Dead Man's Hand

Poker Face 1×1

Natalie Hill: Why do you listen to that stuff?
Charlie Cale: Why do I listen to the news?
Natalie Hill: Yeah, what's the point? You can't do anything about it. Every day, you're mad about something you can't do anything about. We're just better off with music, don't you think?
Charlie Cale: I'm doing something about it right now... Look, I don't care. Come at me, you Russian pervos. Time's up on that shit. Done. So, handled.

Charlie Cale: I don't know what version of the story you got.
Sterling Frost Jr.: Let's start there then. Once upon a time in Denver, milquetoast collection of the best poker players in central Colorado met at a Fairfield Inn suite off I-25. Well, not a barn burner, just a run-of-the-mill Thursday night mid-stakes ring game. A young woman from out of town was at the table. She was cute. She livened up the room. She had plenty of cash so they let her play. Three hours later, she mopped the floor with each and every one of them, which happens. But this had been happening. Previous week, in Cheyenne. Week before, in Rapid City. Same young woman cutting a haphazard path across the middle of the country. Never in any big games, never in corporate-owned casinos, but always the same result. She didn't lose. Word spread quick. 'Cause as you know, gamblers talk.

Sterling Frost Jr.: As far as anyone could tell, she was playing straight. No wires, no shills, and yet she played with an almost supernatural infallibility. Like she was seeing through the cards.

Sterling Frost Jr.: ... my dad figured out what she was doing. Even when he figured it out, he couldn't believe it. It was impossible. It was insane. But there was no other explanation.

Sterling Frost Jr.: You can just tell.
Charlie Cale: Just that something is off. That's the best way to describe it. I can just tell.
Sterling Frost Jr.: When anyone is lying? Hundred percent of the time? I'm going to touch my nose.
Charlie Cale: No, it doesn't work like that. I'm not a soothsayer. I can't predict the future. There's nothing mystical about it. Just if someone is intentionally lying, that's it.

Charlie Cale: I've been rich.
Sterling Frost Jr.: Yeah, how was it?
Charlie Cale: Easier than being broke, harder than doing just fine.
Sterling Frost Jr.: With due respect, you've had money, never been rich.

Charlie Cale: God. It is crazy the things that people stick up their asses.
Natalie Hill: Yeah. What are you reading?
Charlie Cale: "Ten craziest things people have stuck up their asses."

Sterling Frost Jr.: So, what's it like always knowing the truth?
Charlie Cale: Yeah, no. I only know if something is a lie. And outside of poker, less useful than you'd think. 'Cause everyone, they lie constantly. It's like birds chirping, people lying. Just once you tune into it, it's fucking everywhere all the time. And they usually don't lie to cover up some deep, dark secret, but about the stupid, meaningless shit, you know? So the real trick of it is to figure out why. Why someone is lying.

Charlie Cale: If I pull out of this, would you have to kill me?

Charlie Cale: There's something off here. There's a lie. I just... I need to find it.

Cliff Legrand: Are you on coke?
Charlie Cale: No. Coffee. So I thought this'll be a good thing. I won't have a beer and be a dumbass. I'll have coffee, because that's for thinking. But I never have coffee, and now I'm spazzing out.

Charlie Cale: I asked, "Everything okay?" You said, "Yeah." You were lying... Well, that sounded more intense than I meant it to. I wanted to just casually ask about it. But I've had coffee.

Sterling Frost Jr.: She's sharp, but she doesn't know anything.
Cliff Legrand: No, no, she's more than sharp. She's a human lie detector. And she's asking questions like she thinks something's up.

Charlie Cale: Say bullshit if it isn't true. Look me in the eye and say it.

Charlie Cale: A wise man once told me, you want to hurt someone, you hit 'em where it hurts.

—
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Fast X (2023)

F9: The Fast Saga (2021) <<

Dante Reyes: I'll kill Dominic Toretto. I'll kill 'em all.
Hernan Reyes: Kill them? You'd show them mercy? No, my son. When suffering is owed, never accept death as a payment. Make Toretto suffer.

Han: Well, you better watch out. Little man's gonna be a better wrench than any of us by the time he's 12.
Dominic Toretto: I mean, that's the whole point, isn't it? Pass it down. Each generation better than the last... That's fatherhood.

Letty: You can keep your eyes on that rearview all you want. But you know what you miss?
Dominic Toretto: What?
Letty: Eternity in this moment.

Cipher: I'm here because the enemy of my enemy is you.

Dante Reyes: Never accept death when suffering is owed.

Cipher: There's a war coming. The sides are being chosen. And everyone you love will be destroyed.

Roman Pearce: What have we done?

Aimes: That's their M.O. To corrupt law enforcement. Brian O'Conner. Elena Neves. Luke Hobbs. Everyone becomes family. It's like a cult with cars.

Dominic Toretto: When Rome falls, so does the world.
Queenie: Well, it ain't no Roman holiday. And you're no Gregory Peck.

Dominic Toretto: So, how about we all just start shooting each other and see what happens?
Dante Reyes: Or we race. If you win, you take me in. If you lose... Don't lose.
Dominic Toretto: ... You all came 'cause you wanted to see a race. Let's race!

Dante Reyes: You've saved so many lives... It's like you're a... a saint. Saint Dominic. And I've been studying you. And watching you. I can't figure it out. How... How do you choose? How do you choose the ones you save?

Bowie420: I'm just gonna need cash. Okay? None of that crypto stuff.
Tej: Oh, the Black Jeff Bezos here got you covered.
Bowie420: Black Bezos?
Tej: Yeah, he's even been into outer space.

Jakob: They found us. Now let's lose our tail.
Little Brian: Holy shi...
Jakob: Wait! Swearing is for song lyrics only and stubbed toes.

Dominic Toretto: How someone born so rich chooses the poorest path through life... You got no honor. Without honor, you got no family. And without family... you've got nothing.

Dominic Toretto: That's the problem nowadays. Nobody listens...

Dante Reyes: You know what your problem is? Family. You can't save 'em all.

Dante Reyes: You know how to beat your dad in a street race? Take away the streets.

Dominic Toretto: Son, I never break a promise. Now, let's finish that driving lesson. Feel the car, find your line and fly.

Dante Reyes: You know, Dominic, to become a real saint, you have to perform miracles. Or die a martyr. So what's it gonna be?

Dante Reyes: The suffering is over, Dom. It's time for you to die.

Dante Reyes: I'm gonna make you suffer. The devil is coming for you... lawman.
Luke Hobbs: Well, I ain't hard to find, you sumbitch.

—
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Crooked House (2017)

Charles Hayward: Is everything all right?
Edith de Haviland: Do you know anything about moles?
Charles Hayward: No. I'm afraid not.
Edith de Haviland: I have an arsenal of other weapons, of course, traps, poisons. Sometimes I use holly. It pricks them, do you see? Makes them bleed. Moles are hemophiliacs. Little bleeders. Like some European royals. Though I do find a shotgun best expresses my feelings.

Sophia Leonides: We're a very odd family, Charles. There's lots of ruthlessness in us and different kinds of ruthlessness. That's what's so disturbing. The different kinds.

Charles Hayward: Anything you'd like to tell me?
Josephine Leonides: Not yet. You see, I read detective stories. And a good detective will take time to gather evidence... and question everyone before solving a case. The murderer is never the one you initially suspect.

Edith de Haviland: [Aristide Leonides was a] little man, Mr. Hayward, who cast a large shadow. A very large and rather crooked shadow.

Josephine Leonides: Did you find many clues?
Charles Hayward: You know, Josephine... the first round of interrogation is not so much about finding clues... as it is about getting a sense of who you're dealing with.

Charles Hayward: May I ask you a blunt question?
Edith de Haviland: They're the only interesting kind.
Charles Hayward: What's wrong with people in this house?
Edith de Haviland: It is a blunt question indeed.
Charles Hayward: Sorry.
Edith de Haviland: Don't be. Passion. It is a hothouse of suppressed passion. This is what happens when the person you love the most in the world... who you would give your life for... is actually the same person that you hate the most... I'm certain you understand, Mr. Hayward. You wouldn't be in this house yourself otherwise, would you?

Charles Hayward: Any of them could've done it. They all had means. They all had opportunity.
Chief Inspector Taverner: Motive?
Charles Hayward: Anger, jealousy, love, greed. Take your pick.
Chief Inspector Taverner: So no communist? No Las Vegas mafia? No CIA conspiracy? We're investigating too. Quietly. But you can go in the house without a warrant. Get back in there and find out who killed the bloody midget.

Josephine Leonides: I hear you're making progress. But you won't be the one who solves this case. If anything, you're Watson.
Charles Hayward: Is that right? Well, why don't you enlighten me, Holmes?

Josephine Leonides: I'd say we're due another murder. Don't you think, Watson?
Charles Hayward: Another murder, Holmes?
Josephine Leonides: Well, there's always a second murder. Someone who knows something is bumped off... before they can reveal what they know.

Edith de Haviland: Well, then, Charles. How about a blunt question for you, then? What are murderers like?
Charles Hayward: Well, you. And me. Everyone. Hot-blooded. Cold-blooded. They do share one or two traits. Vanity. A distorted morality. A lack of empathy. And murderers tend to feel that they are above... the rules and laws that govern ordinary mortals.
Magda Leonides: Well, that description fits every member of this family.

Edith de Haviland: Well... always leave a party at its height... when you're most enjoying it.

Charles Hayward: You listen to me. I daresay you are extremely clever. It won't be much good to you if you're not alive long enough to enjoy the fact. Don't you understand, you foolish child, that so long as you insist... on keeping secrets, you put yourself in imminent danger?
Josephine Leonides: Of course I do. But in some books, person after person is killed. You end by spotting the murderer because he or she... is practically the only person left. We must see what happens next.

—
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Enola Holmes 2 (2022)

Enola Holmes (2020) <<

Eudoria Holmes: It's your path, Enola. Sometimes, you'll stumble. Sometimes, you'll fall. But no matter how lost you feel, if you stay true to yourself, the path will always find you again.

Enola Holmes: Everyone thinks detecting is a profession littered with rules, but in truth, there's only one. Pull on every loose thread you find.

Enola Holmes: Cab... 221 Baker Street.

Enola Holmes: Crazy idea. Have you ever considered a flatmate?
Sherlock Holmes: For what purpose?
Enola Holmes: To stop you descending into this.

Lestrade: Why ever would she ever do that?...

Lestrade: Ah. Lestrade of Scotland Yard. You remember me, I hope.

Sherlock Holmes: Love. What it does to people... How was she killed?

Sherlock Holmes: The first mistake a detective makes is to make it about themselves and not the case.

Sherlock Holmes: Enola, I know you're not a fan of unnecessary advice, but please... don't turn into me.
Enola Holmes: I should probably write that down.

Tewkesbury: Why... Why watch me walk to the Lords?
Enola Holmes: Simply keeping an eye on you, in case you get yourself into any more scrapes. Getting thrown out of trains.
Tewkesbury: Enola...
Enola Holmes: You cannot be trusted to take care of yourself.
Tewkesbury: I'm a man now.
Enola Holmes: You're a man when I tell you you're a man.

Tewkesbury: Look into my eyes. The rhythm is always there. Dancing is a trust, it's a union. That's why I've always loved it, even when I was being tutored by my uncle.

Sherlock Holmes: "Moriarty." Who are you?

Edith: Well, like my mother always said, "Those who can turn to others when they're in need are the truly brave amongst us."
Enola Holmes: Your mother sounds very different to mine.

Eudoria Holmes: You will do very well on your own, Enola. But with others, you could be magnificent.

Eudoria Holmes: You find your allies. Work with them, and you will become more of who you are. You speak with one voice, and you will make more noise than you could ever have imagined.

Eudoria Holmes: Be careful... And get a haircut. It's a mess.

Tewkesbury: Enola, did you understand what I said? Or rather what I didn't say? Did you understand... what I didn't say?

Sherlock Holmes: You're innocent.
Enola Holmes: You doubted it?
Sherlock Holmes: Nothing's certain till it's proved.

Sherlock Holmes: Stay unemotional. There's nothing more we can do for him now.

Sherlock Holmes: You know, you are aware, should you wish some finer surrounds, I could, uh... I was thinking... Holmes and Holmes? A partnership?
Enola Holmes: That is the kindest offer. But if I did that, I would always be in your shadow.
Sherlock Holmes: Hm. Yes.
Enola Holmes: Though I do like this new version of you. No one should be alone all the time. A friend would do you well.
Sherlock Holmes: Perhaps I should write that down.

Dr. Watson: You are Sherlock Holmes?
Sherlock Holmes: Hm. Yes. Please, do come in, Mr...?
Dr. Watson: Doctor. Watson. John Watson.

—
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Enola Holmes (2020)

Enola Holmes: Mother believed privacy was the highest virtue, and the one most frequently violated.

Mycroft Holmes: Oh, good God! Feminism. Perhaps she was mad, or senile.
Sherlock Holmes: Though madness, in our family? I would doubt it.

Sherlock Holmes: You're being emotional. It's understandable, but unnecessary.

Mycroft Holmes: Reform. God help us. If there's one thing this country doesn't need, it's more uneducated voters.

Edith: If you wanna stay in London, be tough. Be tough, live the life, but don't do it because you're looking for someone. Do it because you're looking for yourself.

Lestrade: His favorite tobacco?
Enola Holmes: Black shag. Favorite dessert?
Lestrade: Plum pie. His favorite composer?
Enola Holmes: Paganini. Favorite meal of the day?
Lestrade: Breakfast. Are all your questions about food? His favorite case?
Enola Holmes: The one before. Favorite board game?
Lestrade: How do you know Sherlock Holmes?
Enola Holmes: Chess. But only with a worthy opponent.

Edith: What a family! A lost child, a puffed-up misanthrope, a revolutionary, and yourself. No wife, no friends, just a strange occupation obsessed with footprints and coal dust. You see the world so closely, but do you see how it's changing?

The Dowager: ... you're probably one of those new thinkers. My son was a new thinker too. Never could focus on what was, it was always about what could be. I suspect my grandson is the same. England's true glory... is what is. Do you see?
Enola Holmes: I can see much beauty.
The Dowager: Very sensible answer.

Tewkesbury: I'm not a boy. I'm a man.
Enola Holmes: You're a man when I tell you you're a man.

Enola Holmes: I'll make us some tea.

Lestrade: He's worth more, but you give me greater pleasure.

Sherlock Holmes: The only advice I can give to you, one detective to another, sometimes you must dangle your feet in the water in order to attract the sharks.

Sherlock Holmes: The choice is always yours. Whatever society may claim, it can't control you. As Mother has proven.

Tewkesbury: Enola, we are both extremely lucky to have lived this long, and you want to drive us into a place where there is most certain danger?
Enola Holmes: Sometimes, Lord Tewkesbury, you have to dangle your legs in the water to attract the bloody sharks!
Tewkesbury: Why would we want to attract the bloody sharks?
Enola Holmes: Good point.

Sherlock Holmes: It's always there, the truth. You just need to look for it.

Mycroft Holmes: You are a strange fish, little brother.
Sherlock Holmes: And you're a cantankerous one, older brother.

—
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>> Enola Holmes 2 (2022)

>> Enola Holmes 2 (2022)

Joan Is Awful

Black Mirror 6×1

Joan: I... I feel like I'm not the main character in my own life story.
Dr Atkinson: And would you like that to change?

Joan: Mmm... Amazing... Is that salt?

Krish: Uh... Oh my God. Uh... What?
Joan: "New drama. Joan Is Awful." Is that Salma Hayek?

Joan: That's not my hair.
Krish: Well, it's a lot like your hair. And she's even called Joan.

Joan: I think we should turn this off.
Krish: What? Well, actually, I wanna keep watching.
Joan: No. No...

Salma Hayek: Is that Cate Blanchett?

Joan: Did you see it?
Eric: Everybody saw it. It's all anyone can talk about.
Joan: How'd it come across?... Fair.

Joan's Lawyer: ...you assigned them the right to exploit all of that.
Joan: What? When?
Joan's Lawyer: Terms and conditions.
Joan: I have never seen this before.
Joan's Lawyer: You have. You just haven't seen it printed out before. All of that would have popped up on your phone or whatever when you first signed up to Streamberry. And you clicked "accept."
Joan: What? I mean, I had... I had no... How was I supposed to know this?
Joan's Lawyer: I know. But you did accept it, and so they're in the clear.

Joan: No, no. No, no, no. They can't... they can't do this to me.
Joan's Lawyer: There are only so many ways for me to tell you they absolutely can.

Joan: But how do they... how do they even know what I'm doing? It's the same... it's the same day. Joan's Lawyer: Well, you know when you got your phone face down on the table, and you're in your kitchen, and you're talking to your friend about, I don't know, shoe deodorizers, and then, you know, you go on your computer and what pops up? A shoe deodorizing ad. Then you get an email, and it's all about shoe deodorizing. Then you're walking down the street, shoe deodorizing. You can't escape it. And it's...
Joan: Yeah, so?
Joan's Lawyer: Uh, that's how they know.

Joan: Fuck!
Joan's Lawyer: I agree. Uh, I hate to say it, but this thing is... is watertight.
Joan: Oh my God.
Joan's Lawyer: They got you every which way and then some. My advice is to try and ignore it.
Joan: What the fuck kind of advice is that?
Joan's Lawyer: It's the only kind I got.

Mac: It's, um... It's... This is so public.
Joan: What do you mean?
Mac: This is gonna be on the show.
Joan: Okay, but it's not us. It's... it's computer people. It's Salma Hayek and...
Mac: Well, yeah, I know. So, I mean, like, I'm gonna be the guy who can't get it up for Salma Hayek?

Mac: You know, it's one thing to not be able to get it up for, like, you, but Salma Hayek? I mean, look, people are gonna laugh at me.
Joan: The show is called fucking Joan Is Awful! How do you think I feel?

Joan: Have you not seen Joan Is Awful?
Male Cop: No, but it's on my list.
Joan: Just wait till episode four. I hear it's gonna be a blast.

Salma Hayek: I am Roman Catholic. My grandmother Rosa was going to be a nun. She might die when she sees this. What right do they have to kill my abuela with this deepfake heretic abomination?
Salma's Lawyer: Uh, page 39, paragraph eight.
Salma Hayek: Paragraph eight can suck my dick! I don't even know what it says anyway.
Salma's Lawyer: Uh, your image rights agreement with Streamberry. It's page 39, paragraph eight.

Salma Hayek: You know I don't read this crap. I am a dyslexic, talented actress with questionable English. That's why I overpay you to protect me. Joan: Please don't kill me, Salma Hayek.
Salma Hayek: You're lucky I'm a humanitarian. Let's have a talk.

Fatima Klaas: Why that particular woman? What's so special about her?
Mona Javadi: Absolutely nothing. We were looking for a totally average, nobody person, just... just to test the system. The point is, Joan Is Awful is just the beginning. The aim here is to launch unique, tailored content to each individual in our database, all 800 million of them, created on the fly by our system. The most relatable content imaginable. Actually, there's one for you... I couldn't resist.

Fatima Klaas: Uh, why "awful"? Why is it all so negative?
Mona Javadi: Yeah. No, that's a great question, Fatima. Um, we did try more affirmative content in the test cell, but we found that, um, our subjects just didn't buy it. It didn't chime with their neurotic view of themselves. What we found instead was when we focused on their more weak or selfish or craven moments, it confirmed their innermost fears and put them in a state of mesmerized horror. Which really drives engagement. They literally can't look away.

Salma Hayek: Let's kill this quam-puta.

--
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Marlowe (2022)

Clare Quincannon: How private exactly are your investigations, Mr. Marlowe?

Clare Quincannon: You're very perceptive and sensitive, Mr. Marlowe. I imagine it gives you trouble...

Philip Marlowe: That's the last thing you want in homicide, I realize, homicide.

Floyd Hanson: Goodbye, Mr. Marlowe. I'm sorry that it was ultimately uninteresting to talk to you... Ah, but I do like this thing that you have about not being afraid, when you should be.

Dorothy Quincannon: First of all, you have to boil the water, now is that water boiled?.. And then scald the teapot. Give it a good scalding... Put in one teaspoon per cup, then one for the pot and then leave it to draw for three minutes. Think of a soft boiled egg, darling, three minutes, no more, no less and then you're ready to pour, have you got that?... When you make tea, make tea. When you make water, make water.
Philip Marlowe: I... I don't think he got it.
Dorothy Quincannon: Did you?
Philip Marlowe: You lifted it from Joyce, ma'am.
Dorothy Quincannon: Uh-ho, and he lifted it from somewhere else, shitty little man that he is. Never a day's work in his life.
Philip Marlowe: Yeah, apart from the books.
Dorothy Quincannon: Terrible little syphilitic. Tricked an American, sometimes that's all you have to do.
Philip Marlowe: Is that what you did?
Dorothy Quincannon: I've tricked any number of Americans, including playing pagan princesses, Elizabeth of England, ruined widows and any number of flash-eyed barefoot peasant girls. There's nothing to it, all you need are regular features and the ability to read.
Philip Marlowe: Oh, I very much doubt that.

Dorothy Quincannon: The key to Hollywood, Mr. Marlowe, is knowing when your game is up. Take the money and run, or stay, if you want. But at least take the money.

Lou Hendricks: I think you'll keep looking for Peterson, client or not, because you can't stop.

Joe Green: There are certain things I'm just not gonna hear.

Philip Marlowe: They took my .38.
Det. Joe Green: Yeah. There's your .38, if someone gets killed with your .38, you still have a .38. If they ever make us record serial numbers, it'll be fucked.

Philip Marlowe: Just really look for her, I lost her.
Det. Bernie Ohls: When you're getting to be an old timer, it's okay to get out alive.

Cedric: Mr. Hendricks... that's not fair.
Lou Hendricks: As the progeny of sharecroppers, Cedric, you should know life isn't fair!
Cedric: You're right... Life isn't fair.

Cedric: ...we should stick together. I'll be your driver for the moment.
Philip Marlowe: Cedric, I have my own wheels.
Cedric: Of course you do... but consider the parking.

Clare Quincannon: You see, Mr. Marlowe... her lover dumped her. ... So she's playing the only role left for her to play. The femme fatale. Her very own Medea.
Dorothy Quincannon: Oh, well! It's a role that awaits us all, my dear.

Philip Marlowe: Are you okay?
Clare Quincannon: I don't care that I'm less than you think I am. I'm always less than people think I am. You're one of those people who's just lucky to be more than we think you are.

Cedric: A car is more than a vehicle Mr. Hendricks used to tell me. It's a sealed confessional. A repository of secrets. And this city, devoted as it is to the internal combustion engine is a city of motorized secrets.

Clare Quincannon: We all have our secrets, Mr. Marlowe. Leading men with their little peccadilloes. Leading ladies who can't function without their Mexican tinctures. We all need someone to keep us in line.

—
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Pig (2021)

Amir: Listen, man. You know this isn't, like, my problem, right?
Rob: You want your supply, I need my pig.

Rob: Whatever happens, just stay back.

Rob: I'm looking... for my pig.

Rob: What is the... concept here?
Chef Finway: Um, well, uh, we're interested in taking local ingredients, uh, native to this region and-- and just deconstructing them, you know, making the-- the familiar feel foreign, thereby giving us, uh, an even greater appreciation of food as a whole.
Rob: ..... This is the kind of cooking you like?

Rob: They're not real. You get that, right? None of it is real. The critics aren't real, the customers aren't real because this isn't real. You aren't real.
Chef Finway: What... Okay.
Derek, why do you care about this people? They don't care about you, none of them. They don't even know you because you haven't shown them. Every day you wake up and there'll be less of you. You live your life for them and they don't even see you. You don't even see yourself... We don't get a lot of things to really care about.

Amir: What are you thinking?
Rob: I was thinking if I never came looking for her, in my head, she'd still be alive.

—
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White Noise (2022)

Babette: Life is good, Jack...
Jack: What brings this on?
Babette: I just feel it has to be said.

Babette: I want to die first.
Jack: You sound almost eager.
Babette: Life would feel unbearably sad and lonely without you. Especially if the children were grown up and living elsewhere.
Jack: Right now we're safe. As long as the children are here. They need us. It's great having these kids around but once they get big and scattered, I want to go first.
Babette: No, Jack. Your death would leave an abyss in my life. I'd be left talking to chairs and pillows.
Jack: Your death would be more than an abyss.
Babette: What's more than an abyss?
Jack: A yawning gulf. Your death would be a profound depth... A void.

Jack: I hope we both live forever. Doddering, toothless, liver-spotted, hallucinating... Who decides these things? Who's out there? Who are you?

Jack: All plots move deathward. This is the nature of plots. Political plots, terrorist plots, lovers' plots. Narrative plots. Plots that are a part of children's games. We edge nearer to death every time we plot. It's like a contract all must sign. The plotters, as well as the targets of the plot.

Murray: Family is the cradle of the world's misinformation.
Jack: There must be something in family life that generates factual error.
Murray: That's because facts threaten our happiness and security.
Babette: It's the over-closeness, the noise and the heat of being.

Babette: My life is either/or. Either I chew regular gum or I chew sugarless gum. Either I chew gum or I smoke. Either I smoke or I gain weight. Either I gain weight or I run up the stadium steps.
Jack: Sounds like a boring life.
Babette: I hope it lasts forever.

Babette: Maybe we ought to be more concerned about the cloud. I know we don't want to scare the kids... Jack: Nothing is going to happen.
Babette: I know nothing's going to happen, you know nothing's going to happen, but we ought to think about it just in case. It's just, I mean, when do we know when this is real?

Heinrich: They're not calling it the black billowing cloud anymore.
Jack: What are they calling it?
Heinrich: The airborne toxic event.

Jack: Doesn't anyone want to pay attention to what's actually happening?
Babette: Dad wants credit for fording the creek.
Jack: No, I don't want credit. Forget it, go back to your conversation.
Denise: What if there was a waterfall?
Steffie: Dad, is there a waterfall?

Murray: Everything is fine, and will continue to be fine as long as the supermarket doesn't slip... Do you know the Tibetans believe there's a transitional state between death and rebirth? That's what I think when I come here. The supermarket is a waiting place. It recharges us spiritually. It's a gateway. Look how bright. Look how full of psychic data, waves and radiation. All the letters and numbers are here, all the colors of the spectrum, all the voices and sounds, all the code words and ceremonial phrases. We just have to know how to decipher it.

Dr. Lu: Why so many checkups, Mr. Gladney? In the past, you were always afraid to know if anything was wrong.
Jack: I'm still afraid.
Dr. Lu: Well, I'm glad you're finally taking your status as patient seriously.
Jack: My status?
Dr. Lu: Once people leave the doctor's office, they tend to forget that they are patients. But a doctor doesn't cease being a doctor at close of day. Neither should patient.

Dr. Lu: Together, as doctor and patient, we can do things that neither of us could do separately.

Babette: Kids, listen to me. Hold hands when you cross the street. Be careful around swimming pools. If you think someone is a kidnapper, they probably are.

Babette: It was my last resort, my last hope. First, I'd offered him my mind. Now I offered my body. Jack: How do you offer your body to a composite of three or more people?
Babette: This is a compound person.
Jack: Let's concentrate on the genitals. How many sets are we talking about?

Babette: I love you. I just fear death more than I love you. And I really, really love you.

Babette: What does the Church say about Heaven these days? Is it still the old Heaven, like that?
Sister Hermann Marie: Do you think we are stupid? We are here to take care of sick and injured. Only this. You want to talk about Heaven, you find another place.
Babette: When why do you have that picture on the wall?
Sister Hermann Marie: It's for others, not for us.
Jack: You don't believe in Heaven? A nun?
Sister Hermann Marie: If you don't, why should I?
Jack: If you did, maybe we would.
Sister Hermann Marie: If I did, maybe you would not have to. Someone must appear to believe.
Babette: Is death the end then? Does anything survive?
Sister Hermann Marie: Do you want to know what I believe or what I pretend to believe?

Jack: You're a nun! Act like one!
Sister Hermann Marie: You come in from the street, married, dragging a body by the foot, and talk about angels that live in the sky. Get out from here! So maybe you should try to believe in each other.

—
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The Auguries

Westworld 4×1

Man in Black: Forever... in my experience is a little bit longer than most people expect.

Man in Black: This is America. Everything here is for sale.

Man in Black: You ever hear the one about the missionary who tried to negotiate with the tiger? He told the tiger he could eat most of him, but he had to stop when he got to his head... You and your friends in the cartel or whatever the fuck you're calling yourselves these days sell me this lump of concrete, today.
Hugo: Or?
Man in Black: Or you give it to me for nothing. Tomorrow.

Man in Black: Door number two, then. Mañana.

Maya: I have a dilemma. Which would you choose? White or black?

Jo: Man, seven years ago, it would've just been robots working the holiday, but... lucky for us, they're all scrap metal now. Least the riots ensured our job security.
Caleb: That wasn't exactly the point of the riots.
Jo: Yeah, 'cause the riots had no point.
Caleb: They won us our freedom.
Jo: Sure, but from what? Ourselves? Hey, man, the way I look at it, that Incite machine that they blew up didn't tell us who we could be, it told us who we already were.

Maeve: Now be a dear. Close your eyes, won't you?

Maya: And remember, smile. You have to at least try.
Christina: Do I? I mean, even if by some miracle we're right for each other, shouldn't it be natural and easy?
Maya: Are you kidding? Take a look at this world. Nobody wants easy or natural. Art is a lie that tells the truth, honey.

Christina: I mostly write non player characters.
Henry: What's that?
Christina: Background characters that interact with the players on their journeys. Not as high-profile as programming the leads. But it's just as important.
Henry: For most players, the background characters are just cannon fodder.
Christina: ... I'm not doing it for the players, I'm doing it for myself.

Henry: You sound depressed. There's tabs for that. They'll fix you right up.
Christina: What if I'm not the one that's broken? What if it's the world that needs fixing?
Henry: There's tabs for that feeling, too.

Caleb: Well, you know the best way to keep watch at night is to turn the lights down around you and light up...
Frankie: Light up the perimeter.
Caleb: That way, no one can see you, but you can see.
Frankie: See everyone.

Uwade: We've been through this. You just need to take deep breaths. Calm yourself. The past is in the past. Nothing is going to hurt you except your own mind.
Caleb: I'm sorry.

Maeve: Hello, darling.

Caleb: You know, I thought... I was sure I was never gonna see you again.
Maeve: And yet here I am, disposing and dismembering just like the good old days.

Caleb: I always knew this day was coming. As soon as you stop running, everyone else starts to catch up.

——
+ Quotes on the IMDb

Murder Mystery 2 (2023)

Murder Mystery (2019) <<

Nick Spitz: Do you not wanna do this anymore?
Audrey Spitz: I do. I wanna do this. It's just… It's all we ever do is talk about work. Do you know any couples who also work together that actually get along?
Nick Spitz: Billie Eilish and Finneas.

Audrey Spitz: Remember what happened last time we went on a getaway?
Nick Spitz: Yeah, some people died.
Audrey Spitz: Not s... A lot of people.
Nick Spitz: You think five people dying's a lot?

Audrey Spitz: I have to tell you, Paris is my favorite city in the world.
Claudette Joubert: When was the last time you were there?
Audrey Spitz: Hmm. Oh, I've actually not been there. But I just know from the movies and from the pictures and...

The Maharajah: You guys are happy, right?
Nick Spitz: Us? Are you kidding? Without her, I would not be happy. With her, I'm the happiest... She makes every decision for us, and I'm fine with that.

Nick Spitz: Okay, so listen.
Audrey Spitz: Yes, honey.
Nick Spitz: We got good cheese. We got free iPhones. I'm happy with everything.

Connor Miller: You need to keep him calm, keep him talking. We need at least...
Nick Spitz: Forty-five seconds. I know. It's not my first rodeo, pal.
Connor Miller: You've done hostage negotiation?
Nick Spitz: I'm married to this lady. Everything's a negotiation.

Nick Spitz: Sweetheart, you're not just a mass murderer. You're an axe murderer!

Audrey Spitz: Oh my God, you're so big!
Nick Spitz: That's what you said on our honeymoon, but like then, we gotta keep trying.

Nick Spitz: It's all good, babe! Nicky Two Guns in the house!... Did I hit anything?
Audrey Spitz: You got the detonator thingy, honey!
Nick Spitz: Okay, good! That's what I was aiming for!

Audrey Spitz: What's the first thing you wanna do?
Nick Spitz: I wanna kiss you!

Nick Spitz: Are you shitz-ing us right now?

Audrey Spitz: Let's just have a civilized conversation.
Helicopter Pilot: See you never, Shitzes!

—
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Batman: Gotham by Gaslight (2018)

Batman: Don't be alarmed.
James Gordon: So says the man dressed up like a bat.

Harvey Dent: Bruce, I'm in love.
Bruce Wayne: Well, that's great news, Harvey. I'm sure your wife will be glad to hear it.
Harvey Dent: Oh, please, Bruce. This is the 19th century. Don't be such a dinosaur. Marriage is more like a business arrangement.

Alfred Pennyworth: I've laid out your mourning clothes.
Bruce Wayne: I have my own manner of mourning.
Alfred Pennyworth: Revenge.
Bruce Wayne: Her blood cries out for it.
Alfred Pennyworth: Does it, sir? "Beloved, avenge not yourselves, vengeance is mine. I will repay," sayeth the Lord. She wouldn't want you to be alone right now.
Bruce Wayne: It's how I work best, Alfred.

Selina Kyle: Your friend? You think one of your friends is framing you?
Bruce Wayne: One of my mentors says that when you eliminate the impossible, whatever remains, however improbable, must be the truth.

—
+ Quotes on the IMDb

Luther: The Fallen Sun (2023)

DCI John Luther: This isn't a case of wrong place at the wrong time, is it?

Corinne Aldrich: My son is out there somewhere right now. So you need to find him.
DCI John Luther: I'll do the very best I can.
Corinne Aldrich: It's not good enough. I need you to promise me. I need you to promise me you'll find Callum.
DCI John Luther: ... Okay. I promise. I'll bring your boy home. Okay?

David Robey: From what I hear, DCI Luther's a bit of a bad apple. Trouble is, he's a very analog bad apple. Doesn't have what you might call an online presence, which is why I'm calling you. I want everything on him. Every furtive little secret, every intimate disgrace. I want his corruption. I want evidence of any misstep. Any wrongdoing. Any line he's crossed. I want… his shame.

Corinne Aldrich: Liar.

John Luther: I'm still a copper.

Warden: Let them at you?
John Luther: Yeah.
Warden: How does that make sense?
John Luther: Because I'm ready. Can you do it or not?
Warden: I mean, in theory, yeah, but… If it goes wrong, spins out of control, you're a dead man. They'll kill you, John.
John Luther: All right, yeah. I… I can live with that. So let 'em come. Let them come.

DCI Odette Raine: So… Martin… I'm not asking you to catch him for me. We can do that. I'm asking you to save his life.

John Luther: No? Okay, right, well, this is the part where I do something horrible to you like perhaps, I don't know, tattoo your fucking eyeball.

Martin Schenk: Schenk.
John Luther: Wotcha.
Martin Schenk: I was wondering when you'd call.
John Luther: Yeah. I see you're back in the shop then.
Martin Schenk: I'm consulting, yes. Helping them to catch you.

John Luther: Hey, do you want to put 20 on it?
Martin Schenk: On what?
John Luther: Twenty that I get him before you get me.
Martin Schenk: Make it 50.

John Luther: It doesn't matter who you are. We've all got something that you don't want anyone else to know about. Something you're ashamed of. It could be something sexual. Could be financial. Could be criminal... Problem is these days people live their secret lives out on the internet.

John Luther: I think he's probably figured out that in the right circumstances, the fear of shame, the fear of being called out, the fear of being caught is way more powerful than the fear of death.

David Robey: Would you like your daughter back?

Barman: Evening, sir. What can I get you?
John Luther: Oh, I don't know. It's been a long day. What do you suggest?
Barman: I'd say a long day calls for a martini...
John Luther: No.
Barman: Whiskey? We have an 18-year-old Glenmorangie, uh, Tullamore Dew--
John Luther: I'll have a glass of water. If it makes you happy, you can make it fizzy.

John Luther: Boss, I'm sorry, okay? I know that I've let you down… way too often.
Martin Schenk: It wasn't me you let down. The tragedy is that you are a better man than you ever allowed yourself to be.

DCI Odette Raine: I don't understand why you did the things you did.
John Luther: Well, I couldn't see any other way.
DCI Odette Raine: To do what?
John Luther: What had to be done.

David Robey: So, John. I thought I'd kick off by asking you as a… Well, a bit of an expert in these things, apparently. Do you think I can help being what I am? Do you think any of us can?
John Luther: Mate, I couldn't give a fucking monkey's.

Martin Schenk: Wotcha.
John Luther: Wotcha.

Martin Schenk: I don't think you're going back to prison. A job offer, perhaps?...
John Luther: So now what?
Driver: Chief would like a word...

—
On the IMDb
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Chapter One: The Hellfire Club

Stranger Things 4×1

Eleven: 'Some exciting news. Joyce got an amazing new job. She gets to work at home...'
Joyce Byers: Yeah, I'm… I'm not a robot. You do realize that, don't you?
Eleven: 'She says she loves the "freedom."'
Joyce Byers: Prick!

Robin Buckley: It's not the same thing. Okay?
Steve Harrington: Well…
Robin Buckley: You ask out a girl and she says no. Big deal. Nothing happens. Maybe your ego's a little bruised. I ask out the wrong girl, and bam, I'm a town pariah.
Steve Harrington: I'd buy that, except Vickie is definitely not the wrong girl.
Robin Buckley: We just don't know that, do we?
Steve Harrington: She returned Fast Times paused at 53 minutes, 5 seconds. Know who pauses Fast Times at 53 minutes, 5 seconds?... People who like boobies, Robin.
Robin Buckley: Ew! Gross. Don't say boobies.
Steve Harrington: Boobies. Not a big deal, okay? I like boobies. You like boobies. Vickie likes boobies. Definitely. It's boobies.

Eddie Munson: What's your class and level? Level one dwarf?
Erica Sinclair: My name is Lady Applejack. And I'm a chaotic good half-elf rogue, level 14. I will sneak behind any monster you throw my way and stab them in the back with my poison-soaked kukri. And I'll smile as I watch them die a slow, agonizing death. So, we gonna do this, or we gonna keep chitchatting like this is your mommy's book club?

Dustin Henderson: I say we fight. To the death.
Max Mayfield: To the death.
Erica Sinclair: To the death.
— To the death. To the death! To the death!

--
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The Bones of St Nicholas

Inside No. 9 (8×1)

Jasper: You must be Dick?
Dick: Oh, call me Dick. Everyone does.

Dick: Champing — camping in a church. That's what we call it. Though it does have unfortunate connotations of someone eating with their mouth full.

Jasper: I just want to spend a peaceful night here alone with my thoughts and memories.
Dick: Oh, I'm sure you won't be alone... Merry Christmas, Jasper. And God bless us, every one.

Pierce: Hey, watch this... Our lager which art in barrels, hallowed be thy ale. Thy kegdom come, I will be drunk, at home, as in the tavern. Give us this day our foamy head, and forgive us our spillages, as we forgive those who spill against us. Deliver us not into inebriation, for thine is the stout, the bitter, and the lager, forever and ever, barmen!

Jasper: It's St Nicholas. The original Santa Claus.
Posy: You mean the Coca Cola one?
Jasper: Uh, a little before that, I believe.

Dick: Well, I never!... Merry Christmas.

--
On the IMDb

The Killing of a Sacred Deer (2017)

Steven Murphy: Nice watch.
Matthew Williams: Thanks.
Steven Murphy: What's the water resistance?
Matthew Williams: 200 meters.
Steven Murphy: And it's got a date display?
Matthew Williams: Yes, it does.
Steven Murphy: I might have gone for a metal strap instead of a leather strap.
Matthew Williams: Really?
Steven Murphy: Yes. I think I'd prefer a metal strap. I've had this one for years. It's as good as new.
Matthew Williams: What's the water resistance?
Steven Murphy: 100 meters.
Matthew Williams: How long have you had it?
Steven Murphy: Nine years. A little bored of it, actually. I've been thinking of getting a new one for quite a while now.

Kim Murphy: When did you start smoking?
Martin: About eight months ago. I was over at a friend's place. It was a party, actually. And this girl offered me a cigarette and I said, "Why not," and lit up. That was a mistake. I regret it. But it's too late now. I'm addicted.
Bob Murphy: Can you show me the hair under your arms?

Martin: Bob will die. Kim will die. Your wife will die. They will all get sick and die. One: paralysis of the limbs. Two: refusal of food to the point of starvation. Three: bleeding from the eyes. Four: death. One, two, three, four. Don't worry, you won't get sick. You've just gotta stay calm, that's all.

Martin: Uh, one more thing. I'll be very quick. You only have a few days to decide who to kill. Once stage three kicks in, you remember what stage three is? It's bleeding from the eyes, that's stage three. Once the bleeding happens, it's only a matter of hours before they die. Okay, there. I have nothing more to say. Unless you've-- Unless you've any questions.

Steven Murphy: A surgeon never kills a patient. An anesthesiologist can kill a patient but a surgeon never can.

Martin: I don't know if what is happening is fair, but... it's the only thing I can think of that's close to justice.

Anna Murphy: Can it be considered his mistake?
Matthew Williams: Yes. It wasn't mine, that's for sure. You know an anesthesiologist is never to blame for the bad outcome of an operation. The surgeon is always responsible.

Anna Murphy: You have beautiful hands. I never noticed before. Everyone's been telling me lately what beautiful hands you have, and now I can see for myself. Nice and clean. But so what if they're beautiful? They're lifeless... Sometimes, Steven, you're just an incompetent man who goes on and on saying stupid things like “Let's do a scan. Let's do an ultrasound. Let's wear brown socks. Let's make mashed potatoes. Let's go to the beach house."

Steven Murphy: So, what do you suggest? Tell me. No, wait. I know, I've got it. There is a way we can put a stop to all this. All we need to do is find the tooth of a baby crocodile, the blood of a pigeon and the pubes of a virgin. And then we just have to burn them all before sunset. Let me see. Do we have any spare teeth lying around? Teeth? Pubes? No, nothing here!...

Martin: Sometimes, I think you're naive. But you can't be naïve. You're a man of science. You can't be an idiot. But, if I'd only just met you, I would seriously question your depth of judgment.

Steven Murphy: Do you especially like one of them more than the other? If you had to choose between them, which would say is the best?

—
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Werewolf by Night (2022)

Ulysses Bloodstone: Good luck. I'll be rotting for you.

Jack Russell: I suggest we just pass each other by.
Elsa Bloodstone: What?
Jack Russell: I suggest we just pass each other by.

Jack Russell: I understand. It must be complicated to grow up with this family.
Elsa Bloodstone: You have no idea about my family, none.
Jack Russell: I don't... I can tell you my family was different. But all families have something in common. They follow us. For good, for bad. They stay, like they become an atmosphere. And sometimes, we think that by doing something very specific, we can change everything, and not be like them. Or sometimes, they're just a pain in the ass that we have to save all the time. I don't know. It's complicated.

Elsa Bloodstone: Ted?... You have a lovely name.

Jack Russell: Man, I cannot think of food right now. I'm... Let's do sushi. I owe you that. Yes... Yeah, you choose. Yeah.

—
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Last Seen Alive (2022)

Sergeant Anderson: Hey, Roy, you mind taking line three? Said he lost his wife at the Veldro station.
Detective Roy Paterson: Lost his wife?
Sergeant Anderson: Yeah, that's what he said.

Will Spann: Uh, one minute she was here, the next minute she was gone.

Will Spann: Why would I bring you the evidence?
Detective Roy Paterson: You might be clever than most people.

Barry Adams: I mean they... you can't let them disappear like that. There's a suspect on the run.
Detective Roy Paterson: No, there is not.
Barry Adams: No, no, you... Well, how do you mean?
Detective Roy Paterson: Well, suspect of what? In all logic, Lisa should be here now. She is not. That is all we know at this junction.

—
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The Highwaymen (2019)

Journalist: Some folks are saying that Parker and Barrow are heroes, calling them Robin Hoods. Are they Robin Hoods, Ma?
Ma Ferguson: Did Robin Hood ever shoot a gas station attendant point blank in the head for four dollars and a tank of gas? We will capture Clyde Barrow and his paramore. Write that down and underline it twice.

Frank Hamer: She gonna bring back the Rangers?
Lee Simmons: No, never.
Frank Hamer: What capacity then?
Lee Simmons: Special highway assignment.
Frank Hamer: Special highway assignment... Highwaymen?

Frank Hamer: Lady Governor's offering me 130 dollars a month, Glady.
Gladys Hamer: To do what?
Frank Hamer: Hunt down Bonnie and Clyde.

Frank Hamer: Something you want to say?
Gladys Hamer: I'm gonna repaint the kitchen.
Frank Hamer: That's what's on your mind, huh?
Gladys Hamer: Mm-hm. Yellow, I think.

Gault Maney: You came all the way up to the house. What changed your mind?
Frank Hamer: I don't know, maybe seeing you move like you're 85.
Gault Maney: Well, that's honest. Maybe a little too honest.

Gault Maney: Dammit, Pancho, I'm above ground and ready to go. Unless you... think I'm useless.
Frank Hamer: You in good spirits?
Gault Maney: Pretty polite way of asking if I'm drinking.
Frank Hamer: Well, are you?
Gault Maney: I'm not. Not... holding. I could help with the driving.
Frank Hamer: No.
Gault Maney: Or not.

Gault Maney: I never shot a girl before, Pancho.
Frank Hamer: If we can take Clyde long range she'll... she'll surrender.
Gault Maney: We’re gonna shoot a man without fair warning?
Frank Hamer: Well, Lord knows he does.
Gault Maney: Yeah, well, Lord knows that’s what separates us from him.

Frank Hamer: Outlaws and mustangs they always come home.

Frank Hamer: How'd she fall in with an outlaw like Barrow?
Ted Hinton: Bored to tears. Along come Clyde in a fine car. By the time she found out the car was stolen, she was already in love.
Gault Maney: Ain't that romantic. I met my wife she was milking a prize Devon at the Oklahoma State Fair. I can't imagine anybody writing a ballad about that encounter.

Gault Maney: Red River... State line... Oklahoma... Just thought I’d point that out.
Frank Hamer: Thank you.
Gault Maney: It's open range now.

Mr. Barrow: He wasn't born that way. He wasn’t born with no dark soul. My little Huck Finn. That’s what me and Cumie called him. He loved bicycles. What he really wanted to be was a musician. I mean, sure, he liked to dress fine and get the girls and all like that but... You know, he wasn't a bad boy. I had high hopes...
Frank Hamer: People don't always know who they are... until it's too late.

Gault Maney: Clyde might be king, but I'm a Texas Ranger, you little shit.

Frank Hamer: What took you so long?
Gault Maney: There’s a fella in the toilet...

Ivy Methvin: Why should I trust you?
Frank Hamer: Because I said.
Ivy Methvin: ???
Gault Maney: That's just how he's built.

Gault Maney: Manos arribas.

—
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Glass Onion: A Knives Out Mystery (2022)

Knives Out (2019) <<

Claire Debella: Why can't she have her phone?
Lionel Toussaint: 'Cause she's mean.
Birdie Jay: No. Because she's afraid that I will tweet an ethnic slur.
Peg: Again. And you agreed no phone for the rest of the media cycle.
Birdie Jay: I didn't even know that that word referred to Jewish people. I thought it was a generic term for cheap.
Peg: "Jewy"?
Birdie Jay: Everything is so woke these days, it's out of control.

Duke Cody: So this has gotten some attention recently, so obviously I would like to speak to this, and the answer is no, Jimmy Kimmel, I do not hate boobs. Boobs give us many useful things. Boobs give us milk, cheese. Breasts nourish our young until the age where we can go out and hunt for them. Let's be honest. Boobs are fun.

Duke Cody: So when we're talking about the breast-ification of America... I mean, what that means is a breakdown in the natural order. Evolutionary truths that go back billions of years. So when you're asking a young man in America to slow down so a woman can catch up... For centuries, the Western workplace has been dominated by men 'cause... that's what nature made us to do.

Benoit Blanc: I think I might be going insane. My mind is a fueled-up racing car, and I got nowhere to drive it.

Benoit Blanc: I need danger, a hunt, a challenge. I need... a great case.

Benoit Blanc: Is that a motorcar?
Miles Bron: Oh, yeah. That's my Baby Blue. It's one-of-a-kind. Goes anywhere I go. All around the world.
Benoit Blanc: Why is it on the roof?
Miles Bron: 'Cause there's nowhere to drive it on the island.

Miles Bron: It's so good. I am mortified... I've got the predefinite detective in the world at my murder mystery party. That is so legit.

Benoit Blanc: Mr. Bron, I've learned through bitter experience that an anonymous invitation is not to be trifled with.

Miles Bron: If you want to shake things up, you start with something small. You break a norm, or an idea, or a convention, some little business model. But you go with things that people are kind of tired of anyway. Everybody gets excited because you're busting up something that everyone wanted broken in the first place. That's the infraction point. That's the place where you have to look within yourself and ask, "Am I the kind of person who will keep going?" Will you break more things? Break bigger things? Are you willing to break the thing that nobody wants you to break? Because at that point, people are not gonna be on your side. They're gonna call you crazy. They're gonna say you're a bully. They're gonna tell you to stop. Even your partner will say, "You need to stop." Because as it turns out, nobody wants you to break the system itself. But that is what true disruption is. And that is what unites all of us. We all got to that line and crossed it.

Claire Debella: Why would you hang a framed print of the Mona Lisa front and center? It's like having a Che poster in your dorm room.

Miles Bron: Any questions?
Benoit Blanc: Uh, wait... What do we win?
Miles Bron: I... What do you mean? What do you... What do you want?
Benoit Blanc: No. No, nothing, I just... I just thought maybe there was a prize or something. I... An iPad or like...

Benoit Blanc: Oh! Have we started already, is it...
Miles Bron: Well, the murder hasn't happened. But...
Benoit Blanc: Oh, yeah.
Miles Bron: Yeah, why not? As Watson said to Holmes...

Miles Bron: Andi... Andi used to tell me the truth. Nobody does that now. It's all just fake smiles and agendas and people wanting what they think they're owed. Hating you when you don't give it to them because that's what you're there for.

—
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Σ «...louder, sillier, and sunnier than Knives Out»
Σ «...one of the best Netflix movies ever»