is good for health.
Steven: I like to drink before I go to sleep. I drink a lot of coffee before I go to sleep so I can dream faster. I can dream like when they put a camera on the Indy 500... when they put a camera in the car, and it's just whipping by like that. Dream after dream after dream after dream. People ask me the next day, what did you dream about? I say, I don't have time. I don't have time to tell you this.
Roberto: Do you smoke?
Steven: Only when I drink coffee.
Tom: You know, the beauty of quitting is, now that I've quit... I can have one, 'cause I've quit.
Iggy: Cigarettes and coffee, man. That's a combination.
Shelly: It's just... funny, don't you think? When you can't afford something, it's like really expensive. And then when you can afford it, it's like, free. Kind of backwards, don't you think?
Cate: Yeah, well... the world is a bit like that, I guess, in a lot of ways.
Meg: Earth as a conductor of acoustical resonance...
Steve: I do love visiting LA. But I always say, it's a great place to visit, it's an even nicer place to leave.
Steve: Do you want a cigarette? Sorry, they're French.
Alfred: All I want, if I want anything... is for you to just acknowledge this extraordinary thing... and just love me.
Steve: .... Yeah, I could do that.
RZA: Want some tea?
GZA: Yeah, splash me.
RZA: It's all herbals, man. No caffeine.That's what I'm talking about. No caffeine. Caffeine is ridiculous right now, man.
GZA: Tell me about it.
RZA: Caffeine leads to depression, makes you all irritable, have your heart beating fast. Faster heart rate, you know what I mean? And worse than anything, you drink that coffee, it gives you the shits, you know what I mean? So I try to stay away from that.
GZA: I'm off that shit, anyway.
RZA: Crisp and clean. No caffeine.
GZA: Bill Groundhog-Day, Ghostbustin'-ass Murray!
Bill: What's up?
Taylor: I don't know. I feel so divorced from the world.
Taylor: Do you know that song by Mahler...
Bill: I've Lost Track of the World?
Taylor: No. It's one of the most beautiful... and saddest songs ever written. I can almost hear it now. Can you hear it?
Taylor: Nikola Tesla... perceived the Earth as a conductor... of acoustical resonance.
Bill: I have no idea what you're talking about. Can you explain it to me?
Taylor: No, not really.
Taylor: Is that all you're having for lunch, coffee and a cigarette? It's not very healthy.
--
+ Quotes on the IMDb
18 апр. 2018 г.
Pitch Perfect 3
Fat Amy: What's up, pitches?
Calamity: I'm Calamity. This is Serenity, Veracity, and Charity.
Fat Amy: If I joined your group I could be Obesity... Get it?
Chloe: So you guys saw what we did there, right?
Veracity: Yeah. So... it's singing.
Chloe: No, well... We just took the last word of the old song and matched it with the first word of the new song, but you stay on tempo, stay on beat, stay on pitch and, of course, keep it in the relative key.
Aubrey: Well, don't give up. My dad always says, "Age wrinkles the body, but quitting wrinkles the soul."
Aubrey: ...And my dad always said, "Expect finite disappointment, and remember, there's always more where that came from."
Fergus: Come to the boat, or your friends swim with the fishies. And I think you know I mean it.
Fat Amy: Oh, I know you mean it. Because you're a terrible person that does terrible things. But there's one thing you're forgetting, Dad... I'm your daughter. Your nightmare blood, it runs through my veins! ... You think you're bad? You have no idea what I'm capable of. I've graduated college. I could do anything. So say your prayers, 'cause Fat Amy is coming... for you.
Fat Amy: This is way too much cardio...
Fat Amy: Beca, you can't say no. You've gotta do it. Look, your real family doesn't hold you back. They lift you up.
Fat Amy: I just found out I got $180 million to put into "Fat Amy Winehouse." Wait, I could do more shows. "Fat Amy Adams." "Fat Amy Grant." Oh, that would be good for Christmas.
Aubrey: You guys, it's like my dad always says, "Always give a hundred percent, unless you're donating blood... or getting a divorce."
--
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14 апр. 2018 г.
Coco
Mariachi: Look, if you're too scared then, well, have fun making shoes.
Miguel: I don't know. I thought it might've been one of those made up things that adults tell kids. Like vitamins.
Tía Victoria: Miguel, vitamins are a real thing.
Miguel: Well, now I'm thinking maybe they could be.
Frida Kahlo: Yes! It is I. Frida Kahlo. Shall we skip the scanner? I'm on so many ofrendas it'll just overwhelm your blinky thingy.
Héctor: He's been forgotten. When there's no one left in the living world who remembers you... you disappear from this world. We call it the final death.
Miguel: Where did he go?
Héctor: No one knows.
Miguel: Are you kidding? A minute ago I thought I was related to a murderer. You're a total upgrade.
Miguel: You don't have to forgive him. But we shouldn't forget him.
Mamá Imelda: You have our blessing, Miguel. No conditions.
--
++ Quotes on the IMDb
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Miguel: I don't know. I thought it might've been one of those made up things that adults tell kids. Like vitamins.
Tía Victoria: Miguel, vitamins are a real thing.
Miguel: Well, now I'm thinking maybe they could be.
Frida Kahlo: Yes! It is I. Frida Kahlo. Shall we skip the scanner? I'm on so many ofrendas it'll just overwhelm your blinky thingy.
Héctor: He's been forgotten. When there's no one left in the living world who remembers you... you disappear from this world. We call it the final death.
Miguel: Where did he go?
Héctor: No one knows.
Miguel: Are you kidding? A minute ago I thought I was related to a murderer. You're a total upgrade.
Miguel: You don't have to forgive him. But we shouldn't forget him.
Mamá Imelda: You have our blessing, Miguel. No conditions.
--
++ Quotes on the IMDb
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6 февр. 2018 г.
High Strung
Ruby: Balanchine said, "See the music, hear the dance."
Johnnie: You're wasting your time with this guy. He isn't gonna help us.
Ruby: Sometimes, people can surprise you.
Ruby: You know, music is like dance. It's a link to the soul. It can make people laugh. It can make people cry. It can inspire. With a power like that, why wouldn't you want to share it with the world?
Kramrovsky: You danced it beautifully.
Ruby: I can do it better.
Kramrovsky: You're too hard on yourself.
Ruby: I just want to be perfect.
Kramrovsky: And what happens when you've achieved perfection? You stop then? It's imperfections that keep us alive, motivating us to push further and further.
Kramrovsky: This is the problem. Stop trying to dance.
Ruby: But I'm a dancer.
Kramrovsky: No, no, you're not a dancer in this variation. You're a gypsy. Proud, upright. You understand? Again.
Kramrovsky: Ruby, each time you conquer a step, there will always be another challenge waiting. It's a long road. It never ends. As dancers, this is our journey.
Ruby: Have you completely forgotten who you are?
Jazzy: I'm a dancer.
Ruby: Then start acting like one... Dancers dance, no matter what.
--
+ Quotes on the IMDb
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Johnnie: You're wasting your time with this guy. He isn't gonna help us.
Ruby: Sometimes, people can surprise you.
Ruby: You know, music is like dance. It's a link to the soul. It can make people laugh. It can make people cry. It can inspire. With a power like that, why wouldn't you want to share it with the world?
Kramrovsky: You danced it beautifully.
Ruby: I can do it better.
Kramrovsky: You're too hard on yourself.
Ruby: I just want to be perfect.
Kramrovsky: And what happens when you've achieved perfection? You stop then? It's imperfections that keep us alive, motivating us to push further and further.
Kramrovsky: This is the problem. Stop trying to dance.
Ruby: But I'm a dancer.
Kramrovsky: No, no, you're not a dancer in this variation. You're a gypsy. Proud, upright. You understand? Again.
Kramrovsky: Ruby, each time you conquer a step, there will always be another challenge waiting. It's a long road. It never ends. As dancers, this is our journey.
Ruby: Have you completely forgotten who you are?
Jazzy: I'm a dancer.
Ruby: Then start acting like one... Dancers dance, no matter what.
--
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21 нояб. 2017 г.
Baby Driver
Griff: No, Doc, I mean is he retarded?
Doc: "Retarded" means slow. Was he slow?
Griff: No.
Doc: Then he don't sound that retarded to me. He's a good kid and a devil behind the wheel.
Griff: You can't just be in crime, right? Not without being a little criminal.
Debora: Sometimes all I want to do is head west on 20 in a car I can't afford with a plan I don't have. Just me, my music and the road.
Baby: I'd like that, too.
Bats: In this business, the moment you catch feelings... is the moment you catch a bullet.
Doc: So, what's it gonna be-- behind the wheel or in a wheelchair?
Baby: Are you here tomorrow?
Cashier: Sure am. Working 9:00 to 5:00, just like Dolly...
Baby: Dolly Parton. Yeah. I like her.
Cashier: Who doesn't? "Everybody wants happiness, nobody wants pain. But you can't have a rainbow without a little rain."
Bats: Look, here's the deal. You rob to support a drug habit. I do drugs to support a robbery habit.
Bats: ...You rack up debt, the type of debt that'd make a white man blush. Maybe you get into a little trouble. Maybe you get your hand caught in the corporate cookie jar. Maybe you leave and run off to the desert. Maybe with your favorite lap dancer in tow. Maybe you disappear into a world consisting of three things, money, sex, drugs and action... Shit, that's four. Am I close?
Doc: Bananas. "Bananas" is a code word. Whenever a deal is done with one of my clients, they call me on the phone and they say the word "bananas," and then they hang up. I did not hear the word "bananas" tonight. So you tell me who died.
Darling: This shit is bananas, Doc. B-A-N-A-N-A-S.
Buddy: You can't keep running, Baby! There's no escape!
Baby: Never. You and I are a team. I...
Doc: Don't feed me any more lines from Monsters, Inc. It pisses me off.
Doc: Well, there is some good news. The good news is you like driving, because you can't take your foot off the gas for the next 25 years.
--
+ Quotes on the IMDb
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Doc: "Retarded" means slow. Was he slow?
Griff: No.
Doc: Then he don't sound that retarded to me. He's a good kid and a devil behind the wheel.
Griff: You can't just be in crime, right? Not without being a little criminal.
Debora: Sometimes all I want to do is head west on 20 in a car I can't afford with a plan I don't have. Just me, my music and the road.
Baby: I'd like that, too.
Bats: In this business, the moment you catch feelings... is the moment you catch a bullet.
Doc: So, what's it gonna be-- behind the wheel or in a wheelchair?
Baby: Are you here tomorrow?
Cashier: Sure am. Working 9:00 to 5:00, just like Dolly...
Baby: Dolly Parton. Yeah. I like her.
Cashier: Who doesn't? "Everybody wants happiness, nobody wants pain. But you can't have a rainbow without a little rain."
Bats: Look, here's the deal. You rob to support a drug habit. I do drugs to support a robbery habit.
Bats: ...You rack up debt, the type of debt that'd make a white man blush. Maybe you get into a little trouble. Maybe you get your hand caught in the corporate cookie jar. Maybe you leave and run off to the desert. Maybe with your favorite lap dancer in tow. Maybe you disappear into a world consisting of three things, money, sex, drugs and action... Shit, that's four. Am I close?
Doc: Bananas. "Bananas" is a code word. Whenever a deal is done with one of my clients, they call me on the phone and they say the word "bananas," and then they hang up. I did not hear the word "bananas" tonight. So you tell me who died.
Darling: This shit is bananas, Doc. B-A-N-A-N-A-S.
Buddy: You can't keep running, Baby! There's no escape!
Baby: Never. You and I are a team. I...
Doc: Don't feed me any more lines from Monsters, Inc. It pisses me off.
Doc: Well, there is some good news. The good news is you like driving, because you can't take your foot off the gas for the next 25 years.
--
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16 мая 2017 г.
Florence Foster Jenkins
& Florence Foster Jenkins: ...he didn’t understand musicians. We’d rather go without bread than Mozart, wouldn’t we? It’s not even a choice for us.
& Carlo Edwards: Here we are. The Bell Song.
Florence Foster Jenkins: Oh. Isn’t it a little early in the morning for Lakmé, Carlo?
Carlo Edwards: Not for a singer of your ability. Whenever you’re ready, Mr McMoon.
& Florence Foster Jenkins: This is what we live for, isn’t it? This moment.
& Dr. Hermann: I’ve known patients survive 20 years with syphilis but never nearly 50. I’m amazed. What is her secret?
St Clair Bayfield: Music. She lives for music.
& St Clair Bayfield: Madam Florence... she understands that love takes many forms. Believe me, there’s no shortage of love between any of us. Surely you can see I’m devoted to Florence. Our marriage is a thing of the spirit. It transcends this realm. It’s...
& Cosmé McMoon: Mr Bayfield, I am a serious pianist. I have ambition. I...
St Clair Bayfield: Oh, you think that I didn’t have ambition? I was a good actor. But I was never going to be a great actor. It was very, very hard to admit that to myself. But once I had, I felt free from the tyranny of ambition. I started to live. Is ours not a happy world, Cosmé? Do we not have fun?
& Florence Foster Jenkins: People may say I couldn’t sing, but no one can say I didn’t sing.
St Clair Bayfield: Bravo, my love. Bravo.
--
+ Quotes on the IMDb
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& Carlo Edwards: Here we are. The Bell Song.
Florence Foster Jenkins: Oh. Isn’t it a little early in the morning for Lakmé, Carlo?
Carlo Edwards: Not for a singer of your ability. Whenever you’re ready, Mr McMoon.
& Florence Foster Jenkins: This is what we live for, isn’t it? This moment.
& Dr. Hermann: I’ve known patients survive 20 years with syphilis but never nearly 50. I’m amazed. What is her secret?
St Clair Bayfield: Music. She lives for music.
& St Clair Bayfield: Madam Florence... she understands that love takes many forms. Believe me, there’s no shortage of love between any of us. Surely you can see I’m devoted to Florence. Our marriage is a thing of the spirit. It transcends this realm. It’s...
& Cosmé McMoon: Mr Bayfield, I am a serious pianist. I have ambition. I...
St Clair Bayfield: Oh, you think that I didn’t have ambition? I was a good actor. But I was never going to be a great actor. It was very, very hard to admit that to myself. But once I had, I felt free from the tyranny of ambition. I started to live. Is ours not a happy world, Cosmé? Do we not have fun?
& Florence Foster Jenkins: People may say I couldn’t sing, but no one can say I didn’t sing.
St Clair Bayfield: Bravo, my love. Bravo.
--
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14 мая 2017 г.
La La Land
& Sebastian: And the thing is... You’re acting like life’s got me on the ropes. I want to be on the ropes. Okay? I’m letting life hit me ’til it gets tired. Then I’m gonna hit back. It’s a classic rope-a-dope.
& Sebastian: I want you to know you’re lookin’ at a new man, a man that’s happy to be here.
Bill: Good. Excellent.
Sebastian: Very-easy-to-work-with man.
Bill: And you’re going to play the set list?
Sebastian: Happy to... Even though I don’t think anyone cares what I play, but, yeah.
Bill: Well, if by «anyone» you mean anyone other than me, that would be correct. I care, and I don’t wanna hear the free jazz.
Sebastian: Right. Okay. Although I thought in this town it worked on a sort of «one for you, one for me» type system... How ’bout two for you, one for me?.. How ’bout all for you and none for me?
Bill: That’s perfect, yes.
Sebastian: Great.
Bill: Okay.
Sebastian: Okay, a mutual decision then.
Bill: Right. Made by me.
Sebastian: Right, and I sign off on it, so...
Bill: Whatever. Tell yourself what you wanna know.
& Sebastian: I don’t know. That’s L.A. They just worship everything and they value nothing.
& Sebastian: I just think that people, when they say that they... you know, hate jazz, they just... They don’t have context, they don’t know where it comes from.
Jazz was born in a little flophouse in New Orleans, and it’s just because people were crammed in there, they spoke five different languages, they couldn’t talk to each other. The only way they could communicate was with jazz.
& Sebastian: You have to see it. You have to see what’s at stake. I mean, look at these fellas. Look at the sax player right now. He just hijacked the song. He’s on his own trip. Every one of these guys is composing, they’re rearranging, they’re writing. Then they’re playing the melody. They’re just... And now look, the trumpet player. He’s got his own idea. And so, it’s conflict, and it’s compromise, and it’s just... It’s new every time. It’s brand-new every night. It’s very, very exciting.
And it’s dying. It’s dying, Mia. It’s dying on the vine. And the world says, «Let it die. It had its time.» Well, not on my watch.
--
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& Sebastian: I want you to know you’re lookin’ at a new man, a man that’s happy to be here.
Bill: Good. Excellent.
Sebastian: Very-easy-to-work-with man.
Bill: And you’re going to play the set list?
Sebastian: Happy to... Even though I don’t think anyone cares what I play, but, yeah.
Bill: Well, if by «anyone» you mean anyone other than me, that would be correct. I care, and I don’t wanna hear the free jazz.
Sebastian: Right. Okay. Although I thought in this town it worked on a sort of «one for you, one for me» type system... How ’bout two for you, one for me?.. How ’bout all for you and none for me?
Bill: That’s perfect, yes.
Sebastian: Great.
Bill: Okay.
Sebastian: Okay, a mutual decision then.
Bill: Right. Made by me.
Sebastian: Right, and I sign off on it, so...
Bill: Whatever. Tell yourself what you wanna know.
& Sebastian: I don’t know. That’s L.A. They just worship everything and they value nothing.
& Sebastian: I just think that people, when they say that they... you know, hate jazz, they just... They don’t have context, they don’t know where it comes from.
Jazz was born in a little flophouse in New Orleans, and it’s just because people were crammed in there, they spoke five different languages, they couldn’t talk to each other. The only way they could communicate was with jazz.
& Sebastian: You have to see it. You have to see what’s at stake. I mean, look at these fellas. Look at the sax player right now. He just hijacked the song. He’s on his own trip. Every one of these guys is composing, they’re rearranging, they’re writing. Then they’re playing the melody. They’re just... And now look, the trumpet player. He’s got his own idea. And so, it’s conflict, and it’s compromise, and it’s just... It’s new every time. It’s brand-new every night. It’s very, very exciting.
And it’s dying. It’s dying, Mia. It’s dying on the vine. And the world says, «Let it die. It had its time.» Well, not on my watch.
--
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23 мар. 2017 г.
Limelight
& Doctor: How long have you known this girl?
Calvero: About five minutes.
Doctor: She’ll need looking after for a couple of days.
& Thereza: Why didn’t you let me die?
Calvero: What’s your hurry?
& Calvero: Are you in pain?
Thereza: [No.]
Calvero: That’s all that matters. The rest is fantasy.
& Calvero: Billions of years it’s taken to evolve human consciousness and you want to wipe it out. Wipe out the miracle of all existence. More important than anything in the whole universe! What can the stars do? Nothing... but sit on their axis! And the sun, shooting flames 280,000 miles high... So what? Wasting all its natural resources. Can the sun think? Is it conscious? No, but you are!
& Maid: Your wife won’t eat.
Calvero: Well, that’s a blessing to a poor married man.
& Calvero: It isn’t the ideal spot for convalescing, but you’re welcome to it, if you can put up with being Mrs. Calvero. In name only!
Thereza: It won’t inconvenience you?
Calvero: Not at all. I’ve had five wives already. One more or less makes no difference.
& Calvero: I’ve arrived at the age where platonic friendship can be sustained on the highest moral plane.
& Thereza: All life aimless without meaning.
Calvero: What do you want a meaning for? Life is a desire, not a meaning. Desire is the theme of all life! Thereza: It makes a rose want to be a rose, and want to grow like that... And a rock want to contain itself and remain like that...
& Thereza: I’m sorry.
Calvero: You should be. A young girl like you wanting to throw your life away. When you’re my age, you’ll want to hang on to it.
Thereza: Why?
Calvero: Well, at this stage of the game life gets to be a habit.
Thereza: A hopeless one.
Calvero: Then live without hope. Live for the moment. There are still, there are still... There are still wonderful moments.
& Thereza: I’m tired of fighting.
Calvero: Because you’re fighting yourself. You won’t give yourself a chance. But the fight for happiness is beautiful.
& Thereza: What a sad business, being funny.
Calvero: Very sad if they won’t laugh. But it’s a thrill when they do.
& Calvero: I want to forget the public.
Thereza: Never. You love them too much.
Calvero: Maybe I love them, but I don’t admire them.
Thereza: I think you do.
Calvero: As individuals, yes. There’s greatness in everyone. But as a crowd, they’re like a monster without a head that never knows which way it’s going to turn. It can be prodded in any direction.
& Calvero: That’s the trouble with the world. We all despise ourselves.
& Calvero: Yes, life can be wonderful if you’re not afraid of it. All it needs is courage, imagination and a little dough.
& Thereza: What is there to fight for?
Calvero: Everything! Life itself! Isn’t that enough? To be lived, suffered, enjoyed!
& Calvero: Time is the great author. It always writes the perfect ending.
& Thereza: Calvero, come back. You’ve got to come back!
Calvero: I can’t. I must go forward. That’s progress.
& Calvero: I don’t like it. Everyone’s so kind to me. Makes me feel isolated. Even you make me feel isolated.
--
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Calvero: About five minutes.
Doctor: She’ll need looking after for a couple of days.
& Thereza: Why didn’t you let me die?
Calvero: What’s your hurry?
& Calvero: Are you in pain?
Thereza: [No.]
Calvero: That’s all that matters. The rest is fantasy.
& Calvero: Billions of years it’s taken to evolve human consciousness and you want to wipe it out. Wipe out the miracle of all existence. More important than anything in the whole universe! What can the stars do? Nothing... but sit on their axis! And the sun, shooting flames 280,000 miles high... So what? Wasting all its natural resources. Can the sun think? Is it conscious? No, but you are!
& Maid: Your wife won’t eat.
Calvero: Well, that’s a blessing to a poor married man.
& Calvero: It isn’t the ideal spot for convalescing, but you’re welcome to it, if you can put up with being Mrs. Calvero. In name only!
Thereza: It won’t inconvenience you?
Calvero: Not at all. I’ve had five wives already. One more or less makes no difference.
& Calvero: I’ve arrived at the age where platonic friendship can be sustained on the highest moral plane.
& Thereza: All life aimless without meaning.
Calvero: What do you want a meaning for? Life is a desire, not a meaning. Desire is the theme of all life! Thereza: It makes a rose want to be a rose, and want to grow like that... And a rock want to contain itself and remain like that...
& Thereza: I’m sorry.
Calvero: You should be. A young girl like you wanting to throw your life away. When you’re my age, you’ll want to hang on to it.
Thereza: Why?
Calvero: Well, at this stage of the game life gets to be a habit.
Thereza: A hopeless one.
Calvero: Then live without hope. Live for the moment. There are still, there are still... There are still wonderful moments.
& Thereza: I’m tired of fighting.
Calvero: Because you’re fighting yourself. You won’t give yourself a chance. But the fight for happiness is beautiful.
& Thereza: What a sad business, being funny.
Calvero: Very sad if they won’t laugh. But it’s a thrill when they do.
& Calvero: I want to forget the public.
Thereza: Never. You love them too much.
Calvero: Maybe I love them, but I don’t admire them.
Thereza: I think you do.
Calvero: As individuals, yes. There’s greatness in everyone. But as a crowd, they’re like a monster without a head that never knows which way it’s going to turn. It can be prodded in any direction.
& Calvero: That’s the trouble with the world. We all despise ourselves.
& Calvero: Yes, life can be wonderful if you’re not afraid of it. All it needs is courage, imagination and a little dough.
& Thereza: What is there to fight for?
Calvero: Everything! Life itself! Isn’t that enough? To be lived, suffered, enjoyed!
& Calvero: Time is the great author. It always writes the perfect ending.
& Thereza: Calvero, come back. You’ve got to come back!
Calvero: I can’t. I must go forward. That’s progress.
& Calvero: I don’t like it. Everyone’s so kind to me. Makes me feel isolated. Even you make me feel isolated.
--
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