Acheron: Part II

The Walking Dead 11×2

Yumiko: You want to understand what we're capable of and whether we can enhance your community or if we'd simply be a drain on resources. But the truth of it is, you need to justify your existence, too. Because isn't it almost more valuable now to have someone who can haul the trash and keep the streets free from disease than someone who can write endless lists of questions, given that at the end of the day, you just need to rely on your gut instinct about whether or not the person across from you will or won't murder you in your sleep?.. But you're both people that follow the rules. I was a lawyer. I like rules. They bring order to the chaos. Which means you need me.

Eugene: Can you stop moving? You're taking my nerves over the edge to a proverbial 11 on a scale of 10.

Juanita: Uh, do you have toilet paper? Well, shit! I'm excited!

Cole: You tried to kill her!
Negan: No, she was in trouble, and I didn't help. There is a big difference. ... She was just talking about murdering me, sooner rather than later, and yet somehow, I'm the big, old asshole 'cause I didn't risk my nuts for her?

Maggie: What we have in Alexandria, what we had in Hilltop and in Meridian... It's rare. It has to be. Compared to everything that's out there. Because if it isn't...
Negan: It means we were lucky. It means that nobody has it figured out. Nobody ever did, and nobody ever will.

Eugene: What have you done with my traveling companions?
Mercer: They're being processed.
Eugene: "Processed" as in a-administratively? Processed as in bologna or other meat stuffs? This inquiring mind needs to know.

Eugene: I haven't always been the most emotional fella, but my 10,000-plus hours of death, loss, and fear have opened me up a little bit.

Mercer: Welcome to the Commonwealth.

Stephanie: Um, which one of you is Eugene?... Hi. I'm Stephanie.

—
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Game Over

American Horror Stories 1×7

Driver: Are you sure you two want to go in there? That place was built above the devil's asshole.
William: That is why we are going in.
Connie: It's the most haunted house in Los Angeles. Probably the entire United States.
William: Followed closely by the House of Death in Greenwich Village, the Franklin Castle in Cleveland and, of course...
— The LaLaurie Mansion in New Orleans. Lies! Lies!

William: We are, like, huge American Horror Story fans.
Driver: I hear bad stuff about this house. How about I take you to a hotel?
Connie: G: You mean like the Hotel Cortez? No, we're good. We rented this place out for the night.

Connie: To the man who makes my dreams come true, even if they're nightmares.

William: This is our last chance. You know, we could always go to Norms, get some pancakes, go home, binge-watch Roanoke. Why does Sarah Paulson shit-talk that season? It's so good.
Connie: Do you really want to go watch Roanoke?
William: No. I want to shit myself 'cause I'm so scared.
Rory: Don't take this the wrong way, but, like, have you even ever actually watched the show?
Michelle: Yes, I've watched the show. I'm not an obsessive fan like you, but... I've watched the show.
Rory: Even casual fans of the show are gonna be pissed because ****. Second, I think you're missing the reason why fans keep wanting to go back to Murder House. It's not that they want to trap more people there. They want to feel the tension of whether or not the new people are gonna be able to escape or not. The thing that always trips people up in the house and leads them down that path to getting stuck there is that they don't deal with their human shit. They're too selfish or greedy or mean or possessive or depressed, so they're forced to stay like that, frozen in the house forever.

Michelle: I thought we could bond over your favorite show.
Rory: You could've just watched it with me... I love you, Mom, but you don't really get the vibe of the show. Like... at all.

Steven: I was married to you, and I love you in spite of everything that happened, and I see you. And if you've got one fatal flaw, it's that you're so convinced that you've got something to prove that you will kill yourself to prove it.
Michelle: And if I were a man, that would be called drive. Admirable ambition, even.

Ben Harmon: Is it violent? Because I've always counseled parents that violent video games are terrible for children.

Michelle: Wait a minute. Aren't you, um... ? What are you doing here?
Ben Harmon: Paying for my sins. Just like everyone else in this godforsaken place.

Ben Harmon: You know what's a bad combination for eternal happiness? Your wife, your forever teenaged daughter, her boyfriend, a newborn and your former mistress all trapped in the same house together.

Michelle: So, you're blaming the women in your life for you being a cheater? Okay. Um, you can never actually find forgiveness if you don't take responsibility for your own actions.
Ben Harmon: I'm just saying life is complicated. And so is death, apparently.

Michelle: I like to want things, and then I get obsessed about getting them... I'm just not so great once I actually get it 'cause, um, over time, I... I get bored. And then I can be quite hurtful.
Ben Harmon: You like being hungry more than being fed.

Ben Harmon: Fun? Is it fun when the record you're listening to skips over and over? Is it fun being on a merry-go-round for decades?

Ben Harmon: There is no purpose here. There is no point in here. It's just endless dull with no escape.

Michelle: Um, can I speak to somebody who's maybe not so lost and hopeless?
Ben Harmon: Then you've come to the wrong house.

Ruby: You want to get the vibe? Here's what you need to understand about this place. Yes, there are a few spirits who want out, but there are others here who have no interest in growth, who embrace how fucked-up we all are. Now, the only thing that we love more than being stuck in our own misery is being stuck here with the suckers who are even more miserable. The repetition is the point. The endless nothing filled with pain is the purpose. The only thing that we need is more souls to feed the suffering.

Ben Harmon: As your therapist, my professional opinion is that you should run like hell.

Ben Harmon: You really don't understand this place at all. Leave now or you're gonna be forced to understand forever.

Ben Harmon: Dead again.

Michelle: There's no escaping the Murder House.
Rory: I think there is.
Michelle: How?
Rory: Fire. Fire purifies everything. You need to burn, burn that motherfucker to the ground.

—
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Growth Hacking

StartUp 2×7

Ronald Dacey: We a family here. Gotta be, 'cause family all about trust... all about loyalty, and those are the things we depend on. 'Cause what we doing here... is far too important. What we working on is a highly encrypted new version of the dark web. Can't nobody know about it. Anybody ask, Izzy Morales, she don't exist. ArakNet's creator: anonymous. Location: unknown. ....
     There are plenty of people out there who want to see us fail, some that even want to hurt us, so it's damn important that you follow protocol.
     We not playing, y'all need to understand that. We will sweat together. We will bleed together, 'cause we a family... and that's what families do.
     But security is tops, 'cause the stakes is way too high here. And if you stray, I will find you... and I will break your neck. A'ight?
Nick Talman: ..... Welcome aboard!

Wes Chandler: When your competitor takes a piece of the pie, it's not just that his piece of the pie gets bigger, it's that the whole pie gets smaller until he's the pie. So, what do we do?

Wes Chandler: I'm a little underwhelmed right now. I need to be whelmed.

Stella Namura: Have you always worked in private security?

Phil Rask: I've finished talking now. You can go.

Ronald Dacey: You wanna be tough? You gotta get hurt, bruh. That's a rule. That's a rule, bruh.

Izzy Morales: Baby, I just want it to be perfect. I don't, actually. I don't want it to be perfect. I want it to be the best.

Stella Namura: What would you do if you were still part of GenCoin? All that success? And what if ArakNet is just as successful? I mean, would you even enjoy that?

—
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Downton Abbey 1×7

Mrs. Hughes: I haven't had a chance to ask, how was London?
Mr. Carson: Oh, much as usual. Dirty, noisy and quite enjoyable.

Lady Rosamund Painswick: There's nothing like an English summer is there?
Lady Mary Crawley: Except an English winter.

Lady Rosamund Painswick: I'm sorry you haven't received more invitations. But then, after four seasons, one is less a debutante than a survivor.

Cora Crawley, Countess of Grantham: Oh, you poor thing. Is there anything worse than losing one's maid? Violet, Dowager Countess of Grantham: I mean, why would she want to leave me? I've been as gentle as a lamb. Most of the time.

Lady Rosamund Painswick: Oh, come along, Mary, be sensible. Can you really see yourself dawdling your life away as the wife of a country solicitor?

Mr. Carson: But why would we ever want a telephone at Downton, milord?
Robert Crawley, Earl of Grantham: Well, they have their uses. You could speak to the housekeeper in London. That'd be helpful surely?
Mr. Carson: I hope I've not failed in my management ofthe recent move?

Violet, Dowager Countess of Grantham: Mary, listen to me, if you take Matthew now, when his whole future is at risk, he will love you to the end of his days.
Lady Sybil Crawley: Why, Granny, you're a romantic!
Violet, Dowager Countess of Grantham: I've been called many things, but never that.
Lady Edith Crawley: And what happens if the baby is a boy and Matthew loses everything?
Violet, Dowager Countess of Grantham: Mary can always change her mind.

Violet, Dowager Countess of Grantham: I know those men of the moral high ground. If she won't say, "yes", when he might be poor, he won't want her, when he will be rich.

Violet, Dowager Countess of Grantham: Ah! First electricity, now telephones. Sometimes I feel as if I were living in an H.G. Wells' novel.

Daisy Robinson: I'm sorry.
Mrs Bird: There, there. There are worse crimes on earth than loyalty.

Mrs. Patmore: Oh, my Lord, listen to that. It's like the cry of a banshee.
Branson: Mr Carson's telephone is ringing. Isn't someone going to answer it?

Lady Mary Crawley: So I've ruined everything?
Matthew Crawley: You've shown me I've been living in a dream, and it's time to return to real life. Wish me luck with it, Mary. God knows I wish the best for you.

Lady Rosamund Painswick: I'm sorry, Mama, but you know me. I have to say what I think.
Violet, Dowager Countess of Grantham: Why? Nobody else does.

—
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The One with the Ring

Friends 6×23

Rachel: You know, I wish I could get him to open up a bit. Share some feelings...
Phoebe: That's easy. You just have to think of him as a jar of pickles that won't open.
Rachel: So, what are you saying? I should run him under hot water and bang his head against a table?
Phoebe: No, that's what you do when you want to get the truth out of someone.

The Jeweler: This ring is from the 1920s. It's a one-and-a-half karat diamond with sapphires on either side.
Chandler: Sir, could I ask you to, um? Could you hold out that ring and ask me to marry you?
The Jeweler: O-okay.
Chandler: Okay.
The Jeweler: Will you marry me?
Chandler: Oh, my God, that's it! That's the ring!

Chandler: How much is it?
Phoebe: Chandler, I will handle this. How much is it?
The Jeweler: Eight thousand six hundred.
Phoebe: We will give you $10.

Phoebe: Listen, I'm sorry about before. Do you have anything here for $10?
The Jeweler: Uh, yes. I have these two rather beautiful... five-dollar bills.
Phoebe: I'll give you $1 for them.

Rachel: I can't. I cannot listen to any more of this. The only one who'd listen to this is a mental health professional. And that's only because they get paid $100 an hour.

Chandler: Hey, I'm marrying a dead woman.

—
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Le journal d'une femme de chambre (1964)

M Monteil: So you're Celestine?.. I really like the name. Indeed, I do... But it's a bit too long, don't you think? Far too long. If you don't mind, I'll call you Marie. Marie is pretty too and it's short. Besides, I've called all my chambermaids Marie. It's a habit of mine. And not one I think I could break.

Joseph: You never really know people when you meet 'em. Women especially are hell to get to know. But now I know you well.
Celestine: You know me? Then tell me what I am.
Joseph: What you are? You're like me.
Celestine: Like you?
Joseph: I don't mean in looks. I'm old and ugly. But deep down inside, we're alike. I know what I'm talking about.

Celestine: You scare me.
Joseph: Why?
Celestine: I think you're a crook.
Joseph: A crook, me? Are you serious? Look around! I love the army! Religion! Law and order! My country, above all! Look at me. Am I lying when I say I love all that?
Celestine: No, you're not lying.
Joseph: Would a crook love all that?

Joseph: Let's be frank, like soldiers. Do you want me to marry you?

Joseph: I gotta have that café. Revolution's around the corner. There's nothing better for a café!

—
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Liabilities

StartUp 2×6

Ronald Dacey: This shit gonna play out on the street level.

Nick Talman: We just have to make it to a place where they need us more alive than dead. Ronald Dacey: Right now we need to focus on being not dead.

Ronald Dacey: Lies, bruh. That's that shit that'll poison us. ... Lies beget lies, bruh. That's how we sunk ourselves with GenCoin. It's better to man up and get out in front of it.

Izzy Morales: He's gonna bail.

Ronald Dacey: They ain't gonna stop... until she dead. Or until we beat them. So that's just us putting that shit out there. Cards on the table.
Wes Chandler: Excuse me.

Nick Talman: Maybe he's gonna kill us.

Wes Chandler: I appreciate you being straight with me back there, my man, so... I'll be straight with you. What do you see as your role at ArakNet?
Ronald Dacey: Founded that shit. Got the user base up...
Wes Chandler: No, no, yeah. Of course. Of course, but, like, look. I got an investment in there now. It's about to get big. It's about to get real. That's the plan. Ain't that right? So how do you see yourself fitting in?

Wes Chandler: Anybody who makes his living protecting people, I don't trust. 'Cause there's always somebody coming around with more money.

Wes Chandler: Now, my dough's in the bank. It's ready to go. How bad you want ArakNet? Just give it some thought.

—
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Su Casa Es Mi Casa

Ozark 3×6

Sue Shelby: Good. Good communication. Can you access some feeling words?
Wendy Byrde: I'm scared! I'm fucking terrified, actually.
Sue Shelby: Ooh, those are strong feelings.

Wendy Byrde: You gotta have something to say.
Sue Shelby: I do, actually. What does it say about a marriage when a husband and wife both try to bribe the therapist? You're both paying me off. There. I said it.

Martin 'Marty' Byrde: Gary, Navarro, another casino, a horse farm. You put everything before the family.
Wendy Byrde: I am trying. I am trying to build a future for our family out of the mess that you created. And you're too narrow-minded and jealous to see it.
Martin 'Marty' Byrde: Right, yeah, and you're just a fucking scary, selfish, power-hungry fucking bitch.

Martin 'Marty' Byrde: How much money do you want?
Sue Shelby: It's not about money, Marty...
Martin 'Marty' Byrde: How much?
Sue Shelby: ... A shitload.

Darlene Snell: Broken promises got consequences...

Wendy Byrde: Look, we are all upset here...
Helen Pierce: You know something? We may have dipped our toe in the friendship pool, but I'm not sure we're gonna swim.
Wendy Byrde: Oh, fine with me.

Wendy Byrde: I forgot to tell you. We're starting a charitable foundation. So, maybe you guys could... think about some of the causes you'd like to support.
Jonah Byrde: That's a great idea. You could hide dirty money as cash donations, and I guess you'd pay less money on tax, too. Right?

Ben Davis: You know, the two of us... we should drive cross-country with the drone. Lots of crazy-ass people in every city and town. Whoo! Maybe next summer?

—
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Downton Abbey 1×6

Isobel Crawley: I applaud your spirit in coming, and I will applaud your discretion when you leave.

Lady Sybil Crawley: I hope you do go into politics. ...
Branson: If I do, it's not all about women and the vote for me, nor even freedom for Ireland. It's the gap between the aristocracy and the poor, and...
Lady Sybil Crawley: And what?
Branson: I'm sorry. I don't mean to speak against his lordship.
Lady Sybil Crawley: Why not? You obviously don't approve of him.
Branson: Not as a representative of an oppressive class. But he's a good man and a decent employer. Spoken like a true politician.

Lady Mary Crawley: I was only going to say that Sybil is entitled to her opinions.
Violet, Dowager Countess of Grantham: No, she isn't until she is married, then her husband will tell her what her opinions are.

Violet, Dowager Countess of Grantham: Now, first I must ask, and I want you to think carefully before you answer. Is any of this true?.. I see. Some of it is true. How much?.. Oh, dear.

Violet, Dowager Countess of Grantham: Well. I always thought this family might be approaching dissolution. I didn't know dissolution was already upon us.

Lady Sybil Crawley: This isn't the end. You mustn't give up. We'll get there.
Gwen Dawson: Forgive me, my lady, but, well, you don't get it. You're brought up to think it's all within your grasp, that if you want something enough, it will come to you. But we're not like that. We don't think our dreams are bound to come true because... Because they almost never do.
Lady Sybil Crawley: Then that's why we must stick together. Your dream is my dream now. And I'll make it come true.

Branson: I never would have taken her there. I may be a Socialist but I'm not a lunatic.
Lady Mary Crawley: I'm not sure Papa knows the difference.

Cora, Countess of Grantham: I hope you thanked Matthew properly.
Lady Mary Crawley: I got them to make him some sandwiches.
Cora, Countess of Grantham: It's not quite what I meant.
Lady Mary Crawley: And he asked me to marry him.
Cora, Countess of Grantham: Heavens. What did they put in them?

Cora, Countess of Grantham: Do you love Matthew?
Lady Mary Crawley: Yes. I think perhaps I do. I think I may have loved him for much longer than I knew.

Violet, Dowager Countess of Grantham: Now, I've been thinking... I confess I do not know if I would have had the strength, mentally or physically, to carry a corpse the length of this house. But I hope I would have done.

Violet, Dowager Countess of Grantham: You were quite right. When something bad happens, there's no point in wishing it had not happened. The only option is to minimise the damage. Or try to.

Violet, Dowager Countess of Grantham: For heaven's sake, why?
Cora, Countess of Grantham: She thinks to keep it secret would be dishonourable.
Violet, Dowager Countess of Grantham: She reads too many novels. I mean, one way or another, everyone goes down the aisle with half the story hidden.

Cora, Countess of Grantham: Thank you for not turning against her. I know that you have rules, and when people break them you find it hard to forgive. I understand that and I respect it.
Violet, Dowager Countess of Grantham: In this case Mary has the trump card.
Cora, Countess of Grantham: What?
Violet, Dowager Countess of Grantham: Mary is family.

—
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The Prom (2020)

Barry Glickman: I refuse to give up, okay? We're… We're still celebrities. We still have power.
Trent Oliver: Now, The Times sort of castrated you as it were.
Angie: Yep. They wrote you off as aging narcissists.
Dee Dee Allen: I still don't understand what's wrong with that.
Barry Glickman: There's a very simple way that we can still love ourselves yet appear to be decent human beings, okay? We will become celebrity activists... All we need is a cause.
Dee Dee Allen: A cause célèbre.
Barry Glickman: Everybody think of some causes. Go.
Trent Oliver: Um, poverty?
Barry Glickman: Too big.
Angie: World hunger.
Barry Glickman: That is also a major thing. No, we need something we can handle.
Dee Dee Allen: Some little injustice we can drive to. Recycling.
Angie: Let's see what's trending...
Barry Glickman: Recycling's good.
Trent Oliver: Why are there so many award shows?
Dee Dee Allen: Parking.
Trent Oliver: Or the TVs in the back of cabs.

Dee Dee Allen: We're doing a great thing here. We're being great people. This is all great. This is gonna get me my third Tony Award.

Barry Glickman: Where is our girl? Where's Emma? Emma!
Emma: I'm Emma.
Barry Glickman: Emma, my name is Barry, and I'm here to tell you that you are not alone. Okay? I am as gay as a bucket of wigs. A bucket of them! And we are here from New York City and we are gonna save you. Tomorrow, we will hold a rally. There'll be banners and choreography.
Mrs. Green: What is going on? Who are you people?
Trent Oliver: We are liberals from Broadway.
Angie: We are here to open your hearts and your minds. The five of us are gonna teach you…

Tom Hawkins: I am the principal and I just, um… What are you doing?
Dee Dee Allen: We have come to show this community that gay people and gay-positive icons, such as myself, are made of the same flesh and blood as they are.
Tom Hawkins: Uh-huh.
Barry Glickman: If they don't have gay people here, why is my Scruff going crazy right now?
Dee Dee Allen: We're not monsters. We're cultural disruptors.
Tom Hawkins: I'm a fan. ...
Dee Dee Allen: What kind of a fan? Big fan? Small fan? Scary stabby fan?
Tom Hawkins: You could say that I'm a big fan. Yes.
Dee Dee Allen: Really? That's so surprising because you're not my usual demographic.
Tom Hawkins: You mean Black?
Dee Dee Allen: No, straight. You are straight, right?
Tom Hawkins: Yes. I am. Straight people like Broadway too.
Dee Dee Allen: I've heard that. Always thought it was a fairy tale. So to speak.

Angie: Oh. Dickinson, four rooms. I called yesterday.
Dee Dee Allen: Four rooms of varying size to reflect the hierarchy of the company, right? Where is my suite?

Trent Oliver: There must be a way to rid this community, and by extension, the nation, of this cancer of intolerance.

Dee Dee Allen: Am I interrupting something?
Tom Hawkins: I was just doing some research, trying to figure out if urinal cakes are poisonous.

Tom Hawkins: Dee Dee, not charging for an apology is not a selfless act.
Dee Dee Allen: What the hell?
Tom Hawkins: If you want people to like you instead of hate you, you have to be good. A good person. You have to put other people's interests before your own.
Dee Dee Allen: You don't understand. I am a celebrity. It is all about me. It has been for decades. That's the point of celebrity. So I have to be reprogrammed.

—
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Pivot

StartUp 2×5

Rance: Queen, look, you have to stop thinking about it this way. Think about IBM versus Apple, or MySpace versus Facebook. Look, I know you're really concerned about being first, but maybe it just is about who's better.

Tamara Dacey: You do what you gotta, baby. You do what's gonna make you feel better.

Rance: I really hope you're thirsty.
Izzy Morales: Eight lattes?
Rance: One of them's a hibiscus.

Wes Chandler: You have 2,000 active users just through word of mouth?
Nick Talman: Correct.
Wes Chandler: And you can tell what people are using the network for? So far? Drugs, guns, rock and roll.
Nick Talman: So far.
Wes Chandler: I mean, hell. BitCoin wouldn't be BitCoin without the Silk Road.
Nick Talman: Nope.
Wes Chandler: The internet wouldn't even be invented if we weren't at war with somebody. You wanna make an omelet, you gotta break some eggs.

Phil Rask: .... And frog knows what's happened, so with his final breath, he looks up at the scorpion, and says, "Why would you do that? Now we're both gonna drown." And the scorpion simply shrugs, and says... "'Cause I'm a scorpion."
Izzy Morales: So which one of us is that about?

—
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Роберт Гэлбрейт — Дурная кровь (2/2)

<< Начало

&  Вся жизнь Леды Страйк была битвой против разного рода ограничений: возможность выйти на марш протеста в одном нижнем белье показалась бы ей мощнейшим ударом по запретам. Помня душевную щедрость Леды, ее неистребимую любовь к слабым, Страйк все же не заблуждался насчет акций гражданского неповиновения, которые в большинстве случаев принимали форму восторженного эксгибиционизма. Леда не озабочивалась целенаправленной агитацией населения по месту жительства, трудными компромиссами, работой до седьмого пота, какой требует структурное переустройство общества. Она никогда не владела навыками критического мышления и легко попадалась на удочку тех, кого Страйк про себя называл интеллектуальными шарлатанами. Ее жизненная философия, если такое выражение применимо к мешанине причуд и глубоко въевшихся стереотипов, которые она называла убеждениями, сводилась к тому, что все презираемые буржуазным обществом идеи по определению правильны и справедливы.

&  Выходит, неизбежность смерти – вот что добавляет радостным воспоминаниям привкус горечи?

&  Когда живешь во лжи, нет ничего более опасного, чем люди, которые говорят правду…

&  Марго себя в обиду не дала… я на всю жизнь запомнила ее слова, а потом и в оригинале выучила… «Мужчина определяется как человек, а женщина как представительница женского пола: и каждый раз, когда она ведет себя как человек, говорят, что она подражает мужчине».

&  Мы суть не ошибки, которые мы совершаем. Мы – это то, как мы воспринимаем свои ошибки.

&  – Мы норовим все обобщать, опираясь на свой прошлый опыт.

  ... Уголки его рта дрогнули, но, поскольку Робин не видела этой улыбки, он не счел нужным пускаться в объяснения.”

It Came from Michoacán

Ozark 3×5

Special Agent Maya Miller: Give me time to get close to him. We don't know who came back from Mexico.

Special Agent Maya Miller: He's probably been tortured. It could have unpredictable effects. He's likely to be volatile, emotional. If we're lucky, he could be ready to break.

Wendy Byrde: We didn't pass your test.
Omar Navarro: Marty passed. I didn't know him, now I do, and you're very lucky, because he's just like me.
Wendy Byrde: How so?
Omar Navarro: He wants to win.

Sue Shelby: We don't usually talk about sums.
Martin 'Marty' Byrde: Mm-hmm. Listen, if you're uncomfortable with our arrangement, why do you take my money?
Sue Shelby: I suppose I want to see where your story ends.

Oly Brennan: There is no greater feeling than your own horse coming in...
Wendy Byrde: I bet.

Martin 'Marty' Byrde: Well, it was... it was hell. I wasn't lying, and I... I told the kids that, but, um... Wendy, this might have been the best thing that could have ever happened. I spent a decade afraid of something, and when it finally arrived, it wasn't at all what I thought it would be. And I wasn't who I thought I would be.
Wendy Byrde: What does that mean?
Martin 'Marty' Byrde: It means you were right. Me burying my head in the sand wasn't gonna keep us safe, but I figured out what is...

Jim Rettelsdorf: People... People don't just turn an FBI agent.

Ben Davis: You're not wrong.
Wendy Byrde: About what?
Ben Davis: That looks like Marty, walks like Marty, sounds like Marty, but that is 100% not Marty Byrde. That guy's vibrating.

Wendy Byrde: What the fuck happened to him in Mexico? Do you think it's a good idea to turn Agent Miller?
Helen Pierce: Doesn't matter what I think. It's what my client expects.

Martin 'Marty' Byrde: Last week, I was in Mexico. With Navarro. He kidnapped me.

Wendy Byrde: You've just undermined everything we've been working on. We're supposed to be partners.
Omar Navarro: Partners? No, no, no. You exist for me to use! What did you think, huh? That because you are American, you are not gonna get your hands dirty? Wendy, if I am at war, you're at war! We're not partners. I own you!

—
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Downton Abbey 1×5

Anna Smith: It's always sad when you love someone who doesn't love you back. No matter who you are.

Violet, Dowager Countess of Grantham: You are quite wonderful the way you see room for improvement wherever you look. I never knew such reforming zeal.
Isobel Crawley: I take that as a compliment.
Violet, Dowager Countess of Grantham: I must have said it wrong.

Cora, Countess of Grantham: If it gets around, and you're not already married, every door in London will be slammed in your face.
Lady Mary Crawley: Mama, the world is changing.
Cora, Countess of Grantham: Not that much, and not fast enough for you.

Mrs. Patmore: What the eye can't see, the heart won't grieve over.

Anna Smith: I hope there's something they can do.
John Bates: I hope so, too. But if there isn't, I hope they tell her there isn't. Nothing is harder to live with than false hope.

Robert Crawley, Earl of Grantham: Bravo, Mama. That must have been a real sacrifice.
Cora, Countess of Grantham: And bravely borne.
Violet, Dowager Countess of Grantham: I don't know what everyone's on about.
Cora, Countess of Grantham: But I...
Violet, Dowager Countess of Grantham: All is well, my dear. All is well.

—
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Роберт Гэлбрейт — Дурная кровь

<< Смертельная белизна (Корморан Страйк — 4)

Корморан Страйк — 5

  “– Да ты по всем статьям наш, корнуолльский парень, – распинался Дейв Полворт. – Только фамилия какая-то левая: Страйк. А по факту ты – Нанкарроу. ...

&  Дети многое додумывают сами, правда? У них своя, особая логика.

&  Одна всепоглощающая страсть неизбежно влечет за собой одиночество.

&  – А вообще говоря, тебе не кажется, что мы приписываем некоторым категориям людей незаслуженные добродетели? По-моему, в нас сидит потребность доверять тем, кто властен над жизнью и смертью.

&  – Учу тебя, учу…
     – О’кей, хорошо: вначале способ, потом мотив.

&  «Почему мы это позволяем? – спрашивала она себя, ... – Почему изо всех сил пытаемся их умаслить, лишь бы только сохранить мир?»
     Да потому, Робин, ... что от них можно ждать любой мерзости.

&  Если команда не срослась, успеха не жди.

&  – Ставлю двадцатку на доминаторшу.
     – Никогда не понимал тех, кто подставляет себя под хлыст: какой в этом кайф? Если мне хочется острых ощущений, я просто забываю вынести мусор.

Окончание >>

Loss

StartUp 2×4

Nick Talman: Hey, so we just want to make sure, uh... What's "Abysm"?
Izzy Morales: A virus I'm writing.
Nick Talman: Why are you doing that?
Izzy Morales: To knee-cap Guizer.

Nick Talman: And this chicken, by the way. Yeah, wow... You're good.
Mara Chandler: We raise everything here.
Nick Talman: Mmm-hmm. Yeah, you can tell.
Mara Chandler: It's pretty fresh, you know. Very fresh. I was there when he hatched. From just a little egg. His name was Meryl. He was a cool dude. Really wise soul, you know. But I'm glad that you're eating him because, I think, Meryl would have liked you.
Nick Talman: Uh... I mean...
Mara Chandler: I'm just fucking with you, dude... Yeah, no, his name was Fred.
Nick Talman: It tastes like a Fred.

Wes Chandler: Nick... It's you... You're not ready to spearhead something of this magnitude.

Nick Talman: So you want to work with people who stab other people with kitchen utensils? Wes Chandler: Now, the point is, it turns out Haggy and me are best friends... to this day. You wanna know why? Because I owned him.

Wes Chandler: You've grown into an impressive young man, Nick. I mean, you're smart, you're caring, you're motivated. And believe it or not, your father was really proud of you. But when I look in your eyes... all I see is a scared kid who stays in his room while me and his old man were out back smoking stoogies because the smell made him nauseous.

Ronald Dacey: You don't ask her. You sit down, you say... What's her name?
Touie Dacey: Rachelle.
Ronald Dacey: You say, "Hey, Rachelle. I've been noticing you noticing me. And I like it." Hey! What?
Touie Dacey: Ah, pap, no. Nobody spit game like that no more. It's a different time, all right? And, you know, spitting game make you sound... Make you sound weak.
Ronald Dacey: Doing what everybody else do, that's what make you weak. You want to be like everybody else? You're a Dacey, you ain't like everybody else.

Ronald Dacey: You tell her you been noticing her noticing you, and you like it. Her face turn red, that mean green, baby, you good... It worked on your mama.

—
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Downton Abbey 1×4

Cora, Countess of Grantham: I might send her over to visit my aunt. She could get to know New York.
Violet, Dowager Countess of Grantham: Oh, I don't think things are quite that desperate.

Cora, Countess of Grantham: She was very upset by the death of poor Mr Pamuk.
Violet, Dowager Countess of Grantham: Why? She didn't know him. One can't go to pieces at the death of every foreigner. We'd all be in a state of collapse whenever we opened a newspaper.

Isobel Crawley: Oh, and you must wear gloves at all times.
Joseph Molesley: I couldn't wait a table in gloves. I'd look like a footman.
Isobel Crawley: You may have to.

Violet, Dowager Countess of Grantham: Good heavens, what am I sitting on?
Matthew Crawley: A swivel chair.
Violet, Dowager Countess of Grantham: Oh, another modern brainwave?
Matthew Crawley: Not very modern. They were invented by Thomas Jefferson.
Violet, Dowager Countess of Grantham: Why does every day involve a fight with an American?
Matthew Crawley: I'll fetch a different one.
Violet, Dowager Countess of Grantham: No, no, no, no. I'm a good sailor.

Lady Mary Crawley: Women like me don't have a life. We choose clothes and pay calls and work for charity and do the season. But really we're stuck in a waiting room until we marry.

Joe Burns: I notice you call yourself "Mrs".
Mrs. Hughes: Housekeepers and cooks are always "Mrs".

Joe Burns: Take your time. I'd rather wait a week for the right answer than get a wrong one in a hurry. Think about it carefully.

Lady Mary Crawley: The only one who never sticks up for me in all this is you. Why is that?
Robert Crawley, Earl of Grantham: You are my darling daughter and I love you, hard as it is for an Englishman to say the words.
Lady Mary Crawley: Well, then...
Robert Crawley, Earl of Grantham: If I had made my own fortune and bought Downton for myself, it should be yours without question, but I did not. My fortune is the work of others, who laboured to build a great dynasty. Do I have the right to destroy their work? Or impoverish that dynasty? I am a custodian, my dear, not an owner. I must strive to be worthy of the task I have been set.

Lady Sybil Crawley: It seems rather unlikely, a revolutionary chauffeur.
Branson: Maybe. But I'm a socialist, not a revolutionary. And I won't always be a chauffeur.

Matthew Crawley: You must have thought me an awful prig when I first arrived.
Robert Crawley, Earl of Grantham: Not a prig. Just a man thrust into something he never wanted or envisaged.
Matthew Crawley: I could only see the absurdity of the whole thing.
Robert Crawley, Earl of Grantham: I'm sorry.
Matthew Crawley: Well, there are absurdities involved, as I know well enough. Possibilities, too, and I was blind to them. I was determined not to let it change me. It was absurd. If you don't change, you die. Do you think so?
Robert Crawley, Earl of Grantham: I'm not sure. Sometimes I think I hate change.

Mrs. Hughes: I'm not that farm girl any more. I was flattered, of course, but... I've changed, Mr Carson.
Mr. Carson: Life's altered you, as it's altered me.
Mrs. Hughes: And what would be the point of living if we didn't let life change us?

—
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Feral

American Horror Stories 1×6

Jay: How they were even a firm before they hired me is a mystery that will haunt me to the end of my days...

Addy: 4,000 years of progress happened so we wouldn't have to sleep in the woods.
Jay: We're not just "sleeping in the woods." This is about experiencing nature, about getting outside our comfort zones.
Addy: Exactly. You know the word for "outside your comfort zone"? "Uncomfortable."

Jay: What do you say, buddy? You excited to go camping?
Jacob: I want TV.
Jay: Wow. Tough jury.

Bob Birch: I'm a hunter. I lead tours up in the woods. Mostly bankers trying to find their balls. They shoot a bear, go home feeling like Iron Man and continue fucking people over.

Stan: Be smart. Go back the way you came.

Stan: You're better off not knowing. Can't tell you even if I wanted to. Not allowed.
Jay: Not allowed?
Stan: Those are the rules.

Stan: It's a little slice of American history that's guarded, like the Manhattan Project. And that's this. Your national park system wasn't created to preserve the country's natural beauty....
Jay: What was it created for?
Stan: To keep Americans from things that would kill and eat 'em.

Stan: By the way... try and go public with this and I'll deny it. People will believe me. Everyone trusts a park ranger.

—
On the IMDb

Early Adopters

StartUp 2×3

Nick Talman: Is it like the Silk Road? Kind of like that?
Izzy Morales: No. Silk Road is just a marketplace, this is, basically, the new Dark Net. And nobody can touch it except us.

Izzy Morales: Well, there's enough nodes on the network where I can add another hop. It'll make it more secure.
Ronald Dacey: Yes, still don't know what y'all talking about because I'm old as shit.
Izzy Morales: Yes, you are. Look real quick. Liberty City dude makes a transaction with a dude in Homestead. These two computers aren't talking directly to each other. Any cop or hacker can easily intercept that. So what ArakNet does, it turns all the other computers on the network into hops, right? Liberty City here is the entrance node. Dude buys a gram of pookie from Homestead dude, Homestead becomes the exit node. Right. But the request comes from Liberty City, the entrance node, hops over to somewhere over here in North Miami Beach, down to some pill popper in Coral Gables, to a computer in Overtown, back to homeboy in Homestead. Different configuration every time, that's what makes it impossible to trace.

Nick Talman: There is an overwhelming demand for this sort of thing right now. Law enforcement's getting smarter, hackers are getting savvier. Just forget about the pedestrian Internet. I mean, even the Dark Net itself is becoming polluted with corporations and surveillance. And new and upcoming generations are absolutely looking for a new safe haven, somewhere pure. So I think... I really think that this could be not only the new Dark Net, I think it could be the new Internet.

Nick Talman: You want this thing to grow, you want it to spread? You want to have hundreds of people buying and selling drugs or do you want millions of people buying and selling legitimate goods? You have to think about the average customer. Now, there's no way in hell, any millennial is gonna wait more than .4 seconds for something to load or buffer.

Nick Talman: I think I should be your CEO.

Nick Talman: To go global and... Just your dream version? Aim high.
Izzy Morales: I need a real team.
Nick Talman: Okay. How much?
Izzy Morales: I need a network manager, I need at least two cryptographers, I need a couple of more coders other than myself.
Nick Talman: How much?
Izzy Morales: Millions.
Nick Talman: I can get you millions.
Ronald Dacey: Then why the hell you still waitin' tables?
Nick Talman: I'm not. I quit.
Izzy Morales: What?
Ronald Dacey: When?
Nick Talman: I... Thirty-eight minutes ago.

Nick Talman: You're sitting on the next big thing. You need somebody to make it real. I can do that. But you have to empower me.

Wes Chandler: So... I know about the investigation.
Nick Talman: Yeah. Uh, good. Let's talk about that. That's, uh... That's actually bullshit. That's gonna be cleared up--
Wes Chandler: Mmm. We're fine. I mean, rich white guys, we don't go to jail.

Nick Talman: What if I told you there's a new tech frontier on the horizon? A new Dark Net, completely separate from Tor. It has its own software, it's on its own network. Goods and services can be bought or sold, information exchanged, political uprisings orchestrated. All securely, all anonymously. It's free from government interference, it's free from corporatization. This network is controlled by myself and two other very smart people. And what if I was to tell you that we're not even financed yet...

Tamara Dacey: It ain't just about money, Ronnie, okay? They want... They want power.
Ronald Dacey: Ain't no difference, Tam.
Tamara Dacey: Yeah, there is. Because all them niggas have been talking shit. All of them, not just E.
Ronald Dacey: I ain't tryin' to hear that shit about who run the streets harder! I ain't tryin' to hear that shit from E. I ain't tryin' to hear that shit from friends, and, baby, I ain't tryin' to hear that shit from you! I'm tryin' to make money! And when we make that money, the rest of these fools, they can fend for themselves, 'cause we're getting up out of here. We're taking Touie, we're taking Els, and we're getting out of here.

Izzy Morales: Fuck!

—
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Boss Fight

Ozark 3×4

Wendy Byrde: What do we do now?
Helen Pierce: We wait.

Martin 'Marty' Byrde: Just... I'm executing the plan. And it's a good plan, it's yours.

Omar Navarro : What do you want, Marty?
Martin 'Marty' Byrde: ...... I don't understand the question.

Helen Pierce: He's testing us.
Wendy Byrde: Yeah, and if we succeed...
Helen Pierce: Well, it could mean that Marty is, um... redundant.
Wendy Byrde: And if we fail?
Helen Pierce: Well, I'm afraid we might be.

Omar Navarro : You fear her... Yeah. Yeah, you fear her because you don't understand her.
Martin 'Marty' Byrde: And you do?
Omar Navarro : Wendy knows exactly what she wants.
Martin 'Marty' Byrde: And what's that?
Omar Navarro : All of it. She wants it all.

Wendy Byrde: You know, there are times when you, you just have to say to yourself... "I fucked up," and then... and then you have to move on.

Special Agent Maya Miller: Call me. Anytime. Day or night. I can help.

—
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