Downton Abbey 1×7

Mrs. Hughes: I haven't had a chance to ask, how was London?
Mr. Carson: Oh, much as usual. Dirty, noisy and quite enjoyable.

Lady Rosamund Painswick: There's nothing like an English summer is there?
Lady Mary Crawley: Except an English winter.

Lady Rosamund Painswick: I'm sorry you haven't received more invitations. But then, after four seasons, one is less a debutante than a survivor.

Cora Crawley, Countess of Grantham: Oh, you poor thing. Is there anything worse than losing one's maid? Violet, Dowager Countess of Grantham: I mean, why would she want to leave me? I've been as gentle as a lamb. Most of the time.

Lady Rosamund Painswick: Oh, come along, Mary, be sensible. Can you really see yourself dawdling your life away as the wife of a country solicitor?

Mr. Carson: But why would we ever want a telephone at Downton, milord?
Robert Crawley, Earl of Grantham: Well, they have their uses. You could speak to the housekeeper in London. That'd be helpful surely?
Mr. Carson: I hope I've not failed in my management ofthe recent move?

Violet, Dowager Countess of Grantham: Mary, listen to me, if you take Matthew now, when his whole future is at risk, he will love you to the end of his days.
Lady Sybil Crawley: Why, Granny, you're a romantic!
Violet, Dowager Countess of Grantham: I've been called many things, but never that.
Lady Edith Crawley: And what happens if the baby is a boy and Matthew loses everything?
Violet, Dowager Countess of Grantham: Mary can always change her mind.

Violet, Dowager Countess of Grantham: I know those men of the moral high ground. If she won't say, "yes", when he might be poor, he won't want her, when he will be rich.

Violet, Dowager Countess of Grantham: Ah! First electricity, now telephones. Sometimes I feel as if I were living in an H.G. Wells' novel.

Daisy Robinson: I'm sorry.
Mrs Bird: There, there. There are worse crimes on earth than loyalty.

Mrs. Patmore: Oh, my Lord, listen to that. It's like the cry of a banshee.
Branson: Mr Carson's telephone is ringing. Isn't someone going to answer it?

Lady Mary Crawley: So I've ruined everything?
Matthew Crawley: You've shown me I've been living in a dream, and it's time to return to real life. Wish me luck with it, Mary. God knows I wish the best for you.

Lady Rosamund Painswick: I'm sorry, Mama, but you know me. I have to say what I think.
Violet, Dowager Countess of Grantham: Why? Nobody else does.

—
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The One with the Ring

Friends 6×23

Rachel: You know, I wish I could get him to open up a bit. Share some feelings...
Phoebe: That's easy. You just have to think of him as a jar of pickles that won't open.
Rachel: So, what are you saying? I should run him under hot water and bang his head against a table?
Phoebe: No, that's what you do when you want to get the truth out of someone.

The Jeweler: This ring is from the 1920s. It's a one-and-a-half karat diamond with sapphires on either side.
Chandler: Sir, could I ask you to, um? Could you hold out that ring and ask me to marry you?
The Jeweler: O-okay.
Chandler: Okay.
The Jeweler: Will you marry me?
Chandler: Oh, my God, that's it! That's the ring!

Chandler: How much is it?
Phoebe: Chandler, I will handle this. How much is it?
The Jeweler: Eight thousand six hundred.
Phoebe: We will give you $10.

Phoebe: Listen, I'm sorry about before. Do you have anything here for $10?
The Jeweler: Uh, yes. I have these two rather beautiful... five-dollar bills.
Phoebe: I'll give you $1 for them.

Rachel: I can't. I cannot listen to any more of this. The only one who'd listen to this is a mental health professional. And that's only because they get paid $100 an hour.

Chandler: Hey, I'm marrying a dead woman.

—
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Le journal d'une femme de chambre (1964)

M Monteil: So you're Celestine?.. I really like the name. Indeed, I do... But it's a bit too long, don't you think? Far too long. If you don't mind, I'll call you Marie. Marie is pretty too and it's short. Besides, I've called all my chambermaids Marie. It's a habit of mine. And not one I think I could break.

Joseph: You never really know people when you meet 'em. Women especially are hell to get to know. But now I know you well.
Celestine: You know me? Then tell me what I am.
Joseph: What you are? You're like me.
Celestine: Like you?
Joseph: I don't mean in looks. I'm old and ugly. But deep down inside, we're alike. I know what I'm talking about.

Celestine: You scare me.
Joseph: Why?
Celestine: I think you're a crook.
Joseph: A crook, me? Are you serious? Look around! I love the army! Religion! Law and order! My country, above all! Look at me. Am I lying when I say I love all that?
Celestine: No, you're not lying.
Joseph: Would a crook love all that?

Joseph: Let's be frank, like soldiers. Do you want me to marry you?

Joseph: I gotta have that café. Revolution's around the corner. There's nothing better for a café!

—
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Liabilities

StartUp 2×6

Ronald Dacey: This shit gonna play out on the street level.

Nick Talman: We just have to make it to a place where they need us more alive than dead. Ronald Dacey: Right now we need to focus on being not dead.

Ronald Dacey: Lies, bruh. That's that shit that'll poison us. ... Lies beget lies, bruh. That's how we sunk ourselves with GenCoin. It's better to man up and get out in front of it.

Izzy Morales: He's gonna bail.

Ronald Dacey: They ain't gonna stop... until she dead. Or until we beat them. So that's just us putting that shit out there. Cards on the table.
Wes Chandler: Excuse me.

Nick Talman: Maybe he's gonna kill us.

Wes Chandler: I appreciate you being straight with me back there, my man, so... I'll be straight with you. What do you see as your role at ArakNet?
Ronald Dacey: Founded that shit. Got the user base up...
Wes Chandler: No, no, yeah. Of course. Of course, but, like, look. I got an investment in there now. It's about to get big. It's about to get real. That's the plan. Ain't that right? So how do you see yourself fitting in?

Wes Chandler: Anybody who makes his living protecting people, I don't trust. 'Cause there's always somebody coming around with more money.

Wes Chandler: Now, my dough's in the bank. It's ready to go. How bad you want ArakNet? Just give it some thought.

—
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Su Casa Es Mi Casa

Ozark 3×6

Sue Shelby: Good. Good communication. Can you access some feeling words?
Wendy Byrde: I'm scared! I'm fucking terrified, actually.
Sue Shelby: Ooh, those are strong feelings.

Wendy Byrde: You gotta have something to say.
Sue Shelby: I do, actually. What does it say about a marriage when a husband and wife both try to bribe the therapist? You're both paying me off. There. I said it.

Martin 'Marty' Byrde: Gary, Navarro, another casino, a horse farm. You put everything before the family.
Wendy Byrde: I am trying. I am trying to build a future for our family out of the mess that you created. And you're too narrow-minded and jealous to see it.
Martin 'Marty' Byrde: Right, yeah, and you're just a fucking scary, selfish, power-hungry fucking bitch.

Martin 'Marty' Byrde: How much money do you want?
Sue Shelby: It's not about money, Marty...
Martin 'Marty' Byrde: How much?
Sue Shelby: ... A shitload.

Darlene Snell: Broken promises got consequences...

Wendy Byrde: Look, we are all upset here...
Helen Pierce: You know something? We may have dipped our toe in the friendship pool, but I'm not sure we're gonna swim.
Wendy Byrde: Oh, fine with me.

Wendy Byrde: I forgot to tell you. We're starting a charitable foundation. So, maybe you guys could... think about some of the causes you'd like to support.
Jonah Byrde: That's a great idea. You could hide dirty money as cash donations, and I guess you'd pay less money on tax, too. Right?

Ben Davis: You know, the two of us... we should drive cross-country with the drone. Lots of crazy-ass people in every city and town. Whoo! Maybe next summer?

—
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Downton Abbey 1×6

Isobel Crawley: I applaud your spirit in coming, and I will applaud your discretion when you leave.

Lady Sybil Crawley: I hope you do go into politics. ...
Branson: If I do, it's not all about women and the vote for me, nor even freedom for Ireland. It's the gap between the aristocracy and the poor, and...
Lady Sybil Crawley: And what?
Branson: I'm sorry. I don't mean to speak against his lordship.
Lady Sybil Crawley: Why not? You obviously don't approve of him.
Branson: Not as a representative of an oppressive class. But he's a good man and a decent employer. Spoken like a true politician.

Lady Mary Crawley: I was only going to say that Sybil is entitled to her opinions.
Violet, Dowager Countess of Grantham: No, she isn't until she is married, then her husband will tell her what her opinions are.

Violet, Dowager Countess of Grantham: Now, first I must ask, and I want you to think carefully before you answer. Is any of this true?.. I see. Some of it is true. How much?.. Oh, dear.

Violet, Dowager Countess of Grantham: Well. I always thought this family might be approaching dissolution. I didn't know dissolution was already upon us.

Lady Sybil Crawley: This isn't the end. You mustn't give up. We'll get there.
Gwen Dawson: Forgive me, my lady, but, well, you don't get it. You're brought up to think it's all within your grasp, that if you want something enough, it will come to you. But we're not like that. We don't think our dreams are bound to come true because... Because they almost never do.
Lady Sybil Crawley: Then that's why we must stick together. Your dream is my dream now. And I'll make it come true.

Branson: I never would have taken her there. I may be a Socialist but I'm not a lunatic.
Lady Mary Crawley: I'm not sure Papa knows the difference.

Cora, Countess of Grantham: I hope you thanked Matthew properly.
Lady Mary Crawley: I got them to make him some sandwiches.
Cora, Countess of Grantham: It's not quite what I meant.
Lady Mary Crawley: And he asked me to marry him.
Cora, Countess of Grantham: Heavens. What did they put in them?

Cora, Countess of Grantham: Do you love Matthew?
Lady Mary Crawley: Yes. I think perhaps I do. I think I may have loved him for much longer than I knew.

Violet, Dowager Countess of Grantham: Now, I've been thinking... I confess I do not know if I would have had the strength, mentally or physically, to carry a corpse the length of this house. But I hope I would have done.

Violet, Dowager Countess of Grantham: You were quite right. When something bad happens, there's no point in wishing it had not happened. The only option is to minimise the damage. Or try to.

Violet, Dowager Countess of Grantham: For heaven's sake, why?
Cora, Countess of Grantham: She thinks to keep it secret would be dishonourable.
Violet, Dowager Countess of Grantham: She reads too many novels. I mean, one way or another, everyone goes down the aisle with half the story hidden.

Cora, Countess of Grantham: Thank you for not turning against her. I know that you have rules, and when people break them you find it hard to forgive. I understand that and I respect it.
Violet, Dowager Countess of Grantham: In this case Mary has the trump card.
Cora, Countess of Grantham: What?
Violet, Dowager Countess of Grantham: Mary is family.

—
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The Prom (2020)

Barry Glickman: I refuse to give up, okay? We're… We're still celebrities. We still have power.
Trent Oliver: Now, The Times sort of castrated you as it were.
Angie: Yep. They wrote you off as aging narcissists.
Dee Dee Allen: I still don't understand what's wrong with that.
Barry Glickman: There's a very simple way that we can still love ourselves yet appear to be decent human beings, okay? We will become celebrity activists... All we need is a cause.
Dee Dee Allen: A cause célèbre.
Barry Glickman: Everybody think of some causes. Go.
Trent Oliver: Um, poverty?
Barry Glickman: Too big.
Angie: World hunger.
Barry Glickman: That is also a major thing. No, we need something we can handle.
Dee Dee Allen: Some little injustice we can drive to. Recycling.
Angie: Let's see what's trending...
Barry Glickman: Recycling's good.
Trent Oliver: Why are there so many award shows?
Dee Dee Allen: Parking.
Trent Oliver: Or the TVs in the back of cabs.

Dee Dee Allen: We're doing a great thing here. We're being great people. This is all great. This is gonna get me my third Tony Award.

Barry Glickman: Where is our girl? Where's Emma? Emma!
Emma: I'm Emma.
Barry Glickman: Emma, my name is Barry, and I'm here to tell you that you are not alone. Okay? I am as gay as a bucket of wigs. A bucket of them! And we are here from New York City and we are gonna save you. Tomorrow, we will hold a rally. There'll be banners and choreography.
Mrs. Green: What is going on? Who are you people?
Trent Oliver: We are liberals from Broadway.
Angie: We are here to open your hearts and your minds. The five of us are gonna teach you…

Tom Hawkins: I am the principal and I just, um… What are you doing?
Dee Dee Allen: We have come to show this community that gay people and gay-positive icons, such as myself, are made of the same flesh and blood as they are.
Tom Hawkins: Uh-huh.
Barry Glickman: If they don't have gay people here, why is my Scruff going crazy right now?
Dee Dee Allen: We're not monsters. We're cultural disruptors.
Tom Hawkins: I'm a fan. ...
Dee Dee Allen: What kind of a fan? Big fan? Small fan? Scary stabby fan?
Tom Hawkins: You could say that I'm a big fan. Yes.
Dee Dee Allen: Really? That's so surprising because you're not my usual demographic.
Tom Hawkins: You mean Black?
Dee Dee Allen: No, straight. You are straight, right?
Tom Hawkins: Yes. I am. Straight people like Broadway too.
Dee Dee Allen: I've heard that. Always thought it was a fairy tale. So to speak.

Angie: Oh. Dickinson, four rooms. I called yesterday.
Dee Dee Allen: Four rooms of varying size to reflect the hierarchy of the company, right? Where is my suite?

Trent Oliver: There must be a way to rid this community, and by extension, the nation, of this cancer of intolerance.

Dee Dee Allen: Am I interrupting something?
Tom Hawkins: I was just doing some research, trying to figure out if urinal cakes are poisonous.

Tom Hawkins: Dee Dee, not charging for an apology is not a selfless act.
Dee Dee Allen: What the hell?
Tom Hawkins: If you want people to like you instead of hate you, you have to be good. A good person. You have to put other people's interests before your own.
Dee Dee Allen: You don't understand. I am a celebrity. It is all about me. It has been for decades. That's the point of celebrity. So I have to be reprogrammed.

—
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Pivot

StartUp 2×5

Rance: Queen, look, you have to stop thinking about it this way. Think about IBM versus Apple, or MySpace versus Facebook. Look, I know you're really concerned about being first, but maybe it just is about who's better.

Tamara Dacey: You do what you gotta, baby. You do what's gonna make you feel better.

Rance: I really hope you're thirsty.
Izzy Morales: Eight lattes?
Rance: One of them's a hibiscus.

Wes Chandler: You have 2,000 active users just through word of mouth?
Nick Talman: Correct.
Wes Chandler: And you can tell what people are using the network for? So far? Drugs, guns, rock and roll.
Nick Talman: So far.
Wes Chandler: I mean, hell. BitCoin wouldn't be BitCoin without the Silk Road.
Nick Talman: Nope.
Wes Chandler: The internet wouldn't even be invented if we weren't at war with somebody. You wanna make an omelet, you gotta break some eggs.

Phil Rask: .... And frog knows what's happened, so with his final breath, he looks up at the scorpion, and says, "Why would you do that? Now we're both gonna drown." And the scorpion simply shrugs, and says... "'Cause I'm a scorpion."
Izzy Morales: So which one of us is that about?

—
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Роберт Гэлбрейт — Дурная кровь (2/2)

<< Начало

&  Вся жизнь Леды Страйк была битвой против разного рода ограничений: возможность выйти на марш протеста в одном нижнем белье показалась бы ей мощнейшим ударом по запретам. Помня душевную щедрость Леды, ее неистребимую любовь к слабым, Страйк все же не заблуждался насчет акций гражданского неповиновения, которые в большинстве случаев принимали форму восторженного эксгибиционизма. Леда не озабочивалась целенаправленной агитацией населения по месту жительства, трудными компромиссами, работой до седьмого пота, какой требует структурное переустройство общества. Она никогда не владела навыками критического мышления и легко попадалась на удочку тех, кого Страйк про себя называл интеллектуальными шарлатанами. Ее жизненная философия, если такое выражение применимо к мешанине причуд и глубоко въевшихся стереотипов, которые она называла убеждениями, сводилась к тому, что все презираемые буржуазным обществом идеи по определению правильны и справедливы.

&  Выходит, неизбежность смерти – вот что добавляет радостным воспоминаниям привкус горечи?

&  Когда живешь во лжи, нет ничего более опасного, чем люди, которые говорят правду…

&  Марго себя в обиду не дала… я на всю жизнь запомнила ее слова, а потом и в оригинале выучила… «Мужчина определяется как человек, а женщина как представительница женского пола: и каждый раз, когда она ведет себя как человек, говорят, что она подражает мужчине».

&  Мы суть не ошибки, которые мы совершаем. Мы – это то, как мы воспринимаем свои ошибки.

&  – Мы норовим все обобщать, опираясь на свой прошлый опыт.

  ... Уголки его рта дрогнули, но, поскольку Робин не видела этой улыбки, он не счел нужным пускаться в объяснения.”

It Came from Michoacán

Ozark 3×5

Special Agent Maya Miller: Give me time to get close to him. We don't know who came back from Mexico.

Special Agent Maya Miller: He's probably been tortured. It could have unpredictable effects. He's likely to be volatile, emotional. If we're lucky, he could be ready to break.

Wendy Byrde: We didn't pass your test.
Omar Navarro: Marty passed. I didn't know him, now I do, and you're very lucky, because he's just like me.
Wendy Byrde: How so?
Omar Navarro: He wants to win.

Sue Shelby: We don't usually talk about sums.
Martin 'Marty' Byrde: Mm-hmm. Listen, if you're uncomfortable with our arrangement, why do you take my money?
Sue Shelby: I suppose I want to see where your story ends.

Oly Brennan: There is no greater feeling than your own horse coming in...
Wendy Byrde: I bet.

Martin 'Marty' Byrde: Well, it was... it was hell. I wasn't lying, and I... I told the kids that, but, um... Wendy, this might have been the best thing that could have ever happened. I spent a decade afraid of something, and when it finally arrived, it wasn't at all what I thought it would be. And I wasn't who I thought I would be.
Wendy Byrde: What does that mean?
Martin 'Marty' Byrde: It means you were right. Me burying my head in the sand wasn't gonna keep us safe, but I figured out what is...

Jim Rettelsdorf: People... People don't just turn an FBI agent.

Ben Davis: You're not wrong.
Wendy Byrde: About what?
Ben Davis: That looks like Marty, walks like Marty, sounds like Marty, but that is 100% not Marty Byrde. That guy's vibrating.

Wendy Byrde: What the fuck happened to him in Mexico? Do you think it's a good idea to turn Agent Miller?
Helen Pierce: Doesn't matter what I think. It's what my client expects.

Martin 'Marty' Byrde: Last week, I was in Mexico. With Navarro. He kidnapped me.

Wendy Byrde: You've just undermined everything we've been working on. We're supposed to be partners.
Omar Navarro: Partners? No, no, no. You exist for me to use! What did you think, huh? That because you are American, you are not gonna get your hands dirty? Wendy, if I am at war, you're at war! We're not partners. I own you!

—
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Downton Abbey 1×5

Anna Smith: It's always sad when you love someone who doesn't love you back. No matter who you are.

Violet, Dowager Countess of Grantham: You are quite wonderful the way you see room for improvement wherever you look. I never knew such reforming zeal.
Isobel Crawley: I take that as a compliment.
Violet, Dowager Countess of Grantham: I must have said it wrong.

Cora, Countess of Grantham: If it gets around, and you're not already married, every door in London will be slammed in your face.
Lady Mary Crawley: Mama, the world is changing.
Cora, Countess of Grantham: Not that much, and not fast enough for you.

Mrs. Patmore: What the eye can't see, the heart won't grieve over.

Anna Smith: I hope there's something they can do.
John Bates: I hope so, too. But if there isn't, I hope they tell her there isn't. Nothing is harder to live with than false hope.

Robert Crawley, Earl of Grantham: Bravo, Mama. That must have been a real sacrifice.
Cora, Countess of Grantham: And bravely borne.
Violet, Dowager Countess of Grantham: I don't know what everyone's on about.
Cora, Countess of Grantham: But I...
Violet, Dowager Countess of Grantham: All is well, my dear. All is well.

—
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Роберт Гэлбрейт — Дурная кровь

<< Смертельная белизна (Корморан Страйк — 4)

Корморан Страйк — 5

  “– Да ты по всем статьям наш, корнуолльский парень, – распинался Дейв Полворт. – Только фамилия какая-то левая: Страйк. А по факту ты – Нанкарроу. ...

&  Дети многое додумывают сами, правда? У них своя, особая логика.

&  Одна всепоглощающая страсть неизбежно влечет за собой одиночество.

&  – А вообще говоря, тебе не кажется, что мы приписываем некоторым категориям людей незаслуженные добродетели? По-моему, в нас сидит потребность доверять тем, кто властен над жизнью и смертью.

&  – Учу тебя, учу…
     – О’кей, хорошо: вначале способ, потом мотив.

&  «Почему мы это позволяем? – спрашивала она себя, ... – Почему изо всех сил пытаемся их умаслить, лишь бы только сохранить мир?»
     Да потому, Робин, ... что от них можно ждать любой мерзости.

&  Если команда не срослась, успеха не жди.

&  – Ставлю двадцатку на доминаторшу.
     – Никогда не понимал тех, кто подставляет себя под хлыст: какой в этом кайф? Если мне хочется острых ощущений, я просто забываю вынести мусор.

Окончание >>

Loss

StartUp 2×4

Nick Talman: Hey, so we just want to make sure, uh... What's "Abysm"?
Izzy Morales: A virus I'm writing.
Nick Talman: Why are you doing that?
Izzy Morales: To knee-cap Guizer.

Nick Talman: And this chicken, by the way. Yeah, wow... You're good.
Mara Chandler: We raise everything here.
Nick Talman: Mmm-hmm. Yeah, you can tell.
Mara Chandler: It's pretty fresh, you know. Very fresh. I was there when he hatched. From just a little egg. His name was Meryl. He was a cool dude. Really wise soul, you know. But I'm glad that you're eating him because, I think, Meryl would have liked you.
Nick Talman: Uh... I mean...
Mara Chandler: I'm just fucking with you, dude... Yeah, no, his name was Fred.
Nick Talman: It tastes like a Fred.

Wes Chandler: Nick... It's you... You're not ready to spearhead something of this magnitude.

Nick Talman: So you want to work with people who stab other people with kitchen utensils? Wes Chandler: Now, the point is, it turns out Haggy and me are best friends... to this day. You wanna know why? Because I owned him.

Wes Chandler: You've grown into an impressive young man, Nick. I mean, you're smart, you're caring, you're motivated. And believe it or not, your father was really proud of you. But when I look in your eyes... all I see is a scared kid who stays in his room while me and his old man were out back smoking stoogies because the smell made him nauseous.

Ronald Dacey: You don't ask her. You sit down, you say... What's her name?
Touie Dacey: Rachelle.
Ronald Dacey: You say, "Hey, Rachelle. I've been noticing you noticing me. And I like it." Hey! What?
Touie Dacey: Ah, pap, no. Nobody spit game like that no more. It's a different time, all right? And, you know, spitting game make you sound... Make you sound weak.
Ronald Dacey: Doing what everybody else do, that's what make you weak. You want to be like everybody else? You're a Dacey, you ain't like everybody else.

Ronald Dacey: You tell her you been noticing her noticing you, and you like it. Her face turn red, that mean green, baby, you good... It worked on your mama.

—
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Downton Abbey 1×4

Cora, Countess of Grantham: I might send her over to visit my aunt. She could get to know New York.
Violet, Dowager Countess of Grantham: Oh, I don't think things are quite that desperate.

Cora, Countess of Grantham: She was very upset by the death of poor Mr Pamuk.
Violet, Dowager Countess of Grantham: Why? She didn't know him. One can't go to pieces at the death of every foreigner. We'd all be in a state of collapse whenever we opened a newspaper.

Isobel Crawley: Oh, and you must wear gloves at all times.
Joseph Molesley: I couldn't wait a table in gloves. I'd look like a footman.
Isobel Crawley: You may have to.

Violet, Dowager Countess of Grantham: Good heavens, what am I sitting on?
Matthew Crawley: A swivel chair.
Violet, Dowager Countess of Grantham: Oh, another modern brainwave?
Matthew Crawley: Not very modern. They were invented by Thomas Jefferson.
Violet, Dowager Countess of Grantham: Why does every day involve a fight with an American?
Matthew Crawley: I'll fetch a different one.
Violet, Dowager Countess of Grantham: No, no, no, no. I'm a good sailor.

Lady Mary Crawley: Women like me don't have a life. We choose clothes and pay calls and work for charity and do the season. But really we're stuck in a waiting room until we marry.

Joe Burns: I notice you call yourself "Mrs".
Mrs. Hughes: Housekeepers and cooks are always "Mrs".

Joe Burns: Take your time. I'd rather wait a week for the right answer than get a wrong one in a hurry. Think about it carefully.

Lady Mary Crawley: The only one who never sticks up for me in all this is you. Why is that?
Robert Crawley, Earl of Grantham: You are my darling daughter and I love you, hard as it is for an Englishman to say the words.
Lady Mary Crawley: Well, then...
Robert Crawley, Earl of Grantham: If I had made my own fortune and bought Downton for myself, it should be yours without question, but I did not. My fortune is the work of others, who laboured to build a great dynasty. Do I have the right to destroy their work? Or impoverish that dynasty? I am a custodian, my dear, not an owner. I must strive to be worthy of the task I have been set.

Lady Sybil Crawley: It seems rather unlikely, a revolutionary chauffeur.
Branson: Maybe. But I'm a socialist, not a revolutionary. And I won't always be a chauffeur.

Matthew Crawley: You must have thought me an awful prig when I first arrived.
Robert Crawley, Earl of Grantham: Not a prig. Just a man thrust into something he never wanted or envisaged.
Matthew Crawley: I could only see the absurdity of the whole thing.
Robert Crawley, Earl of Grantham: I'm sorry.
Matthew Crawley: Well, there are absurdities involved, as I know well enough. Possibilities, too, and I was blind to them. I was determined not to let it change me. It was absurd. If you don't change, you die. Do you think so?
Robert Crawley, Earl of Grantham: I'm not sure. Sometimes I think I hate change.

Mrs. Hughes: I'm not that farm girl any more. I was flattered, of course, but... I've changed, Mr Carson.
Mr. Carson: Life's altered you, as it's altered me.
Mrs. Hughes: And what would be the point of living if we didn't let life change us?

—
+ Quotes on the IMDb

Feral

American Horror Stories 1×6

Jay: How they were even a firm before they hired me is a mystery that will haunt me to the end of my days...

Addy: 4,000 years of progress happened so we wouldn't have to sleep in the woods.
Jay: We're not just "sleeping in the woods." This is about experiencing nature, about getting outside our comfort zones.
Addy: Exactly. You know the word for "outside your comfort zone"? "Uncomfortable."

Jay: What do you say, buddy? You excited to go camping?
Jacob: I want TV.
Jay: Wow. Tough jury.

Bob Birch: I'm a hunter. I lead tours up in the woods. Mostly bankers trying to find their balls. They shoot a bear, go home feeling like Iron Man and continue fucking people over.

Stan: Be smart. Go back the way you came.

Stan: You're better off not knowing. Can't tell you even if I wanted to. Not allowed.
Jay: Not allowed?
Stan: Those are the rules.

Stan: It's a little slice of American history that's guarded, like the Manhattan Project. And that's this. Your national park system wasn't created to preserve the country's natural beauty....
Jay: What was it created for?
Stan: To keep Americans from things that would kill and eat 'em.

Stan: By the way... try and go public with this and I'll deny it. People will believe me. Everyone trusts a park ranger.

—
On the IMDb

Early Adopters

StartUp 2×3

Nick Talman: Is it like the Silk Road? Kind of like that?
Izzy Morales: No. Silk Road is just a marketplace, this is, basically, the new Dark Net. And nobody can touch it except us.

Izzy Morales: Well, there's enough nodes on the network where I can add another hop. It'll make it more secure.
Ronald Dacey: Yes, still don't know what y'all talking about because I'm old as shit.
Izzy Morales: Yes, you are. Look real quick. Liberty City dude makes a transaction with a dude in Homestead. These two computers aren't talking directly to each other. Any cop or hacker can easily intercept that. So what ArakNet does, it turns all the other computers on the network into hops, right? Liberty City here is the entrance node. Dude buys a gram of pookie from Homestead dude, Homestead becomes the exit node. Right. But the request comes from Liberty City, the entrance node, hops over to somewhere over here in North Miami Beach, down to some pill popper in Coral Gables, to a computer in Overtown, back to homeboy in Homestead. Different configuration every time, that's what makes it impossible to trace.

Nick Talman: There is an overwhelming demand for this sort of thing right now. Law enforcement's getting smarter, hackers are getting savvier. Just forget about the pedestrian Internet. I mean, even the Dark Net itself is becoming polluted with corporations and surveillance. And new and upcoming generations are absolutely looking for a new safe haven, somewhere pure. So I think... I really think that this could be not only the new Dark Net, I think it could be the new Internet.

Nick Talman: You want this thing to grow, you want it to spread? You want to have hundreds of people buying and selling drugs or do you want millions of people buying and selling legitimate goods? You have to think about the average customer. Now, there's no way in hell, any millennial is gonna wait more than .4 seconds for something to load or buffer.

Nick Talman: I think I should be your CEO.

Nick Talman: To go global and... Just your dream version? Aim high.
Izzy Morales: I need a real team.
Nick Talman: Okay. How much?
Izzy Morales: I need a network manager, I need at least two cryptographers, I need a couple of more coders other than myself.
Nick Talman: How much?
Izzy Morales: Millions.
Nick Talman: I can get you millions.
Ronald Dacey: Then why the hell you still waitin' tables?
Nick Talman: I'm not. I quit.
Izzy Morales: What?
Ronald Dacey: When?
Nick Talman: I... Thirty-eight minutes ago.

Nick Talman: You're sitting on the next big thing. You need somebody to make it real. I can do that. But you have to empower me.

Wes Chandler: So... I know about the investigation.
Nick Talman: Yeah. Uh, good. Let's talk about that. That's, uh... That's actually bullshit. That's gonna be cleared up--
Wes Chandler: Mmm. We're fine. I mean, rich white guys, we don't go to jail.

Nick Talman: What if I told you there's a new tech frontier on the horizon? A new Dark Net, completely separate from Tor. It has its own software, it's on its own network. Goods and services can be bought or sold, information exchanged, political uprisings orchestrated. All securely, all anonymously. It's free from government interference, it's free from corporatization. This network is controlled by myself and two other very smart people. And what if I was to tell you that we're not even financed yet...

Tamara Dacey: It ain't just about money, Ronnie, okay? They want... They want power.
Ronald Dacey: Ain't no difference, Tam.
Tamara Dacey: Yeah, there is. Because all them niggas have been talking shit. All of them, not just E.
Ronald Dacey: I ain't tryin' to hear that shit about who run the streets harder! I ain't tryin' to hear that shit from E. I ain't tryin' to hear that shit from friends, and, baby, I ain't tryin' to hear that shit from you! I'm tryin' to make money! And when we make that money, the rest of these fools, they can fend for themselves, 'cause we're getting up out of here. We're taking Touie, we're taking Els, and we're getting out of here.

Izzy Morales: Fuck!

—
On the IMDb
+ Soundtrack

Boss Fight

Ozark 3×4

Wendy Byrde: What do we do now?
Helen Pierce: We wait.

Martin 'Marty' Byrde: Just... I'm executing the plan. And it's a good plan, it's yours.

Omar Navarro : What do you want, Marty?
Martin 'Marty' Byrde: ...... I don't understand the question.

Helen Pierce: He's testing us.
Wendy Byrde: Yeah, and if we succeed...
Helen Pierce: Well, it could mean that Marty is, um... redundant.
Wendy Byrde: And if we fail?
Helen Pierce: Well, I'm afraid we might be.

Omar Navarro : You fear her... Yeah. Yeah, you fear her because you don't understand her.
Martin 'Marty' Byrde: And you do?
Omar Navarro : Wendy knows exactly what she wants.
Martin 'Marty' Byrde: And what's that?
Omar Navarro : All of it. She wants it all.

Wendy Byrde: You know, there are times when you, you just have to say to yourself... "I fucked up," and then... and then you have to move on.

Special Agent Maya Miller: Call me. Anytime. Day or night. I can help.

—
+ Quotes on the IMDb
+ Soundtrack

Acheron: Part I

The Walking Dead 11×1

Maggie: The people that attacked us... We only knew two things about them. They come at night, and by the time you see them, you're already dead.

Maggie: Which way?
Negan: Yellow line north. Switch to blue at Reagan National, then hop the red toward Bethesda.

Negan: Know what that noise actually is? That is God, telling us to turn around.
Gabriel: I'm pretty sure He would have ran that by me first.
Negan: Yeah? The Good Lord direct your one eyeball to this?

Eugene: Those who know me, know me to be an honorable gent. If you're inferring something from my manner of speaking, well... that's just how I roll. Verbally, that is.

Interrogator: What was your zip code?
Yumiko: How can anyone possibly be expected to remember that?
Eugene: From 1978 to 1984, it was 75001. From 1984 to 1996, it was 76244-0361. From latter half of 1996 through...

Interrogator: Have you ever been vaccinated for measles?
Eugene: Would you like the dates?

Interrogator: How many bowel movements do you have a day?
Yumiko: Excuse me?!
Interrogator: What do you use to wipe?
Ezekiel: Pass.

Ezekiel: Are you in charge? You've been standing there, not saying a damn word like you're the man in charge.

Ezekiel: Okay, we gotta go.

—
On the IMDb

Kikujirô no natsu (1999)

Kikujiro: Okay. Which ones?
Masao: 4 and 9. ......
Kikujiro: Kid, don't pick the ones who fall. Only those who finish first. You chose the only two who fell. Maybe you're a genius. Anyway. What's next?

Kikujiro: Damn, I could've won 838,000! I would've bought you an Armani suit. What's wrong with you? Next race. Numbers.
Masao: 4 and 5.
Kikujiro: 4 and 5. 4 and 5, meaning 4 comes first? 4 - 5. Sure 5 isn't first?
Masao: No.
Kikujiro: 4 - 5 is the right order? You're in trouble if the reverse wins. 4 - 5? Better buy the reverse, too.

Kikujiro: You must be a farmer.
Bus Stop Man: No, no. A banker.
Kikujiro: You're kidding. With a face like that?
Bus Stop Man: But I really work at a musical instrument factory.
Kikujiro: Instruments? You make gongs?
Bus Stop Man: No, no. Pianos.
Kikujiro: With that face? No way.
Bus Stop Man: I don't make them. I'm a security guard.
Kikujiro: Really? You take cuts from thieves?
Bus Stop Man: Me, never!

Kikujiro: Eat up.
Masao: What about you?
Kikujiro: Well, I'm hungry, but... You eat. I'll be okay. Grown-ups have to make sacrifices for little children.

Kikujiro: Must be the wrong lady. The address is right, but... Not the right lady.

—
+ Quotes on the IMDb

Bleeding Edge

StartUp 2×2

Phil Rask: How do I know you won't just, uh, disappear yourself?
Nick Talman: I'm not trying to run for my life, I am trying to get it back.

Ronald Dacey: You know about that shit?
Izzy Morales: 'Course I know about Tor.
Ronald Dacey: That's... That's right. What do you know about that shit? Can we trust that to move product?
Izzy Morales: It depends. You know the government started it?
Ronald Dacey: Word?
Izzy Morales: Word.

Ronald Dacey: You know how to get ahold of one of those?
Izzy Morales: I don't know, dude. Google it, download it... What do you want me to do, Ronald? You want me to come to your house and give you computer lessons?!

Ronald Dacey: Go see your family, Isabelle. That shit is way bigger than you.

Vera: Do you ever wonder what your life would have been like if you just left Miami? Before you came to us...

Officer Jules: Shit, Ronny. You don't understand what's happening, huh? When's the last you been to the 58 T? It's just rows of townhouses popping up. And then, you got Cherelus's new shit.
Ronald Dacey: Of course, I know that. Why do you think I'm talking to you?
Officer Jules: You know, there was a time where we'd scratch each other's back. But now, with all this shit going down, those orders are coming down from much higher up now.
Ronald Dacey: 5%... Please. 5%! ... 10%.
Officer Jules: Nigga, you trippin'. You can't buy this shit, man. Not no more.

Izzy Morales: I was thinking... How do you find your way onto the Dark Net that's 100% anonymous?... How do you do it? How do you do it?... Boom! Then it hits me. You don't. You don't because it's impossible unless you create your own Dark Net.

Ronald Dacey: Are you sure you ain't on something?
Izzy Morales: Why?
Ronald Dacey: Your own Dark Net?
Izzy Morales: I already did. Come here...

—
On the IMDb
+ Soundtrack

Downton Abbey 1×3

Gwen Dawson: Why is that down here? Who's been in my room? They had no right!
Mrs. Hughes: See here. In the first place, none of the rooms in this house belong to you. And in the second, I am in charge of your welfare and that gives me every right.

Violet, Dowager Countess of Grantham: I don't understand. Why would she want to be a secretary?
Cora, Countess of Grantham: She wants a different life.
Violet, Dowager Countess of Grantham: But why? I should far prefer to be a maid in a large and pleasant house than work from dawn till dusk in a cramped and gloomy office. Don't you agree, Carson?

Robert Crawley, Earl of Grantham: Is everyone all right downstairs?
Mr. Carson: Well, you know. He was a handsome stranger from foreign parts one minute and the next, he was as dead as a doornail. It's bound to be a shock.
Robert Crawley, Earl of Grantham: Of course, upstairs or down. It's been horrid for the ladies. And for the female staff, I expect? It's particularly hard on the younger maids.
Mr. Carson: Indeed.

Violet, Dowager Countess of Grantham: Oh! Just the ticket. Nanny always said sweet tea was the thing for frayed nerves. Though why it has to be sweet, I couldn't tell you.

Mr. Carson: We're all behind you, my lady. The staff. We're all on your side.
Lady Mary Crawley: Thank you, Carson. You've always been so kind to me. Always. From when I was quite a little girl. Why is that?
Mr. Carson: Even a butler has his favourites, my lady.

John Bates: I promise I will never again try to cure myself. I will spend my life happily as the butt of others' jokes and I will never mind them.
Mrs. Hughes: We all carry scars, Mr Bates, inside or out. You're no different to the rest of us, remember that.
John Bates: I will try to. That I do promise.

—
+ Quotes on the IMDb

Kevin Cronin Was Here

Ozark 3×3

Sue Shelby: Marty. What would it look like to achieve your objectives without interfering with Wendy's project?
Martin 'Marty' Byrde: I think that that would look like death.
Sue Shelby: But what would it really look like?
Martin 'Marty' Byrde: Really death.
Sue Shelby: Okay. Marty, my mother had a saying. "Just like a pie is only as good as its crust, a marriage is only as good as its trust." Going behind Wendy's back on a project that is obviously meaningful to her violates that trust. Wendy is a powerful woman, and it's your responsibility to nurture that, Marty. Not stifle it.

Wendy Byrde: We are bigger than you, and we are meaner. And we do not lose. So... why don't you just sell us the hotel?

Martin 'Marty' Byrde: You're trying to apply Benford's Law of Large Numbers to create a predictable pattern?
Special Agent Maya Miller: Helps us highlight any irregularities.
Martin 'Marty' Byrde: Yeah, except that you're setting a false baseline. You know, the mere fact that you and your agents are here is gonna drive down my business, you know?
Special Agent Maya Miller: I allow a margin of error of 3%. That sound reasonable?... Promise I'll be as unobtrusive as possible.

Special Agent Maya Miller: If we leave and there's suddenly a massive jump in revenue, well, that's cause for a new warrant. We start this dance all over again.

Wendy Byrde: You've trusted me so far.
Omar Navarro : I don't trust you. I trust my opinion of you. So, please, the next time we talk, I want to hear that you closed this deal, and, Wendy... Well, if you can't get what you want with reason, then...
Wendy Byrde: Yes.
Omar Navarro : ...you'll have to get it with force.

Ben Davis: Gotta say... it's a complicated world you got going down here, Wen. Casinos... babies. Your kid just talked his way out of a speeding ticket on the lake...

Ben Davis: What's Marty think about that?
Wendy Byrde: I don't give a fuck what Marty thinks!

Martin 'Marty' Byrde: You offering me a job in the FBI?

Martin 'Marty' Byrde: Eighteen months?

—
On the IMDb
+ Soundtrack

Rickternal Friendshine of the Spotless Mort

Rick and Morty 5x8

Beth: There's wafer cookies in the cupboard. And I left emergency numbers on the fridge.
Rick: Yeah yeah. W-wait, what? Emergency numbers on the fridge? What does that even mean?
Beth: Honestly, I don't even know. I've seen so many movies that start with the parents leaving, it just popped out of my mouth.

Rick: Okay. Bring him out.
A.I.: Initiating best friend rejuvenation sequence.
Rick: Excuse me? Did I pick that name?
A.I.: Sequence was unnamed. What would you like to call this?... Pause detected. Pause gravity class... Heavy. Approaching pause pregnancy in p-minus 5... 4...
Rick: Jesus [bleep] Christ.

Rick: What's the problem?
A.I.: Processing... Missing object. In: Mind.
Rick: Name missing object.
A.I.: Mind. Frustration: Predicted. Existence: Desired. Explanation: Initiated.

A.I.: Subject mind relocated within subject mind by: Subject mind.

Rick: How can a mind be hidden by itself inside itself?
A.I.: Suggestion: Conscious mind relocated to--
Rick: Unconscious mind. Fine. I'm going in.
A.I.: Suggestion: Don't go in.

Rick: I need to [burps] go in and get him.
A.I.: Sequence: "go in and get him" compiled. Process: Convert user to thought; Inject thought into mind. Risk level: Unacceptable.
Rick: If I die, your battery has a 600 year charge.
A.I.: Risk level acceptance: Increasing.
Rick: Yeah, I thought you'd see it my way. Now factor in the 50% chance I'm lying and make sure I get back.
A.I.: Asshole detected.
Rick: Takes one to make one.

Young Rick: My name's Rick.
Birdperson: My culture regards naming as a form of cage. My friends call me Bird Person.
Young Rick: Culture really [bleep] you on that one, huh?
Birdperson: Affirmative.

Rick: I know why you haven't pulled the trigger. You're wondering why I'm old and naked.

Rick: Don't take this badly-- You're a memory of me assembled by our best friend's mind, and you're putting it together because he remembers you as smart.

Young Rick: So, what's my deal? Am I sentient? D-do I have free will?
Rick: Who does?
Young Rick: Who does?

Young Rick: I'm coming with you. Now that I know my life is a lie.
Rick: Wow. You really are 35.

Young Rick: Can we both die in here? A-are we damaging our friend's brain? I-I don't know any of the rules!
Rick: Rule 1-- "All this can be fixed unless I lose bird person." Rules 2 through 50-- "Don't die."

Rick: Okay, your benefit-to-cost ratio is rising.

Rick: Why am I saving a friend that remembers me as this insufferable?

Rick: I-I can't hear you over the sound of us spitting up!

Young Rick: I take it you found BP?
Rick: The dude just blew his mind, and not in a cool way. Like he went to Blue Man group.

Rick: If you die in your friend's brain, you die in real life.

Rick: Your life isn't real, and I didn't save it.

Birdperson: The Battle of Blood Ridge is over. The Federation lost. I am in your debt.
Memory Rick: Come with me.
Birdperson: To somewhere... Nearby?
Memory Rick: Anywhere. E-everywhere.
Birdperson: Rick, I don't expect you to keep fighting, but this war is--
Memory Rick: Far from over, I know. Dude, I share this with almost nobody, but... I could take you, right now, to this same battlefield, in a universe where we lost, or another where we won, or another where the war never even happened. All equally real, all equally unreal. None of it matters.
Birdperson: Then why did you help?
Memory Rick: Because I respect you. And I wanted you to know you could respect me.
Birdperson: Even though nothing matters?
Memory Rick: Okay. You matter-- to me.

Rick: Eat my ass, BP. You're down here bailing on the rest of us because you don't want to process your grief and shame like a normal person by drinking and mistreating strangers.
Birdperson: No, Rick, it is you who must nibble my cloaca, or "bird asshole."
Rick: Everyone knows what a cloaca is.

Birdperson: Sorry, but we do not get to choose the ones we love.
Rick: You got that right. Why do you think I'm still [bleep] down here?

Birdperson: I died at my wedding, Rick. I am merely waiting for it to take effect.

Rick: Listen, if you won't live for yourself, live for the half-bird person, half-megabitch that's eatin' worms on a prison asteroid.
Birdperson: I have made a decision. I would now like to live.

Birdperson: I will see you when I see you.

Rick: You don't have to be an enemy just because you exist.

——
Quotes on the IMDb

The One Where Paul's the Man

Friends 6×22

Joey: Hey, Ross, listen. Chandler got you out of going to the lesbian sandwich museum this weekend.

Ross: Rachel's going out with Elizabeth's father. So, uh, he's much older than she is. Looks like I'm not the only one interested in fossils. Huh?
Rachel: Ross, all that does is remind us that you are interested in fossils.

Monica: God. I love museums! Soaking up all the culture.
Phoebe: Yeah. Where do you want to start?
Rachel: Ooh, the gift shop.
Phoebe: Yeah. Hey, and then lunch!

Rachel: I can't eat too much. Paul's taking me out to dinner tonight. He said he has a big surprise planned.
Monica: Ow, wow. What do you think?
Phoebe: Maybe he's gonna tell you he's gay?
Rachel: What? No, why?
Phoebe: No reason. That would just be a really big surprise, right?

Elizabeth: What's wrong?
Ross: Uh... Yeah, I was just thinking about your father.
Elizabeth: Well, whatever works for you.
Ross: No. No, no. Uh, he just really freaked me out before.

Elizabeth: Oh, I wouldn't do it in there. Um, that's my dad's bedroom.
Rachel: That's your dad's bedroom. Ha, ha. THAT'S YOUR DAD'S BEDROOM!! HO-HO!
Paul Stevens: Why are you yelling?
Rachel: Oh! That Diet Coke, I think, went straight to my head. Whoo!

Chandler: See you later.
Monica: Wait. I bought groceries. I was gonna make you dinner.
Chandler: Well, next time, ask. Or at least wait for me to ask.

Chandler: I'm not freaking out. Why would I freak out? A woman named Hildy called and said we were getting married. But that happens every day. Ah-ah-ah!

—
+ Quotes on the IMDb
+ Soundtracks

Downton Abbey 1×2

Matthew Crawley: I still don't see why I couldn't just refuse it.
Isobel Crawley: There's no mechanism for you to do so. You will be an earl. You will inherit the estate. Of course, you can throw it away when you have it. That's up to you.

Matthew Crawley: I won't let them change me.
Isobel Crawley: Why would they want to?
Matthew Crawley: Mother, Lord Grantham has made the unwelcome discovery that his heir is a middle-class lawyer and the son of a middle-class doctor.
Isobel Crawley: Upper middle class.

Isobel Crawley: What should we call each other?
Violet, Dowager Countess of Grantham: Well, we could always start with Mrs Crawley and Lady Grantham.

Lady Mary Crawley: What will you do with your time?
Matthew Crawley: I've got a job in Ripon, and I've said I'll start tomorrow.
Lady Edith Crawley: A job?!

Robert Crawley, Earl of Grantham: You do know I mean to involve you in the running of the estate?
Matthew Crawley: Oh, don't worry. There are plenty of hours in the day. And of course I'll have the weekend.
Robert Crawley, Earl of Grantham: We'll discuss this later, we mustn't bore the ladies.
Violet, Dowager Countess of Grantham: What is a weekend?

Mr. Carson: To progress in your chosen career, William, you must remember that a good servant, at all times, retains a sense of pride and dignity that reflects the pride and dignity of the family he serves. And never make me remind you of it again.

Joseph Molesley: He chooses his clothes himself. He puts them out at night and hangs the ones he's worn. I get to take the linen down to the laundry. But that's about all.
John Bates: That's all?
Joseph Molesley: "I'll do this", he says, "I'll take the other". "I'll tie that". And I'm just stood there like a chump watching a man get dressed. To be honest, Mr Bates, I don't see the point of it.

Violet, Dowager Countess of Grantham: Why do you always have to pretend to be nicer than the rest of us?
Robert Crawley, Earl of Grantham: Perhaps I am.
Violet, Dowager Countess of Grantham: Then pity your wife, whose fortune must go to this odd young man, who talks about "weekends" and "jobs".

Thomas Barrow: I don't think that's fair, not here in the servant's hall.
Sarah O'Brien: I agree. If she was a real lady, she wouldn't have come down here. She'd have rung for me and given me the button, that's all. This isn't her territory.
Thomas Barrow: We can say what we like down here.
Mrs. Hughes: Who says?
Thomas Barrow: The law. And Parliament. There is such a thing as free speech.
Mrs. Hughes: Not when I'm in charge.

Matthew Crawley: I'll never get used to being dressed like a doll.
Joseph Molesley: Only trying to help, sir.
Matthew Crawley: Of course. And if I've offended you, I apologise. Surely you have better things to do.
Joseph Molesley: This is my job, sir.
Matthew Crawley: Well. It seems a very silly occupation for a grown man-- Look, I'm sorry if I'm... I'm sorry.

Lady Mary Crawley: You can't be serious.
Cora, Countess of Grantham: Just think about it.
Lady Mary Crawley: I don't have to think about it. Marry a man who can barely hold his knife like a gentleman?
Cora, Countess of Grantham: Oh, you exaggerate.
Lady Mary Crawley: You're American, you don't understand these things.

Matthew Crawley: Would you find me very ungrateful if I dispensed with his services?
Robert Crawley, Earl of Grantham: Why? Has he displeased you in some way?
Matthew Crawley: Not at all. It's simply that he's superfluous to our style of living.
Robert Crawley, Earl of Grantham: Is that quite fair? To deprive a man of his livelihood, when he's done nothing wrong?
Matthew Crawley: Well, I wouldn't quite put it...
Robert Crawley, Earl of Grantham: Your mother derives satisfaction from her work at the hospital, I think? Some sense of selfworth?
Matthew Crawley: Certainly.
Robert Crawley, Earl of Grantham: Would you really deny the same to poor old Molesley? And when you are master here, is the butler to be dismissed? Or the footmen? How many maids or kitchen staff will be allowed to stay? Or must everyone be driven out? We all have different parts to play, Matthew. And we must all be allowed to play them.

—
+ Quotes on the IMDb

Disruption

StartUp 2×1

Vera: Let me ask you a really fun question...
Phil Rask: Yeah.
Vera: Why'd you do it?
Grigory: She was asking too many questions. She was real go-getter. You know?
Phil Rask: Good luck with that.

Phil Rask: Don't threaten me, Nick.

News Anchor: In just three months, you've taken a simple peer to peer network and built it into a ubiquitous digital currency.
Alex Bell: I think what we're seeing is the world is ready for a cryptocurrency based on pure commerce. There's so little trust in government these days, so...
News Anchor: But do you think it's a little disconcerting to people that this sort of power is being wielded by what is essentially tech company? You have a board, you have investors... How are people expected to place their full trust in a corporation like Axis?

Nick Talman: The two things we really have to be able to answer are, one, what makes this a better VR architecture program than any out there, and two, how quickly can this be a publicly traded company?

Ronald Dacey: He paid $70 for a gram?
Touie Dacey: Yeah.
Ronald Dacey: Damn, that's ten more than my street markup.
Touie Dacey: I mean, I spent six on shipping. So...
Ronald Dacey: Well, still.

—
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Civil Union

Ozark 3×2

Charlotte Byrde: Why didn't Dad go with you?
Wendy Byrde: You know it can take your father some time... to acclimate to new ideas.

Carl Knarlsson: You want a good work-marriage partnership? Learn to let your desires take a backseat.

Helen Pierce: Maybe that's the only way to truly make a marriage last. Make it impossible to blow up without the shock wave swallowing everyone. Mutually assured destruction.

Ruth Langmore: This is a casino. Acceptable activities include gambling, drinking, inhaling hot wings at the buffet. Nursing free drinks while you ogle gamblers like a creeper? Not on my list.

Wendy Byrde: And no talking about... you know... anything. Most parents aren't as free with the truth as we are.

Wyatt Langmore: What's that?
Darlene Snell: I'm just talking to my late husband.
Wyatt Langmore: Oh, cool. Sorry, didn't mean to interrupt.

Martin 'Marty' Byrde: Wendy has absolutely no idea what is good for us.
Ruth Langmore: Is that my fault? Is that my fault that you can't communicate for shit with your wife?
Martin 'Marty' Byrde: All right, Ruth, listen to me--
Ruth Langmore: No, no. How's about instead of shitting on me, you get your own house in order? And until you do, how's about you fuck off? All righty?

—
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Ba'al

American Horror Stories 1×5

Liv: All I've ever wanted to do is be a mom, and I fucking suck at it. And what's worse... For two years, I complained about not having a baby, and now, all I do is complain about having one.

Liv: Just don't call it the "baby blues," okay? It's more like... baby hell.

Liv: Grim what?
Bernadette: Grimoires. They're compendiums of black magic. I only have them for historical reasons. They were all written by old white men who bought into the whole anti-pagan demonic thing. Demons taking souls. It's all church branding, fairy tale stuff, Hollywood.

Bernadette: That stuff really creeps me out, especially those spell books I got from the spiritualist place. I'm gonna have to burn sage and hire a Reiki master to clean the place out.

Liv: Only on one condition... You give me another baby.

—
On the IMDb
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Recapitalization

StartUp 1×10

News Anchor: If you could, go ahead and explain this to me, 'cause I guess I'm a little, I don't know, thick when it comes to these sort of things. What is it? Is it like a PayPal? What would you compare it to?
Alex Bell: Well, PayPal is a digital payment system. It's not its own currency. GenCoin is. It's like... okay, so, you could pay for something with a dollar or you could pay for something with yen. Or you could pay for something with GenCoin.
News Anchor: So, it actually is its own currency?
Alex Bell: Yes.

Izzy Morales: All I could think about was this was the dude. This guy, he had the money, and he was gonna make it real...

Vera: You're welcome to call your lawyer. Otherwise, I'd let this one be.

Ronald Dacey: This some serious ass shit right here. Stone cold. You gotta know when to be the man... and when to be the bigger man. You feel me?

Izzy Morales: I'm sorry. I. Am. Sorry. For what I did, and "sorry" doesn't cut it, and I know that, but I have no other words other than "I am sorry."

Izzy Morales: This right here is GenCoin. There's no GenCoin without you.
Nick Talman: We had a plan to get the company back. You want in?

Vera: Some dogs can't be chained. She would have bitten us all.

Phil Rask: Hi.

Alex Bell: Okay then. What, uh... And how... how can I help?
Phil Rask: I need money.

Alex Bell: Are... are... I don't understand. Are you blackmail...
Phil Rask: I'm blackmailing you. Yeah.

Phil Rask: Shut up. Be smart, okay?
Alex Bell: And you'll leave me alone?

Ronald Dacey: I remember I shot him 'cause I had to. It was me or him. But after I squeezed that trigger... I let that shit change me. Get inside my bones like some cancer all up and through every part of who I was. I let my sin define me, grind me down to the man I thought I 'posed to be. But you ain't got to do that, son. This town... it's what you make it. You need to know that.
     You got a choice. We all got choice. Life about choice. And the choices I make, they ain't always gonna be pretty. Hell, matter of fact, sometimes they gonna be ugly.
     There's gonna be people gunning for us. And I ain't talkin' about them kids you throw down with over in Little River or even them Towners, dawg. I'm talking a whole lot worse. 'Cause here, where we at... every move you make, it come with a price. And you got to be willing to pay that price... and move on... and know that it's worth every tear. Every ounce of sweat. Every drop of blood. 'Cause this ain't America, kid. This here... is Miami.

—
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The Naughty List

American Horror Stories 1×4

Barry: Zinn, Wyatt and me... the fam... We're, like, pushing 30, which is, like, 40 in influencer years. You get up there in years, you become invisible to the audience. And it's all about the subscriptions and the likes, and to get those and keep 'em, you got to keep riding the edge... Least, that's what Zinn says.

Zinn: I know what I'm doing. I'm not an idiot.

Barry: Maybe we make an apology video.
Zinn: No. No. No. We're not doing that. All the people who do that, they get ripped apart. They're accused of fake crying, and they don't mean it, and then they get more hate. We're not doing that.

Zinn: All right, you know what I think? You know what I think? We got to go gay.
Wyatt: What?!
Zinn: Not full gay. Like, um, "homey" something. "Homo..."
James: Homeysexual.

Barry: I don't know, guys. This just smells like another train wreck... It's exploitative, and it's probably offensive. Very offensive to gays, LBTRs. It's harmful.
Wyatt: Hurtful.

Santa: Tell Santa, have you been naughty or nice?

Zinn: Oh! Jesus. Guess we're not getting presents this year, boys.
Santa: You'll get what you deserve.

—
On the IMDb
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Тана Френч — Тайное место

<< Рассветная бухта (Дублинский отдел по расследованию убийств — 4)

Дублинский отдел по расследованию убийств — 5

  “Эту песню постоянно крутят по радио, но каждый раз Холли улавливает только отдельные слова. ...

&  Оно было красивым. Я люблю красивое. Всегда любил. Никогда не понимал, почему положено ненавидеть то, о чем можешь только мечтать. Люби сильней. Работай, подбирайся ближе к своей мечте. Хватай и держи крепче, изо всех сил. Пока не придумаешь, как заполучить навсегда.

&  Те, кто тебе не нравится, очень полезны. Им не удастся надуть тебя так легко, как это сделают те, кто тебе симпатичен.

&  Она вспоминает отца, его усмешку, когда пытаешься добиться от него прямого ответа: никогда не связывай себя обещаниями, если не уверена, что сможешь их сдержать, и даже тогда не надо.

&  Если ты заводишь друзей внутри зыбкой структуры, которая сама собой распадется через пару лет – типа учебных курсов или здешней школы, – ты полный идиот. Начинаешь думать, что всего остального мира вообще не существует, и в итоге впадаешь в это истеричное дерьмо. Друзья навек, мелкие войны она-сказала-ты-сказала-я-сказала, и все доводят себя до трясучки по не пойми какому поводу. Это же ненормально, когда ты весь, вот досюда, – рука проехалась над головой, – в это погружен, когда вся жизнь сосредоточена здесь... А потом ты выходишь в большой плохой мир, и вдруг все оказывается совсем другим, и ты в полной заднице.

&  – Всегда обманывай ожидания людей, малыш. Это поддерживает их в тонусе.

&  – Ты правильно сказал: когда дело касается твоего ребенка, принципы летят в помойку.

&  Никогда не пользуйтесь лазейками. Они кажутся надежными, как дом родной. И они подводят вас на шаг ближе к тому месту, где нам легче вас поймать.

&  Чем больше торопишь время, приближая роковой час, тем медленнее происходит действие.

&  Доверяй инстинктам, всегда говорит отец. Если что-то подозрительно, если кто-то подозрителен, подозревай. Не принимай на веру чьи-то слова, только чтобы не испортить отношения, не жди и не терпи из боязни глупо выглядеть. Безопасность всегда во-первых. На во-вторых может не остаться времени.

&  Давным-давно Холли узнала от отца, что, если хочешь, чтобы тебя не поймали, не следует торопиться.

  ... Мелодия вьется перед ней тонкой золотой нитью, ведет ее, ловкую, гибкую, пританцовывающую, между афишными тумбами и фонарными столбами, мимо спешащих на службу деловых костюмов и жалких попрошаек, дальше, к Стивену.”

>> Тень за спиной (Дублинский отдел по расследованию убийств — 6) (будет (בהנ"ו))

Downton Abbey 1×1

Daisy Robinson: Why are their papers ironed?
William Mason: What's it to you? To dry the ink, silly. We wouldn't want his Lordship's hands to be as black as yours.

Lady Edith Crawley: I thought it was supposed to be unsinkable.
Robert Crawley, Earl of Grantham: Every mountain is unclimbable until someone climbs it. So every ship is unsinkable until it sinks.

Thomas Barrow: Snuff boxes. He collects them.
John Bates: Beautiful... Funny, our job, isn't it?
Thomas Barrow: What do you mean?
John Bates: The way we live with all this. A pirate's hoard within our reach. But none of it's ours, is it?
Thomas Barrow: No, none of it's ours.

Violet, Dowager Countess of Grantham: I didn't run Downton for 30 years to see it go, lock, stock and barrel, to a stranger from God knows where.
Cora, Countess of Grantham: Are we to be friends, then?
Violet, Dowager Countess of Grantham: We are allies, my dear. Which can be a good deal more effective.

Daisy Robinson: It seems like a lot of food, when you think they're all in mourning.
Mrs. Patmore: Nothing makes you hungrier or more tired than grief. When my sister died, God rest her soul, I ate my way through four platefuls of sandwiches at one sitting and slept round the clock.
Daisy Robinson: Did it make you feel better?
Mrs. Patmore: Not much, but it passed the time.

George Murray: Matthew Crawley is a solicitor, based in Manchester.
Robert Crawley, Earl of Grantham: Manchester?
George Murray: His special field is company law. His mother is alive and he lives with her. His father, obviously, is not. He was a doctor... I know.
Robert Crawley, Earl of Grantham: It does seem odd that my third cousin should be a doctor.
George Murray: There are worse professions.
Robert Crawley, Earl of Grantham: Indeed.

Mrs. Hughes: You mustn't take it personally.
Mr. Carson: Oh, I do take it personally, Mrs. Hughes. I can't stand by and watch our family threatened with the loss of all they hold dear.
Mrs. Hughes: They're not our family.
Mr. Carson: Well, they're all the family I've got!
Mrs. Hughes: I beg your pardon. Do you... ever wish you'd gone another way? Worked in a shop or a factory? Had a wife and children?
Mr. Carson: Do you?
Mrs. Hughes: I don't know. Maybe. Sometimes.

Robert Crawley, Earl of Grantham: Do you miss the army, Bates?
John Bates: I miss a lot of things, but you have to keep moving, don't you?
Robert Crawley, Earl of Grantham: Ha! You do, indeed.

Violet, Dowager Countess of Grantham: Don't you care about Downton?
Robert Crawley, Earl of Grantham: What do you think? I've given my life to Downton. I was born here and I hope to die here. I claim no career beyond the nurture of this house and the estate. It is my third parent and my fourth child. Do I care about it? Yes, I do care!

Duke of Crowborough: Why did you apologise to that man? It's not his business what we do.
Lady Mary Crawley: I always apologise when I'm in the wrong. It's a habit of mine.

Mr. Carson: The plain fact is, Mr. Bates, through no fault of his own, is not able to fulfil the extra duties expected of him. He can't lift, he can't serve at table, he's dropping things all over the place. On a night like tonight, he should act as a third footman. As it is, my Lord, we may have to have a maid in the dining room.
Robert Crawley, Earl of Grantham: Cheer up, Carson. There are worse things happening in the world.
Mr. Carson: Not worse than a maid serving a duke.

—
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The One Where Ross Meets Elizabeth's Dad

Friends 6×21

Chandler: Are you judging them by their covers? Because you're really not supposed to.
Phoebe: I'm deciding which one to use. I'm going to start writing another book.
Chandler: Because the last one was such a big seller?
Phoebe: Well, if you must know, I have written 14 books. And as I'm the only one who has read them... I can tell you that they have all been very well received.

Ross: Hi. What are you doing later?
Phoebe: Oh, Rachel and I have to get our hair cut.
Rachel: We do?
Phoebe: I want to see what he wants first.

Paul Stevens: So, Ross... what's your problem?
Ross: Excuse me?
Paul Stevens: Why can't you get a girlfriend your own age?

Monica: Is there a Mrs. Stevens?
Chandler: There's a Mr. Bing!

Ross: Joey?
Rachel: Hi, Ross. I was just getting him to like you.
Ross: Joey? Joey!

Paul Stevens: I have to admit that after all the wonderful things Lizzie has told me... and the many, many, many stories that Rachel has told me... that, well... you're not... all bad.

Monica: We said we would meet at the coffee house at 6:00.
Chandler: We said 7:00.
Monica: We said 6:00!
Chandler: The only way that I said 6:00... would be if I said the sentence, "Let's meet at 7:00, not at 6:00."
Monica: If I had said 7:00, I would have said something like: "Wow, my boyfriend is such a wiseass. -00!"

Rachel: Wait. I just thought of another story about how nice Ross is.
Ross: That's okay, Rach. We're not liking Ross right now.
Rachel: Oh! Well, I got a lot of those, too.

—
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