The Nancy"?
The Nancy Starling. After their mother.
Gabriel Baker: The nail on the head!
Catrin Cole: Mmm?
Gabriel Baker: On the head. Authenticity, optimism, and a dog.
Tom Buckley: ...Saves the dog.
Catrin Cole: But he didn't. In real life, he didn't.
Tom Buckley: Film, Mrs. Cole. Real life with the boring bits cut out. Don't confuse facts with truth and, for Christ's sake, don't let either of them get in the way of the story.
Phyl Moore: You know, a lot of men are scared we won't go back into our boxes when this is all over. It makes them belligerent.
Sammy Smith: Sorry. We have guests staying, friends from Poland. Things are very bad in Europe.
Ambrose Hilliard: It's not exactly a picnic here, if you hadn't noticed. You can't find a decent waiter in SoHo since Italy joined the war. They were all rounded up as so-called enemies of the state,
Tom Buckley: Now, there's a truth we won't be telling. Morale-sapping, apparently... We pick our truths. Isn't that the point?
Roger Swain: We're saying this is based on a true story.
Tom Buckley: Then don't! Oh, Christ above, man, you're supposed to be the propagandist!
Tom Buckley: 700 ships went to Dunkirk. 338,000 men came back. Don't say it's based on a true story. Say it's based on 100 true stories. A thousand!
Raymond Parfitt: 338,000.
Tom Buckley: Dunkirk, the biggest retreat in military history, or... the miracle that put the fire back in all our bellies?
Sophie Smith: Please be calm, Mr. Hilliard.
Hilliard: I am perfectly calm. What you are seeing is controlled anger tempered with icy detachment. It's one of the many subtle emotions of which a good actor is capable.
Tom Buckley: Too long. Lose half.
Catrin Cole: Which half?
Tom Buckley: The half you don't need.
Secretary of War: Mr. Churchill is persuaded that film, in particular your film, presents us with a unique opportunity to put our case to the American people. They fear that we are already beaten. You show that we fight on. They believe this country to be dominated by an upper-class elite. You present a vision of Britain in which ordinary working people are the heroes. But most crucially of all, your film concerns itself directly with the feminine experience, to show your American sisters that this is a war their sons and husbands and brothers should be fighting.
Secretary of War: Color? I think we can manage that.
Tom Buckley: Why do you think people like films? It's because stories are structure. They're a shape, a purpose, a meaning. And when things turn bad, it's still part of a plan, you know, it's... There's a point to it. Unlike life.
Tom Buckley: The thing about men who get sent away to war, Mrs. Cole, is that some of them don't come back at all, some come back as heroes... and some of them come back drunk, squalid bullies.
Phyl Moore: It seems to me when life is so very precarious, it's an awful shame to waste it.
--
+ Quotes on the IMDb
+ Soundtracks
The Nancy Starling. After their mother.
Gabriel Baker: The nail on the head!
Catrin Cole: Mmm?
Gabriel Baker: On the head. Authenticity, optimism, and a dog.
Tom Buckley: ...Saves the dog.
Catrin Cole: But he didn't. In real life, he didn't.
Tom Buckley: Film, Mrs. Cole. Real life with the boring bits cut out. Don't confuse facts with truth and, for Christ's sake, don't let either of them get in the way of the story.
Phyl Moore: You know, a lot of men are scared we won't go back into our boxes when this is all over. It makes them belligerent.
Sammy Smith: Sorry. We have guests staying, friends from Poland. Things are very bad in Europe.
Ambrose Hilliard: It's not exactly a picnic here, if you hadn't noticed. You can't find a decent waiter in SoHo since Italy joined the war. They were all rounded up as so-called enemies of the state,
Tom Buckley: Now, there's a truth we won't be telling. Morale-sapping, apparently... We pick our truths. Isn't that the point?
Roger Swain: We're saying this is based on a true story.
Tom Buckley: Then don't! Oh, Christ above, man, you're supposed to be the propagandist!
Tom Buckley: 700 ships went to Dunkirk. 338,000 men came back. Don't say it's based on a true story. Say it's based on 100 true stories. A thousand!
Raymond Parfitt: 338,000.
Tom Buckley: Dunkirk, the biggest retreat in military history, or... the miracle that put the fire back in all our bellies?
Sophie Smith: Please be calm, Mr. Hilliard.
Hilliard: I am perfectly calm. What you are seeing is controlled anger tempered with icy detachment. It's one of the many subtle emotions of which a good actor is capable.
Tom Buckley: Too long. Lose half.
Catrin Cole: Which half?
Tom Buckley: The half you don't need.
Secretary of War: Mr. Churchill is persuaded that film, in particular your film, presents us with a unique opportunity to put our case to the American people. They fear that we are already beaten. You show that we fight on. They believe this country to be dominated by an upper-class elite. You present a vision of Britain in which ordinary working people are the heroes. But most crucially of all, your film concerns itself directly with the feminine experience, to show your American sisters that this is a war their sons and husbands and brothers should be fighting.
Secretary of War: Color? I think we can manage that.
Tom Buckley: Why do you think people like films? It's because stories are structure. They're a shape, a purpose, a meaning. And when things turn bad, it's still part of a plan, you know, it's... There's a point to it. Unlike life.
Tom Buckley: The thing about men who get sent away to war, Mrs. Cole, is that some of them don't come back at all, some come back as heroes... and some of them come back drunk, squalid bullies.
Phyl Moore: It seems to me when life is so very precarious, it's an awful shame to waste it.
--
+ Quotes on the IMDb
+ Soundtracks
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